Here are 100 books that Bronze and Sunflower fans have personally recommended if you like
Bronze and Sunflower.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I'm a historian of modern China who specializes in the history of science. My professional life revolves around teaching history at the University of Massachusetts Amherst and writing academic books and articles—but my not-so-secret dream has always been to write for children. For the past decade, I've been a regular visitor to the Eric Carle Museum of Picture Book Art. Encouraged by a chance meeting with a publisher’s representative attending an event at the Carle, I decided to distill my academic book, Red Revolution, Green Revolution: Scientific Farming in Socialist China, into a children’s story. I’m proud that my fans now include elementary-school students…and at least one professional historian has admitted he read the kids’ version first!
This utterly charming collection of short stories by acclaimed cartoonist Nie Jun offers an insider’s glimpse into the alleys (hutong) of a Beijing neighborhood. Originally written for a Chinese audience, the book portrays a community that is quintessentially “old Beijing” and will be sweetly recognizable to anyone fortunate enough to have lived there in decades past: we see not only famous landmarks peeping out from behind the curved tile roofs of the classic courtyard-house (siheyuan) architecture, but also the green pillar mailboxes, low wooden courtyard chairs, bicycle repair stands, outdoor water spigots and washbasins, colorfully dressed old ladies dancing in the public square, and other authentic details that a book written for an international audience might not think to include.
The stories revolve around a young girl with an almost mystical connection to her quirky grandfather and are full of the kind of “everyday wonder” that…
Yu'er and her grandpa live in a small neighborhood in Beijing―and it's full of big personalities. There's a story around every corner, and each day has a hint of magic.
In one tale, Yu'er wants to swim in the Special Olympics, a sports competition for people with disabilities. But she and her grandpa don't have a pool! Their trick to help Yu'er practice wows the whole neighborhood. In another story, a friend takes Yu'er to a wild place full of musical insects. Later, Yu'er hears a special story about her grandparents. And in the final…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
Where the Mountain Meets the Moondrew me in with its beautiful illustrations and glimpse into the rich mythologies of China.
Minli, a poor girl, lives where Fruitless Mountain and Jade River meet and like Haroun, has a storyteller father. When she spends two copper coins on a talking goldfish, it tells her how to find the Old Man on the Moon and change her family’s fortune. Minli sets off on her quest in the company of a dragon who cannot fly and discovers that good fortune means more than riches.
A delightful fable of friendship and family, with stories from Chinese folklore embedded within the main narrative.
In the valley of Fruitless mountain, a young girl named Minli lives in a ramshackle hut with her parents. While her father regales her with old folktales of the Jade Dragon and the Old Man in the Moon, Minli's mother chides him for filling her head with stories. But inspired by these stories, Minli spends one of her precious copper pennies on a beautiful goldfish, which is said to be able to change the fortune of the owner. Her mother reprimands her for the silly purchase, but, it pays off when the goldfish talks and offers to show her the…
I'm a historian of modern China who specializes in the history of science. My professional life revolves around teaching history at the University of Massachusetts Amherst and writing academic books and articles—but my not-so-secret dream has always been to write for children. For the past decade, I've been a regular visitor to the Eric Carle Museum of Picture Book Art. Encouraged by a chance meeting with a publisher’s representative attending an event at the Carle, I decided to distill my academic book, Red Revolution, Green Revolution: Scientific Farming in Socialist China, into a children’s story. I’m proud that my fans now include elementary-school students…and at least one professional historian has admitted he read the kids’ version first!
This graphic novel, based on the author’s own childhood experiences, offers a darker picture of life in 1970s China than I usually like to share with other Americans, whose view is often already bleak at best. But Little White Duck passes my nuance test: for every episode that strikes the reader as shockingly foreign, there is something that highlights the commonality of human experience. The story begins in 1976, when four-year-old Na attends a funeral for Chairman Mao with her grief-stricken parents. In the years that follow, Na’s life continues to be shaped by political campaigns: inspired by the heroic tales of Lei Feng, Na and her friend perform many acts of kindness, but their attempt to “save” some baby chicks ends badly.
Most poignant of all is the story of Na’s trip to visit her grandmother in the countryside, where Na comes face to face with profound social inequity.…
The world is changing for two girls in China in the 1970s. Da Qin―Big Piano―and her younger sister, Xiao Qin―Little Piano―live in the city of Wuhan with their parents. For decades, China's government had kept the country separated from the rest of the world. When their country's leader, Chairman Mao, dies, new opportunities begin to emerge. Da Qin and Xiao Qin soon learn that their childhood will be much different than the upbringing their parents experienced.
