Here are 100 books that Little White Duck fans have personally recommended if you like
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I'm a historian of modern China who specializes in the history of science. My professional life revolves around teaching history at the University of Massachusetts Amherst and writing academic books and articles—but my not-so-secret dream has always been to write for children. For the past decade, I've been a regular visitor to the Eric Carle Museum of Picture Book Art. Encouraged by a chance meeting with a publisher’s representative attending an event at the Carle, I decided to distill my academic book, Red Revolution, Green Revolution: Scientific Farming in Socialist China, into a children’s story. I’m proud that my fans now include elementary-school students…and at least one professional historian has admitted he read the kids’ version first!
This utterly charming collection of short stories by acclaimed cartoonist Nie Jun offers an insider’s glimpse into the alleys (hutong) of a Beijing neighborhood. Originally written for a Chinese audience, the book portrays a community that is quintessentially “old Beijing” and will be sweetly recognizable to anyone fortunate enough to have lived there in decades past: we see not only famous landmarks peeping out from behind the curved tile roofs of the classic courtyard-house (siheyuan) architecture, but also the green pillar mailboxes, low wooden courtyard chairs, bicycle repair stands, outdoor water spigots and washbasins, colorfully dressed old ladies dancing in the public square, and other authentic details that a book written for an international audience might not think to include.
The stories revolve around a young girl with an almost mystical connection to her quirky grandfather and are full of the kind of “everyday wonder” that…
Yu'er and her grandpa live in a small neighborhood in Beijing―and it's full of big personalities. There's a story around every corner, and each day has a hint of magic.
In one tale, Yu'er wants to swim in the Special Olympics, a sports competition for people with disabilities. But she and her grandpa don't have a pool! Their trick to help Yu'er practice wows the whole neighborhood. In another story, a friend takes Yu'er to a wild place full of musical insects. Later, Yu'er hears a special story about her grandparents. And in the final…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
Where the Mountain Meets the Moondrew me in with its beautiful illustrations and glimpse into the rich mythologies of China.
Minli, a poor girl, lives where Fruitless Mountain and Jade River meet and like Haroun, has a storyteller father. When she spends two copper coins on a talking goldfish, it tells her how to find the Old Man on the Moon and change her family’s fortune. Minli sets off on her quest in the company of a dragon who cannot fly and discovers that good fortune means more than riches.
A delightful fable of friendship and family, with stories from Chinese folklore embedded within the main narrative.
In the valley of Fruitless mountain, a young girl named Minli lives in a ramshackle hut with her parents. While her father regales her with old folktales of the Jade Dragon and the Old Man in the Moon, Minli's mother chides him for filling her head with stories. But inspired by these stories, Minli spends one of her precious copper pennies on a beautiful goldfish, which is said to be able to change the fortune of the owner. Her mother reprimands her for the silly purchase, but, it pays off when the goldfish talks and offers to show her the…
Being half-Chinese and half-Peranakan, I grew up in a mixed cultural environment but went to secondary school with a strong Chinese culture. I became aware of my inferior knowledge, not just of the language, but also Chinese culture and history. Hence I immersed myself in the Chinese environment. But there is so much in this long and illustrious history of one of the oldest civilisations that my initial motive to learn was soon replaced by a genuine interest. Now I am always on the lookout for anything related to China, its history, and the Chinese culture.
I always like reading anything about day-to-day living in China. In this book, I loved the descriptions of what life is like in rural China, eg making their own reed shoes and building their own roofs. On the surface, this book is about the idyllic life in the countryside. However, it is set during the cultural revolution but so subtly described in the back-drop that it is perfect for the target audience. We often read about the people banished to the countryside, and this book tells me what happens to them when they arrive.
I also enjoyed it as it is a translated text, so there is a sense that this is authentic.
A classic, heartwarming tale set to the backdrop of the Chinese cultural revolution, with the timeless feels of Eva Ibbotson's Journey to the River Sea.
A beautifully written, timeless tale by bestselling Chinese author Cao Wenxuan, winner of the Hans Christian Andersen Award. When Sunflower, a young city girl, moves to the countryside, she grows to love the reed marsh lands - the endlessly flowing river, the friendly buffalo with their strong backs and shiny round heads, the sky that stretches on and on in its vastness. However, the days are long, and the little girl is lonely. Then she…
Growing up in a household with a fantasy author dad and a philosophy professor mom, I learned to appreciate stories that expressed big ideas. I realized the books and movies I liked weren’t just vehicles for ideology, but that ideas are the hooks that draw me into a story. I’ve also always loved animals and monsters. Like Miyazaki and C.S. Lewis, I was attempting to create a narrative that brought my beliefs and interests together. Now I live in Southern California with my husband, son, and cat, surrounded by rattlesnakes, tarantulas, hawks, and coyotes. It’s an imperfect, beautiful world!
I’ve always loved Hong Kong New Wave movies, but they often emphasize action and flashy melodrama over historical context. For someone wanting to dig a little deeper, the graphic novel Boxers & Saints is a look into the parallel lives of two Chinese teenagers during the Boxer Rebellion—One is a red-blooded patriot eager to fight Western invaders. The other is a troubled girl who finds liberation in Christianity. Both characters are carried along, motivated, and then betrayed by fanaticism. When their paths cross, they are forced to learn the difference between religious faith and religious mania. The simple artwork isn’t meant to be lingered over…I read all 512 pages at breakneck speed.
