Here are 100 books that Monkey King fans have personally recommended if you like
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I studied modern Chinese history so, when Qu Leilei told me the story of the Stars Art Movement, I couldn’t understand why I hadn't heard their courageous story. I spent three years interviewing Qu Leilei, researching and visiting China with him before writing the Stars story as a historical novel. I am a freelance writer, author, and speaker.
I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time.
Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.
Award-winning artist Qu Lei Lei offers an inspirational view of art from the Chinese perspective. Instead of looking at the sketch as an end in itself, he focuses on the work as personal fulfillment for the artist and as a valued meditation. All the essential techniques are here?from choosing and using materials to mixing the ink to mastering brushstrokes. With the natural world as his subject, Lei Lei pulls out key features?water, trees, landscapes?and focuses on practical ways of depicting their different varieties. A master class covers techniques for capturing pets at play, and for conveying the spirit of all…
I studied modern Chinese history so, when Qu Leilei told me the story of the Stars Art Movement, I couldn’t understand why I hadn't heard their courageous story. I spent three years interviewing Qu Leilei, researching and visiting China with him before writing the Stars story as a historical novel. I am a freelance writer, author, and speaker.
Michael Sullivan was a leading expert on twentieth-century Chinese art and he and his partner Choan donated his world-class collection to the Ashmolean - the world’s first public museum. The cover portrait is by Qu Leilei. This tribute book includes ten essays by friends, colleagues, art experts, and artists including Qu Leilei and Weimin He. Linking visual arts, calligraphy, and poetry is very Chinese. Strangely, Michael Sullivan’s first visit to China was in 1939 driving an ambulance for the Red Cross.
I have been addicted to Asia ever since serving in Tokyo for three marvelous years as The Economist’s correspondent in 1983-86 and since watching the rise of China, India, and South-East Asia from my privileged perch as editor-in-chief of The Economist in 1993-2006. For much of those years I have been writing about politics and economics rather than war and peace, but two key events recently convinced me to study something new. These were Russia’s invasion of Ukraine in February 2022 and then my beloved Japan’s decision to shake off its post-war shackles and build up its own defense forces in order to help prevent something like that from happening in Asia, too.
If war is to be avoided, it is vital to understand the thinking of both sides. Rana Mitter was for many years the top historian on China at Oxford University and has now moved to Harvard to become chair of US-Asia Relations. History is not the only driver of conflicts, but it is an important one, and Rana’s book really helped me understand how modern China has been shaped by its war-torn 20th-century history, especially the 1937-45 war that China fought with Japan.
Chinese leaders once tried to suppress memories of their nation's brutal experience during World War II. Now they celebrate the "victory"-a key foundation of China's rising nationalism.
For most of its history, the People's Republic of China limited public discussion of the war against Japan. It was an experience of victimization-and one that saw Mao Zedong and Chiang Kai-shek fighting for the same goals. But now, as China grows more powerful, the meaning of the war is changing. Rana Mitter argues that China's reassessment of the World War II years is central to its newfound confidence abroad and to mounting…
I studied modern Chinese history so, when Qu Leilei told me the story of the Stars Art Movement, I couldn’t understand why I hadn't heard their courageous story. I spent three years interviewing Qu Leilei, researching and visiting China with him before writing the Stars story as a historical novel. I am a freelance writer, author, and speaker.
Fiction and biography are a good way of walking in someone else’s shoes. Although this biography isn’t a gripping read, I’d recommend it for anyone interested in depth about Chinese culture and society and how it changed over one hundred years. It follows the lives of well-educated sisters from a prosperous background not just in Beijing and Shanghai but in a diversity of provinces too.
The true story of four sisters born between 1907 and 1914 in China, Four Sisters of Hofei is an intimate encounter with history. The Chang sisters lived through a period of astounding change and into the twenty-first century. Unusual opportunities and an extraordinary family education launched them into varied worlds -- those of the theater, modern literature, classical studies, and calligraphy -- but their collective experience offers a cohesive portrait of a land in transition. With the benefit of letters, diaries, poetry, and interviews, writer and historian Annping Chin shapes the Chang sisters' stories into a composite history steeped in…
I am a writer and performer born and raised in New York City. In my previous life, I was an Emmy-nominated journalist and digital media producer, covering sexual and reproductive health. In addition to writing, I love musical improv, opera, Olympic weightlifting, and spending time with my wife and dog.
