Here are 100 books that The Moonlight Garden fans have personally recommended if you like
The Moonlight Garden.
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I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
It really is ‘complete’ as it claims: this is the most thorough and authoritative account of the design and construction of India’s most famous building. Underpinned by robust scholarship, the story is engagingly told and wonderfully illustrated with many photographs and diagrams. The author visually reconstructs the larger (now lost) series of riverside gardens in Agra, and explains how the Taj Mahal fitted into this unique built environment.
Leads the reader through the whole complex and gardens of the Taj Mahal, illustrated by hundreds of new photographs and drawings and with an in-depth explanation of each building. This encounter is framed by a complete account of the mausoleum's urban setting, its design and construction, its symbolic meaning, and its history up to the present day, with the result that the most familiar image in the world is suddenly endowed with new significance and added wonder.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
Published to coincide with an exhibition held at the Los Angeles County Museum of Art back in 1989, this book still offers one of the best introductions to the cultural world of the Taj Mahal. Written by the curators at LACMA, the various chapters place the design of the tomb in the wider context of the decorative arts of Mughal India and show how it has also inspired later artists around the world.
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is an anthology of all of the written sources on the Taj Mahal from the period of its construction in the 17th century. It brings together translations of every description or mention of the building in Mughal court histories, or accounts by foreign travellers, and explains all of the historical and religious inscriptions that are written on the building itself. The book is meant for the serious student and lacks narrative flow; but the focus exclusively on written sources dating from the same time as the Taj really helps you understand it in its own time.
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I am an art historian and have been engaged with India for over 40 years. Among other topics, I write about the Rajput courts in Rajasthan – especially Jaipur and Jodhpur – and about the Mughal cities of Delhi and Agra. I taught courses on these subjects at the University of London (at SOAS) in the 1990s. Since 2004 I have been living in India, where I work with museum trusts and with travel companies. Before the pandemic, I lectured regularly to tour groups visiting sites like the Taj Mahal, my aim being to bring the insights provided by expert research to a wider audience.
This is a survey of all Mughal architecture, in which only a few pages are devoted to the Taj Mahal directly, but for anyone who wants to understand the Taj not as something unique and inexplicable, but as a logical part of a longer tradition of design, this book is essential reading. While there are other surveys of Mughal architecture on offer, a major strength of this one is the author’s inclusion of many minor and provincial buildings that provide a wider context for the famous stand-out masterpieces like the Taj.
In Architecture of Mughal India Catherine Asher presents the first comprehensive study of Mughal architectural achievements. The work is lavishly illustrated and will be widely read by students and specialists of South Asian history and architecture as well as by anyone interested in the magnificent buildings of the Mughal empire.
As a queer/bi girl labeled as a tomboy from early on, I ached for a sense of belonging in my life that I only found in books. The adventurous women and girls that I looked for in the pages of books that were like friends to me spanned from Anne of Green Gables to Harriet the Spy. As I got older, I realized that important and awesome adventurous women had been left out of my history books, and only now are we starting to find out who they were, and how many women like myself were erased, and are now being redeemed through these wonderful stories.
Nur Jahan was one of the great queens of India, but I had never learned about her even in my studies at university.
I felt absolutely transported into her life, ambitions, and loves through this riveting novel that is so poetic you’ll want to read it in your bath with the door locked and a candle lit. This book feels like a window into the life of a woman you wish was your mother, your sister, your best friend.
It’s the first of the trilogy, and a magnificent journey into ancient India and the history of the Taj Mahal.
An enchanting seventeenth-century epic of grand passion and adventure, this debut novel tells the captivating story of one of India's most legendary and controversial empresses -- a woman whose brilliance and determination trumped myriad obstacles, and whose love shaped the course of the Mughal empire. She came into the world in the year 1577, to the howling accompaniment of a ferocious winter storm. As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She…
Michael Schuman is the author of three history books on Asia, most recently Superpower Interrupted: The Chinese History of the World, released in 2020. He has spent the past quarter-century as a journalist in the region. Formerly a correspondent for The Wall Street Journal and Time magazine, he is currently a contributor to The Atlantic and a columnist for Bloomberg Opinion.
Mixing deep archival scholarship with brilliant storytelling, Dalrymple transports the reader into the final days of the Mughal Empire and its last emperor. The story centers on Delhi during the mutiny against British rule in 1857, the last great attempt by the Indians to throw off their European overlords until Gandhi. What begins with hope ultimately ends in tragedy, for the Mughal poet-ruler who fails to grasp his chance to change history, and the brilliant civilization his empire had fostered.