Growing up in a household with a fantasy author dad and a philosophy professor mom, I learned to appreciate stories that expressed big ideas. I realized the books and movies I liked weren’t just vehicles for ideology, but that ideas are the hooks that draw me into a story. I’ve also always loved animals and monsters. Like Miyazaki and C.S. Lewis, I was attempting to create a narrative that brought my beliefs and interests together. Now I live in Southern California with my husband, son, and cat, surrounded by rattlesnakes, tarantulas, hawks, and coyotes. It’s an imperfect, beautiful world!
I’ve always loved Hong Kong New Wave movies, but they often emphasize action and flashy melodrama over historical context. For someone wanting to dig a little deeper, the graphic novel Boxers & Saints is a look into the parallel lives of two Chinese teenagers during the Boxer Rebellion—One is a red-blooded patriot eager to fight Western invaders. The other is a troubled girl who finds liberation in Christianity. Both characters are carried along, motivated, and then betrayed by fanaticism. When their paths cross, they are forced to learn the difference between religious faith and religious mania. The simple artwork isn’t meant to be lingered over…I read all 512 pages at breakneck speed.
The Boxers & Saints Boxed Set from Gene Luen Yang, one of the greatest comics storytellers alive, brings all his formidable talents to bear in this astonishing work.
In two volumes, Boxers & Saints tells two parallel stories. The first is of Little Bao, a Chinese peasant boy whose village is abused and plundered by Westerners claiming the role of missionaries. Little Bao, inspired by visions of the Chinese gods, joins a violent uprising against the Western interlopers. Against all odds, their grass-roots rebellion is successful.
But in the second volume, Yang lays out the opposite side of the conflict.…
I write, I read, I love people, and I have been living in a fantasy world ever since I was small. Personalities fascinate me and I have studied the little quirks and oddities that flavor individuals both in my artwork (I’m a portrait artist/oil painter), in my college major (counseling), and while writing my stories. What makes us who we are, and who our characters are, involves our backstories, our hopes, our fears, our dreams. Everyone has them and our characters in our stories should too. Oftentimes when I’m writing I find myself exploring a character more than I thought I would and that’s the fun part. I enjoy authors who do the same.
It’s not often you can pick up a fantasy book and laugh. Not only laugh but travel with a rogue group of people and enjoy every minute of it. The Girl from Everywhere is just plain fun! I loved the characters, so much personality! That it’s a time travel story makes it exciting, and I have a passion for tall ships, so she had me with the sailing adventure. Add to that humor and a feisty dialogue. I can’t say enough about this book.
The Girl from Everywhere, the first of two books, blends fantasy, history, and a modern sensibility. Its sparkling wit, breathless adventure, multicultural cast, and enchanting romance will dazzle readers of Sabaa Tahir and Leigh Bardugo.
As the daughter of a time traveler, Nix has spent sixteen years sweeping across the globe and through the centuries aboard her father’s ship. Modern-day New York City, nineteenth-century Hawaii, other lands seen only in myth and legend—Nix has been to them all.
But when her father gambles with her very existence, it all may be about to end. Rae Carson meets Outlander in this…
Being half-Chinese and half-Peranakan, I grew up in a mixed cultural environment but went to secondary school with a strong Chinese culture. I became aware of my inferior knowledge, not just of the language, but also Chinese culture and history. Hence I immersed myself in the Chinese environment. But there is so much in this long and illustrious history of one of the oldest civilisations that my initial motive to learn was soon replaced by a genuine interest. Now I am always on the lookout for anything related to China, its history, and the Chinese culture.
This book stands out because it delves deeper into popular characters that appear repeatedly in similar books. I have also enjoyed coming across new names and places not previously found. But far from being obscure names, I have encountered these in Chinese fantasy dramas.
Best of all, it includes pictures of relevant artwork and museum artifacts. I get to see these without having to travel to the four corners of the world. Giving us a sense of where we are in place and time, these displays show that throughout the long Chinese history, these legends and myths are integral to the lives of Chinese people.
Illustrated Myths & Legends of China is a profusely illustrated collection of 32 carefully chosen tales of Chinese myth and legend.