The Boxers & Saints Boxed Set from Gene Luen Yang, one of the greatest comics storytellers alive, brings all his formidable talents to bear in this astonishing work.
In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful.
But in the second volume, Yang lays out the opposite side of the conflict.…
From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
As a Children’s Librarian for over 30 years, my passion has been for the sound of language. I want children to hear rhythmic, joyful language that will make them fall in love with words. My own career as a storyteller and author continues this same love of language. I try to write my own picture books in such a way that any adult who picks them up will read them out with the same kind of verve and joy that I put into them.
“Mommy, buy me a China Doll, Do, Mommy Do,” but, “What could I buy it with, Eliza Lou?” Eliza Lou has many suggestions…trade our Daddy’s feather bed…"Then where would Daddy sleep”…He could sleep in the horsey’s bed. “Then where would horsey sleep”…and on and on until Eliza ends up asleep herself…on Mommy’s lap. A soothing lullaby with or without the evocative illustrations by the Zemach team.
"When Mommy wonders how to get a china doll for Eliza Lou, Eliza suggests they trade Daddy's featherbed...The ridiculous swapping of sleeping places is aptly portrayed in strong, boldly drawn, colored illustrations which underline the humor and folk quality of the lilting cumulative verses. A deliciously funny picture book for small children."-Booklist
Looking around me as a young man I found a grey world that had been stripped of all its glory and fabulousness by the exploitation and utilitarianism of human beings.
Alexandra David-Neel was an amazing explorer. She was the first European woman to meet the Dalai Lama and in 1924 became the first to enter the forbidden Tibetan capital, Lhasa. She had already spent a decade travelling through China, living in a cave on the Tibetan border, where she learned about Buddhism from hermits, mystics, and bandits.
She describes in this book how these people learnt such seemingly impossible skills such as telepathy, defying gravity, running for days without food or drink or sleep, and surviving with hardly any clothes in the subzero Himalayan blizzards.
This magical world vanished when the Chinese invaded in 1947.
To think that this miraculous way of life existed in the same century as me…
For centuries Tibet has been known as the last home of mystery, the hidden, sealed land, where ancient mysteries still survive that have perished in the rest of the Orient. Many men have written about Tibet and its secret lore, but few have actually penetrated it to learn its ancient wisdom. Among those few was Madame Alexandra David-Neel, a French orientalist. A practicing Buddhist, a profound historian of religion, and linguist, she actually lived in Tibet for more than 14 years. She had the great honor of being received by the Dalai Lama; she studied philosophical Buddhism and Tibetan Tantra…
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
My life has never been very conventional. As a 6’6 nonbinary queer writer who’s been polyamorous for over a decade, I’m very fortunate to live with my two loving partners here in Berlin. My writing focuses on nontraditional and nonmonogamous forms of love, from novels to articles and short stories which have been published in The Sun Magazine, Passages North, Booth, and Guernica. I’ve served on the review committee for the Conference on the Future of Monogamy and Nonmonogamy at UC Berkeley, publicly debated the issue at UCL, and my campaign work for LGBTQ+ and polyamory rights has been referenced in The Mirror, Buzzfeed, and BBC News.
An exploration into the future consequences of China’s one-child policy, I discovered An Excess Male by accident, finding a battered second-hand copy in a local Berlin bookstore. And what a find! Maggie Shen King’s novel skillfully weaves together the narratives of its four protagonists, all of whom are part of — or about to join — a single group marriage. With this future China housing far more men than women, such marriages are increasingly common, yet the novel doesn’t limit itself, as it also explores the status of closeted gay men and people with autism. It’s a horrifyingly real and addictive story.
From debut author Maggie Shen King, An Excess Male is the chilling dystopian tale of politics, inequality, marriage, love, and rebellion, set in a near-future China, that further explores the themes of the classic The Handmaid's Tale and When She Woke. Under the One Child Policy, everyone plotted to have a son. Now 40 million of them can't find wives. China's One Child Policy and its cultural preference for male heirs have created a society overrun by 40 million unmarriageable men. By the year 2030, more than twenty-five percent of men in their late thirties will not have a family…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. It was during this journey that I discovered the following five female writers, whose catty, carnal memoirs accompanied me like jealous mistresses vying for attention.
Wei Hui’s literary and literal nemesis is Mian Mian – the two authoresses reportedly used to get in hair-pulling catfights at Shanghai nightclubs back in their glory years – yet whilst Wei Hui made millions, Mian Mian received critical acclaim for her engaging storytelling and poetic prose. Candy is a semi-autobiographical account of the author’s sex-and-drugs-addled upbringing in 90s-era Shenzhen. Officially banned in China as “spiritual pollution”, it is a touching read, offering a rare glimpse into the lives of disenfranchised youth growing up on the cusp of a brave new China. It is among my favorites of this genre, so much so that I invited Mian Mian to write the afterword to my own book.
An international literary phenomenon -- now available for the first time in English translation -- Candy is a hip, harrowing tale of risk and desire, the story of a young Chinese woman forging a life for herself in a world seemingly devoid of guidelines.
Hong, who narrates the novel, and whose life in many ways parallels the author's own, drops out of high school and runs away at age 17 to the frontier city of Shenzen. As Hong navigates the temptations of the city, she quickly falls in love with a young musician and together they dive into a cruel…