At 4pm on a dark, wet winter's evening in November 1862, a cheap coffin was buried in eerie silence: no lamentations, no panegyrics, for as the British Commissioner in charge of the funeral insisted, 'No vesting will remain to distinguish where the last of the Great Moghuls rests.' This Mughal was Bahadur Shah Zafar II, one of the most talented, tolerant and likeable of his remarkable dynasty who found himself leader of a violent uprising he knew from the start would lead to irreparable carnage. Zafar's frantic efforts to unite his forces proved tragically futile. The Siege of Delhi was…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a Professor of early-modern British History at the University of Oxford and a Senior Research Fellow at Jesus College, Oxford, who was a specialist in the Tudor period, especially the life and reign of Elizabeth I. However, while doing research over the past six years, I became excited by the politics, religion, and culture of the Jacobean period. James I’s reign had been a topic I taught in a week to undergraduates, but I realised that I didn’t do justice to this rich and important period. Not only is it fascinating in its own right, but James’s reign had a huge impact on a long stretch of British and world history.
I found this book utterly engrossing. The subject of Sir Thomas Roe’s embassy to India from 1616 to 1619 interested me in part because of my interest in cross-cultural exchanges and partly because of my own visit to some of the places previously trodden by Roe.
I liked the fact that the book had a clear argument, namely that Roe’s previous personal and political experiences influenced his perceptions and conduct in India.
Above all, I found the writing a joy. Despite its undoubted scholarship, the book reads as a novel. Das brings colour to all the descriptions, whether of people, places, or events. I wish I could write like that.
WINNER OF THE BRITISH ACADEMY BOOK PRIZE
A SPECTATOR, WATERSTONES, BBC HISTORY MAGAZINE, PROSPECT AND HISTORY TODAY BOOK OF THE YEAR
A profound and ground-breaking new history of one of the most important encounters in the history of colonialism: the British arrival in India in the early seventeenth century.
'A triumph of writing and scholarship. It is hard to imagine anyone ever bettering Das's account of this part of the story' - William Dalrymple, Financial Times
'A fascinating glimpse of the origins of the British Empire . . . drawn in dazzling technicolour' - Spectator
'Beautifully written and masterfully researched,…
I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.
If Eastern and Central Europe are often ignored in historical fiction in the sixteenth century, that’s even more true of lands east of the Ural Mountains. This gorgeous study of Mughal India in the reigns of Emperor Humayun and his son Akbar charts the story of Adhira, a temple dancer in Rajasthan. Born during one of her homeland’s rare rainstorms, Adhira bears the weight of her father’s expectation that she will carry on the kathaktradition to which he has devoted his life. Through the story of Adhira and her brother Mahendra, Duva—herself a practitioner of kathak—plunges us into the highs and lows of temple life and reveals a deep understanding of the religious dance she portrays.
Shortlisted for the 2016 William Saroyan International Prize for Writing
It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it.
Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s…
The past fascinates me because it is strange and different to the world we live in today. That is why I prefer looking at earlier centuries than contemporary times because the distant past requires an extra effort on our part to unlock how people back then made sense of their world. When I read an old chronicle on how Indigenous people spent days traveling to meet acquaintances and even strangers, it piqued my interest. Did they really need to meet face-to-face? What did traveling mean to them? The books on the list below are attempts by historians to understand the travelers of the past.
Unwanted Neighbours is a captivating look at the frontier interactions between the Mughals and the Portuguese.
I like how Flores breaks the typical division between maritime and overland empires. The Mughal Empire was as much maritime as it was territorial, and the Portuguese maritime empire had an overland side to it as well.
The stories of cross-cultural relations in the book give texture to the past and help readers imagine the complexities of the characters in Mughal India.
In December 1572 the Mughal emperor Akbar arrived in the port city of Khambayat. Having been raised in distant Kabul, Akbar, in his thirty years, had never been to the ocean. Presumably anxious with the news about the Mughal military campaign in Gujarat, several Portuguese merchants in Khambayat rushed to Akbar's presence. This encounter marked the beginning of a long, complex, and unequal relationship between a continental Muslim empire that was expanding into south India, often looking back to Central Asia, and a European Christian maritime empire whose rulers considered themselves 'kings of the sea'.
I’ve always been in love with books and writing, but in high school I realized I wanted to touch people’s lives on an emotional level. A friend told me my writing had changed their perspective about an incident where their brother almost died. It made me think that if I could positively impact one person with a play, what else could I do (even for complete strangers). We all struggle with emotions, and it’s okay! We should be allowed to feel our emotions—regardless of our age or gender identity. Everyone should know that they’re not alone; emotions are universal. They are part of what connects us to each other.
As you can probably see, I like books that are emotionally provocative. This book does just that! It’s just such a different kind of story where the protagonist was built to be exactly like someone else, including memories and life, just in case something happens to the original. It’s a raw look at who someone really is and how they become that person.
Eva's life is not her own. She is a creation, an abomination - an echo. Made by the Weavers as a copy of someone else, she is expected to replace a girl named Amarra, her 'other', if she ever died. Eva studies what Amarra does, what she eats, what it's like to kiss her boyfriend, Ray. So when Amarra is killed in a car crash, Eva should be ready.
But fifteen years of studying never prepared her for this.
Now she must abandon everything she's ever known - the guardians who raised her, the boy she's forbidden to love -…
