96 books like The Sound and the Fury

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.

As a huge fan of Ian McEwan’s early novels with their dark drama, especially The Innocent, I initially gave up on this book after the first 70 pages—but then, thankfully, resumed a while later. 

What seemed a genteel novel about manners transforms into something much more sinister and dramatic. I loved the tense atmosphere of it, with much of the story condensed into one hot pre-war summer’s day and then the later serious repercussions from what, at the time, seem fairly harmless childish actions.

Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.

To say I love this book is to say I love torture, which may not be accurate. It’s better to say it burrowed into my brain and stayed there for far too long. I don’t get scared easily. But this novel caught me differently.

This one freaked me out on a level I’d never experienced before. Why? Because it’s the kind of story that could happen to anyone, especially to dingbats like me. And make no mistake: Nick, the “hero” of this story, is a complete dingbat. I mean, he’s smart. But he makes so many believably bad decisions in the face of a ruinous situation to preserve his own interests that we’re reminded how no one is immune to situations that conspire at every level to defeat us.

This book just gets under your skin and stays there. It did mine.

I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected. 

I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.

I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!

Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs. 

I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,… show more.

I was completely enthralled by Levithan’s main character, A, and how they become a different person every day. The idea of falling in love or having a career or even pursuing an interest—a sport, an instrument, an art form—becomes impossible when you live a life like A does.

I related to the idea that A couldn’t present as an individual, that they could only be whoever they ended up being for the day. Starting over every 24 hours was worse than waking up every morning as the same wrong person. At least I had the benefits of making friends, learning guitar, and having a family. The story made me so sad for A’s loneliness yet made me feel much less alone.

Oh, Celeste Ng is a terrific writer. The story follows Mia and her daughter, Pearl—enigmatic newcomers to town—whose lives become entangled with Mrs. Richardson and her seemingly perfect family. The relationships between the mothers and their teenage children ignite a firestorm of intrigue. I love Ng's nuanced critique of female friendship.

This, Sally Rooney’s first novel, was greeted with widespread critical acclaim. Fresh, witty, knowing, and au courant in its exploration of present-day sexual and romantic entanglements, the novel was clearly the work of a major talent. 

Both Conversations and Rooney’s highly popular second novel, Normal People, have been adapted for television. Perhaps you’ve seen one or both and have read the novels as a result. If not, I urge you to do so, beginning with Conversations. 

I haven’t yet watched either adaptation, but I believe that watching and reading have different sorts of advantages. Against the immediacy and vividness of watching TV shows, reading the novel will allow you to move at your own pace, to savor Rooney’s verbal dexterity, to revisit earlier scenes, and to discover their added significance. Watch (if you haven’t already), read, enjoy!