I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is an anthology of all of the written sources on the Taj Mahal from the period of its construction in the 17th century. It brings together translations of every description or mention of the building in Mughal court histories, or accounts by foreign travellers, and explains all of the historical and religious inscriptions that are written on the building itself. The book is meant for the serious student and lacks narrative flow; but the focus exclusively on written sources dating from the same time as the Taj really helps you understand it in its own time.
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Nur Jahan was one of the great queens of India, but I had never learned about her even in my studies at university.
I felt absolutely transported into her life, ambitions, and loves through this riveting novel that is so poetic you’ll want to read it in your bath with the door locked and a candle lit. This book feels like a window into the life of a woman you wish was your mother, your sister, your best friend.
It’s the first of the trilogy, and a magnificent journey into ancient India and the history of the Taj Mahal.
An enchanting seventeenth-century epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most legendary and controversial empresses -- a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal empire. She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This slim but well illustrated book gives an account of archaeological excavations that the author and others carried out in the mid-1990s. They unearthed the large but previously lost garden called the Mehtab Bagh on the far bank of the River Yamuna, facing the Taj Mahal. In so doing they debunked the long-standing myth about Shah Jahan’s plans to build a black replica Taj on that spot and showed instead what the real original garden scheme was like. Fascinatingly told, the story fully lives up to the claim to reveal ‘new discoveries’.
For 350 years, the Taj Mahal in Agra has reigned luminous and splendid as perhaps the most admired monument in the world. Visitors who gazed across the Yamuna River from the Taj pavilions have viewed what appears to be little more than farmers' fields and barren ground. But historical references as well as paintings from the time of Shahjahan (r. 1628-58) reveal that it was once densely covered by rectangular walled enclosures and lush vegetation. The Mughal emperor Babur built gardens here as a way of evoking the characteristic delights of the homeland he had abandoned when he moved from…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
Ultimately, I’m someone who enjoys a good adventure. Prior to the age of twenty, I had never gone on a vacation or been camping, and the only place I saw Mickey Mouse was on television. Determined to experience a more fulfilling life, I set my sights on becoming a world traveler. I’ve done almost everything to transform the dream into a reality. I’ve studied abroad, served as a Peace Corps Volunteer, worked for an international NGO, served in the U.S. Navy, and done some off-the-grid exploring. After spending nine years abroad and visiting thirty countries, I’m finally a published author. Life Travel And The People In Betweenis my debut memoir.
I must admit that I didn’t know who Nicholas Sparks was prior to reading this book. Had he stuck to romance novels, I would’ve never discovered his amazing life story. Three Weeks with My Brother is so unique that it’s almost unfitting to call it a travel memoir. Instead, it’s a heartfelt international journey down memory lane as Nicholas and his brother Micah take the reader through the ups and downs of their lives. Readers not only get to experience an adventure around the world, but they also encounter a story filled with love, tragedy, success, and everything that makes a person who they are. In this case, that person is Nicholas Spark, a best-selling author, and screenwriter.
The story of two brothers deeply bound by love and tragedy and an extraordinary chronicle of a life-affirming trip
In January 2003 Nicholas Sparks and his brother Micah set off on a three-week trip around the world.
An adventure by any measure, this trip was especially meaningful as it marked another milestone in the life journey of two brothers who, by their early thirties, were the only surviving members of their family. As Nicholas and Micah travel the globe, from the Taj Mahal to Machu Picchu, the story of their family slowly unfolds.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
It really is ‘complete’ as it claims: this is the most thorough and authoritative account of the design and construction of India’s most famous building. Underpinned by robust scholarship, the story is engagingly told and wonderfully illustrated with many photographs and diagrams. The author visually reconstructs the larger (now lost) series of riverside gardens in Agra, and explains how the Taj Mahal fitted into this unique built environment.
Leads the reader through the whole complex and gardens of the Taj Mahal, illustrated by hundreds of new photographs and drawings and with an in-depth explanation of each building. This encounter is framed by a complete account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day, with the result that the most familiar image in the world is suddenly endowed with new significance and added wonder.