One appeal of falling in love with a monster is the knowledge that a creature more than capable of killing you has chosen to cherish you instead.
The tigers in this book are dangerous, as both Dieu, paramour of tiger Ho Thi Thau, and Chih, a cleric anxiously telling Dieu and Ho Thi Thau’s story to a trio of hungry tigers can attest. Luckily for Dieu, Ho Thi Thau finds her more interesting than appetizing, with the romantic impulse to see each of her moods—anger and joy and frustration—knowing she will adore them all.
While there may be quibbles over the details of the story, it is safe to say that tigers and humans alike will agree that Ho Thi Thau deserves a little kiss, and that Dieu is just the woman to deliver it.
From Locus and Ignyte finalist, Crawford Award winner, and bestselling author Nghi Vo comes the second installment in a Hugo Award-winning series
"A stunning gem of a novella that explores the complexity and layers of storytelling and celebrates the wonder of queer love. I could read about Chih recording tales forever."―Samantha Shannon, New York Times bestselling author of The Priory of the Orange Tree
"Nghi Vo is one of the most original writers we have today."―Taylor Jenkins Reid on Siren Queen
The cleric Chih finds themself and their companions at the mercy of a band of fierce tigers who ache…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Xinjiang Province was a very different place mere decades ago when it was China’s Wild West and all kinds of foreign characters were drawn to the region like a magnet. Englishman Robert Davies ran bars and tourism ventures and married an Uyghur woman, a love affair passionately recounted in his memoir, before being arrested for hashish smuggling on trumped-up charges (a drug native to the Uyghurs, who openly sold it in Xinjiang restaurants in Beijing as late as the 1990s) and sent to a Shanghai prison for eight years. Davies and those busted with him were the first such group of foreigners to be made an example of (and survive with mind intact). His account is highly readable, chock full of vivid detail, and an excellent general introduction to Chinese culture and society of the 1980s—from within the belly of the beast. I was most impressed by Davies’ fearless embrace…
Robert Davies first went to China in 1988 as an overland backpacker and, after a hair-raising two months touring Pakistan, found himself in Kashgar, the fabled Silk Road city. Here his life was irrevocably changed when he fell head over heels in love with Sharapet, an Uighur lady who was already married with a ten-year-old daughter. Love made them blind to the bureaucracy they had to face, strong for the thousands of miles they had to travel to obtain permission to marry, and resolute against the rage of Sharapet's revenge-seeking ex-husband. But Robert became involved in the trafficking of hashish.…
As a psychologist and university professor teaching internationally, I’ve had opportunities to listen to people’s stories globally, and impart wisdom gleaned from my own cross-cultural experiences. Invitations to share ranged from teaching others inner and spiritual healing methods to being Reader’s Digest’s “Online Ask an Expert about Infidelity”, to training local recovery workers during the two deadliest disasters of this century. Therefore, I cannot say I ‘chose’ to become an expert on betrayal. It chose me. From childhood on, betrayal gave me opportunities to personally experience and learn from interpersonal infidelities, health crises, social injustice, and mass trauma. The school of hard-knocks tests us first—then we get the teaching.
Dangerous Friend is an Eastern wake-up call for Western ‘seekers’ and ’would-be spiritual teachers’. Drawing from Vajrayana teachers, Rig’dzin Dorje clarifies betrayal is a “final portal of freedom…in which we are able to question…our narcissistic determination to maintain the illusion of duality.” As a transpersonal psychologist, I’ve noticed sometimes Western seekers who hunger for enlightenment imagine devotion to their Spiritual Teacher will give them a ticket to ride a wave of bliss into nirvana.
A teacher must betray a student’s fantasies, attachments, and delusions, (including those about their teacher), in favor of devotion to the teachings. Despite a desire to have others be accountable to us, and responsible for us, this book confirms the necessity to cultivate Self-compassion and awareness—and to turn inward for liberation.