With more than 100 illustrations drawn over two thousand years of all aspects of Chinese art—including painting, pottery and porcelain, jade, bronzes and tomb decoration—Illustrated Myths & Legends of China is a vividly written collection of tales of the universe's emergence from chaos, the creation of the world in which the first Chinese people appeared and a depiction of how the many strands of myth and legend have influenced Chinese culture.
Being half-Chinese and half-Peranakan, I grew up in a mixed cultural environment but went to secondary school with a strong Chinese culture. I became aware of my inferior knowledge, not just of the language, but also Chinese culture and history. Hence I immersed myself in the Chinese environment. But there is so much in this long and illustrious history of one of the oldest civilisations that my initial motive to learn was soon replaced by a genuine interest. Now I am always on the lookout for anything related to China, its history, and the Chinese culture.
Winner of the 2004 Smarties Award for fiction 9 – 11, it is a well-deserved award as it describes a difficult topic at an appropriate level for its readers.
I read Spilled Water as it has a similar theme to my own book. It gives insight into the unseen ugliness of economic success in China. In addition, this story informs our target audience of the existence of child labour and misogynism in this part of the world, where poverty forces family to treat their daughters like ‘spilled water’ and employers regard them as property.
When her husband dies, Lu Si-yan's mother is encouraged to sell her young daughter into domestic service. Lu Si-yan is just eleven when sold by her uncle. Nearly two years will pass before she can get back home to her mother and brother. In this powerful and compelling novel Sally Grindley portrays the life of a young girl in China, a young girl whose life is said to be like 'spilled water'. With a brilliant first-person narrative and a powerful description of time and place, this novel is gripping, heart-wrenching and utterly mesmerising.
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
I could have chosen any of Pearl S Buck’s books, as they are all beautifully written. But this one was the first one I read and what I remember most vividly is the tiny details of daily life, in a rags-to-riches story of a peasant man in China. One of the journey’s most emotional changes comes when he gets a concubine, and I liked reading about a concubine in a fairly ordinary household (rather than the usual imperial/upper-class settings) and the ripples it makes in family life.
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
My future husband and I read excerpts of this book as undergraduates—great preparation for our post-graduation trek into China. We were determined to track down his great-aunt in Chengdu—no mean feat in the late 80s, given the absence of cellphones and internet.
A cover blurb notes this book is in the “tradition of Orwell and Solzhenitsyn” but I’d point instead to Heller (Catch-22) for context on China’s Cultural Revolution. “Chairman Mao is a Rotten Egg,” for example, reveals strategies that made sense when we met my then-fiancé’s great aunt. She shared how her husband was thrown in jail given his training as a doctor, and how she responded to the Red Guards who had come for him: “Good! Take him away,” she feigned bravery, “he’s a pain.” They brought him back two days later.
". . . in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival-and sometimes the defeat-of the human spirit in its lonely quest for integrity." -Time
"The almost childlike directness of Chen's tales. . . is captured in the very lightly revised translations of this new edition. . . Highly recommended." -Choice
A classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it…
I took my first course about Chinese politics in 1973, when the country was still in the tumultuous last years of the Mao era. In a teaching career that began in 1982, I have spent long periods of research and teaching in China and Hong Kong. China’s shifting course has been a constant source of fascination, encouragement, and at times dismay. It is hard to imagine that the impoverished and unstable country of the 1970s would rise to become such a major economic power, one that despite its impressive expansion still faces intractable barriers to its future advancement.
This instant classic was the first to draw deeply on a wide range of previously inaccessible sources about the Cultural Revolution of 1966 to 1976. Highly readable and authoritative, it provides extensive insight into Mao’s actions and those of his subordinates and victims and documents the destructive impact of these conflicts all across China from the initial salvos at Peking University in May 1966 to the immediate aftermath of Mao’s death, which led to the arrest of Mao’s most ardent radical followers, the “Gang of Four”.
The Cultural Revolution was a watershed event in the history of the People's Republic of China, the defining decade of half a century of communist rule. Before 1966, China was a typical communist state, with a command economy and a powerful party able to keep the population under control. But during the Cultural Revolution, in a move unprecedented in any communist country, Mao unleashed the Red Guards against the party. Tens of thousands of officials were humiliated, tortured, and even killed. Order had to be restored by the military, whose methods were often equally brutal.
