100 books like Prisoner 13498

In this memoir disguised as a novel (or novel disguised as a memoir), the shy and socially awkward Cole, of mixed Chinese and white American parentage, struggles to hold down a job as an imported beer salesman in China’s Changsha while pursuing his only romantic hope, a female scam artist who bilked him out of thousands of dollars. In a parallel narrative, friends and family in the Bay Area shed more light on the hapless anti-hero during his stints back home. One wonders how the author and protagonist could ever be the same person and how Carroll was able to gain the distance and objectivity to pen the narrative at all, much less with such skill. We sense that the fictional bulwark is resorted to as a defense against the author’s merciless deconstruction of himself, right down to the sexually fraught, agonizingly ambiguous ending. This is not a feel-good redemption… show more.

Charles Welsh Mason, self-described “unconscious martyr of the Antichrist,” for reasons the author himself is only able to ascribe to a “morbid hallucination,” gives up his post, servants, and comfortable life as a young English customs officer in a treaty port in 1890s China for a bizarre plot to lead a band of Chinese rebels to overthrow the Manchu Government and declare himself “King of China.” The scheme unravels when he’s caught with a hoard of illegal arms. Almost unbearable suspense unfolds, masterfully narrated, as the authorities struggle to connect the dots. Even after his arrest Mason is wined and dined by his British superiors in Shanghai, incomprehension preventing their full appreciation of his mad plot. Finally imprisoned, Mason is shipped back to England to live out his remaining decades as a solitary eccentric. I do not recall any book set in China’s past or present, whether fiction or nonfiction,… show more.

I discovered this book years ago on a discount table, and it quickly became one of my all-time favorites, a memoir I’ve reread several times and loaned to friends.

Gilman and her college friend—someone she knows, but not really—backpack through China in 1986, right after it’s been opened to travelers after the Cultural Revolution.

Two naive Americans, in way over their heads as things grow stranger and stranger. Described as “a modern heart of darkness filled with Communist operatives, backpackers, and pancakes,” her story is guaranteed to shock and surprise even the most seasoned traveler.

Great title, great writing, and an absolute page-turner.

Absorbed by Chinese culture while a grad student in Hong Kong, Susan Blumberg-Kason is charmed into marriage with Cai, a PhD student of Taoist music from the Hubei Province backwater. Marital discord arises when the openhearted Midwesterner realizes her function as a wife is to produce a son, turn it over to his (not her) parents for upbringing, and get out of the way so the husband can carry on with his philandering and porn watching. But even as he molts his intellectual shell and his narcissistic monster emerges, Cai can also be sympathetically understood as a product of his culture. Intercultural conflict is what makes this fairy tale so readable and engrossing, with its timeless theme of the loving sweetheart enthralled and entrapped in her dark prince's perverted castle. What moved me most was Blumberg-Kason’s honesty in laying everything bare, at the risk of baring her own flaws.

This book is an ethnographic account of Uyghur suburban life in the mid-1990s, which might sound very far removed from the political and humanitarian crisis going on in the region today. Yet the portrait it offers of Uyghur family life, market trading, informal socializing, and forms of religious devotion has arguably never been more important, given that the Chinese state has been targeting precisely these benign, everyday practices and beliefs in recent years by separating children from their parents, sending officials to live with Uyghur families, and destroying traditional Uyghur homes. Reading it is an immersive, often funny, experience, which should make people understand the consequences of the state-sponsored violence these communities have been subjected to.

Roberts is one of the foremost authorities on the ‘terrorism’ issue in Xinjiang. The strong argument of this book is that the Chinese government has opportunistically used the US-led War on Terror as an excuse to repress all forms of dissent in the region by grossly exaggerating the threats they faced, which eventually became a self-fulfilling prophecy. In his view, the concentration camps, destruction of mosques, attacks on Uyghur intellectuals, and attempts to marginalise the Uyghur language amount to a ‘cultural genocide’. The book provides a concise and forceful recapitulation of Chinese policy in the region over the last two decades.

Byler’s concise book is a vital read because it foregrounds the experiences of people detained in the camps, stories that overlap and cohere into a raw portrait of systematic brutality and dehumanising routines. Into these are woven an account of the digital surveillance technologies that underpin the network of detention, many of which are not unique to China, the difference between its use of them and many Western countries’ being only a matter of scale. The book also offers an important section on the increasing role of forced labour in Xinjiang, emphasising the need for greater scrutiny and accountability of supply chains that potentially rely on goods and labour from the region.

Since 1949 the demographics of Xinjiang have been altered radically by waves of migration of Han Chinese, initially with the paramilitary bingtuan organisation, but in recent decades by economic migrants. Cliff’s book is an important reminder of how their presence functions in a neo-colonial fashion, and the influence that their needs and concerns have on official policy in the region – which to put it simplistically, is to keep them happy. Though he emphasises that Han in Xinjiang are far from a homogenous social group – something that often gets forgotten or obscured – the common viewpoints and concerns that emerge from his interviews are a sobering reminder of the difficulties in finding common ground between Han and Uyghur in the region.

A good deal is known about the Westerners who dug up ancient artifacts in Central Asia (China’s Far West) in the late nineteenth and early twentieth centuries, not least because these explorers were great self-promoters. This book tells the story from the Chinese side, and it is a lot more interesting and complicated than you might expect. It is only with the birth of Chinese nationalism that the tens of thousands of artifacts now found in the museums and collections of the West came to be defined as Chinese and their loss defined as imperialist looting. By academic standards, this book is a page-turner.

Peter C. Perdue gives an exhaustive account of the Qing Dynasty’s conquest of Xinjiang - which, according to many historians, was the first time a Chinese Dynasty consolidated its rule over the whole of the region. This history has important implications for claims regarding the legitimacy of Chinese rule over Xinjiang.