Although Tibetan Buddhism continues to grow in popularity, the crucial relationship between teacher and student remains largely misunderstood. Dangerous Friend offers an in-depth exploration of this mysterious and complex bond, a relationship of paramount importance in Tibetan Buddhist practice.
According to Tibetan Buddhist tradition, the student must have complete trust in the teacher (the "dangerous friend") if he or she is to achieve any understanding. It is the teacher's responsibility to uphold the integrity of the tradition, the basis of which is compassion for all beings, by transmitting it properly to an appropriate student. Likewise, it is the student's responsibility…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Charles Welsh Mason, self-described
“unconscious martyr of the Antichrist,” for reasons the author himself is only
able to ascribe to a “morbid hallucination,” gives up his post, servants, and
comfortable life as a young English customs officer in a treaty port in 1890s
China for a bizarre plot to lead a band of Chinese rebels to overthrow the
Manchu Government and declare himself “King of China.” The scheme unravels when
he’s caught with a hoard of illegal arms. Almost unbearable suspense unfolds,
masterfully narrated, as the authorities struggle to connect the dots. Even
after his arrest Mason is wined and dined by his British superiors in Shanghai,
incomprehension preventing their full appreciation of his mad plot. Finally
imprisoned, Mason is shipped back to England to live out his remaining decades
as a solitary eccentric. I do not recall any book set in China’s past or
present, whether fiction or nonfiction,…
In this old China tale like no other, Englishman Charles Mason tells of his doomed attempt to overthrow the Qing dynasty.
Lawrence of Arabia famously wrote that, "All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men," for they may act upon their dreams. Such a man was young Charles Mason, who, in the late 1880s, secured a job with China's British-run Imperial Maritime Customs Service at a river port. Here the glamor…
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
This book is an excellent introduction to some of the most important characters in modern Chinese history, from nineteenth-century reformers to twentieth-century communist leaders. We meet some of the characters I write about in The Invention of China like the great journalist Liang Qichao and the revolutionary leader Sun Yat-sen, along with others such as Mao Zedong. The authors link their overlapping lives together showing how the old Qing Empire crumbled and was overthrown and replaced by a new Republic, which was itself overthrown within 40 years. It’s a great way to experience China’s journey from a time when it could be described as the ‘Sick Man of Asia’ to an era in which its ‘strength and power’ unsettled the world.
By now everyone knows the basic facts of China's rise to pre-eminence over the past three decades. But how did this erstwhile sleeping giant finally manage to arrive at its current phase of dynamic growth? How, after such a long and painful period of dynastic decline, intellectual upheaval and revolution, foreign occupation and civil war, did a country once derided as the 'sick man of Asia' manage to break out of its old pattern of repeatedly failed reform efforts to burst forth onto the world stage with such an impressive run of hyperdevelopment and wealth creation? How did the century-long…
I'm a historian of modern China who specializes in the history of science. My professional life revolves around teaching history at the University of Massachusetts Amherst and writing academic books and articles—but my not-so-secret dream has always been to write for children. For the past decade, I've been a regular visitor to the Eric Carle Museum of Picture Book Art. Encouraged by a chance meeting with a publisher’s representative attending an event at the Carle, I decided to distill my academic book, Red Revolution, Green Revolution: Scientific Farming in Socialist China, into a children’s story. I’m proud that my fans now include elementary-school students…and at least one professional historian has admitted he read the kids’ version first!
This graphic novel, based on the author’s own childhood experiences, offers a darker picture of life in 1970s China than I usually like to share with other Americans, whose view is often already bleak at best. But Little White Duck passes my nuance test: for every episode that strikes the reader as shockingly foreign, there is something that highlights the commonality of human experience. The story begins in 1976, when four-year-old Na attends a funeral for Chairman Mao with her grief-stricken parents. In the years that follow, Na’s life continues to be shaped by political campaigns: inspired by the heroic tales of Lei Feng, Na and her friend perform many acts of kindness, but their attempt to “save” some baby chicks ends badly.
Most poignant of all is the story of Na’s trip to visit her grandmother in the countryside, where Na comes face to face with profound social inequity.…
The world is changing for two girls in China in the 1970s. Da Qin―Big Piano―and her younger sister, Xiao Qin―Little Piano―live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.
