100 books like Monkey King

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

Michael Sullivan was a leading expert on twentieth-century Chinese art and he and his partner Choan donated his world-class collection to the Ashmolean - the world’s first public museum. The cover portrait is by Qu Leilei. This tribute book includes ten essays by friends, colleagues, art experts, and artists including Qu Leilei and Weimin He. Linking visual arts, calligraphy, and poetry is very Chinese. Strangely, Michael Sullivan’s first visit to China was in 1939 driving an ambulance for the Red Cross.

I am disturbed by what is happening in Hong Kong and Xinjiang but it’s important to take a long and balanced view if we want to influence China. Chinese dynasties harbour long memories including the humiliation of the Opium Wars and the sacking of the Imperial Summer Palace by colonial powers and the atrocities committed by Japan in WW2 in China. If we start by empathising with this shared but forgotten history of China in WW2, maybe we can help swing the pendulum to one that respects the diversity that is needed in both East and West.

Fiction and biography are a good way of walking in someone else’s shoes. Although this biography isn’t a gripping read, I’d recommend it for anyone interested in depth about Chinese culture and society and how it changed over one hundred years. It follows the lives of well-educated sisters from a prosperous background not just in Beijing and Shanghai but in a diversity of provinces too.

One appeal of falling in love with a monster is the knowledge that a creature more than capable of killing you has chosen to cherish you instead.

The tigers in this book are dangerous, as both Dieu, paramour of tiger Ho Thi Thau, and Chih, a cleric anxiously telling Dieu and Ho Thi Thau’s story to a trio of hungry tigers can attest. Luckily for Dieu, Ho Thi Thau finds her more interesting than appetizing, with the romantic impulse to see each of her moods—anger and joy and frustration—knowing she will adore them all.

While there may be quibbles over the details of the story, it is safe to say that tigers and humans alike will agree that Ho Thi Thau deserves a little kiss, and that Dieu is just the woman to deliver it.

Absorbed by Chinese culture while a grad student in Hong Kong, Susan Blumberg-Kason is charmed into marriage with Cai, a PhD student of Taoist music from the Hubei Province backwater. Marital discord arises when the openhearted Midwesterner realizes her function as a wife is to produce a son, turn it over to his (not her) parents for upbringing, and get out of the way so the husband can carry on with his philandering and porn watching. But even as he molts his intellectual shell and his narcissistic monster emerges, Cai can also be sympathetically understood as a product of his culture. Intercultural conflict is what makes this fairy tale so readable and engrossing, with its timeless theme of the loving sweetheart enthralled and entrapped in her dark prince's perverted castle. What moved me most was Blumberg-Kason’s honesty in laying everything bare, at the risk of baring her own flaws.

While it’s important to get a grip on what’s going on inside China, it\s also essential to appreciate how China presents itself and tries to influence the world and a second but rather different book that does this is this one. But instead of looking at China from an international relations point of view, these authors look at how the Communist Party uses agencies and institutions to not only influence politicians, think tanks, universities, and businesses in other countries - which is by no means unique - but also to interfere, which is more exceptional. 

This book makes a number of claims, and while some may be more soundly based than others, readers should look at the themes in the round and will learn a lot of what they might not have suspected r read about before.

Xinjiang Province was a very different place mere decades ago when it was China’s Wild West and all kinds of foreign characters were drawn to the region like a magnet. Englishman Robert Davies ran bars and tourism ventures and married an Uyghur woman, a love affair passionately recounted in his memoir, before being arrested for hashish smuggling on trumped-up charges (a drug native to the Uyghurs, who openly sold it in Xinjiang restaurants in Beijing as late as the 1990s) and sent to a Shanghai prison for eight years. Davies and those busted with him were the first such group of foreigners to be made an example of (and survive with mind intact). His account is highly readable, chock full of vivid detail, and an excellent general introduction to Chinese culture and society of the 1980s—from within the belly of the beast. I was most impressed by Davies’ fearless embrace… show more.

A great place to start to understand the long history of connections between East Asia and the rest of the world. Thirteen chapters take the reader from the Mongol Empire in the thirteenth century up to the end of the Second World War. Each follows a particular person and their encounters with peoples of Inner and Central Asia, Europe, and Africa. They show how many things that historians have assumed to be ‘Chinese’ were borrowed from foreigners. Even the idea of the Great State, the framework through which later Chinese emperors used to describe their realm was taken from the Mongols. They also allow us to remember the ‘messiness’ of history with pioneers and villains on all sides.

An exploration into the future consequences of China’s one-child policy, I discovered An Excess Male by accident, finding a battered second-hand copy in a local Berlin bookstore. And what a find! Maggie Shen King’s novel skillfully weaves together the narratives of its four protagonists, all of whom are part of — or about to join — a single group marriage. With this future China housing far more men than women, such marriages are increasingly common, yet the novel doesn’t limit itself, as it also explores the status of closeted gay men and people with autism. It’s a horrifyingly real and addictive story.