Here are 100 books that The Chinese Confessions of Charles Welsh Mason fans have personally recommended if you like
The Chinese Confessions of Charles Welsh Mason.
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Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
In this memoir disguised as a novel (or novel disguised as a memoir), the shy and socially awkward Cole, of mixed Chinese and white American parentage, struggles to hold down a job as an imported beer salesman in China’s Changsha while pursuing his only romantic hope, a female scam artist who bilked him out of thousands of dollars. In a parallel narrative, friends and family in the Bay Area shed more light on the hapless anti-hero during his stints back home. One wonders how the author and protagonist could ever be the same person and how Carroll was able to gain the distance and objectivity to pen the narrative at all, much less with such skill. We sense that the fictional bulwark is resorted to as a defense against the author’s merciless deconstruction of himself, right down to the sexually fraught, agonizingly ambiguous ending. This is not a feel-good redemption…
An anti-coming-of-age story that examines themes of escapism and toxic masculinity.
In the years following his graduation from college, Cole Chen has been back and forth between the U.S. and China, struggling to navigate his transition into adulthood. Estranged from his parents, he returns to Hunan province to work for his friends, while also attempting to write a memoir based on his experiences. During the course of this year abroad, he meets a young woman (under initially dubious circumstances), whom he dates briefly, before returning to live with his brother in California, where he is forced to confront a dark…
I’m a serial memoirist (two published, two more to come), and a true fan of well-written memoir. I read all kinds, but my favorites often combine coming-of-age with unusual travel or life choices. I love getting inside the authors’ heads, discovering not just what they did, but why, and how they felt about it later, and what came next. Great memoirs take us out of our own lives and into settings, situations, and perspectives we may never experience. What better way to understand how other people live and move and think and feel? Fiction is fine, but a unique true story hooks me from start to finish.
I discovered this book years ago on a discount table, and it quickly became one of my all-time favorites, a memoir I’ve reread several times and loaned to friends.
Gilman and her college friend—someone she knows, but not really—backpack through China in 1986, right after it’s been opened to travelers after the Cultural Revolution.
Two naive Americans, in way over their heads as things grow stranger and stranger. Described as “a modern heart of darkness filled with Communist operatives, backpackers, and pancakes,” her story is guaranteed to shock and surprise even the most seasoned traveler.
Great title, great writing, and an absolute page-turner.
In 1986, Susie and her friend Chloe, fresh-faced graduates from Brown University, were inspired by a placemat entitled "Pancakes of Many Nations" to depart on an epic trip around the world, starting with Hong Kong and the People's Republic of China, then only recently opened to the rest of the world. As the two ventured into what turned out to be a strange and alien land, they encountered places far different from anything they had ever experienced, from the horrors of an open-ditch toilet in the back of a weird hybrid tenement hotel, to a magical boat ride through a…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Xinjiang Province was a very different place mere decades ago when it was China’s Wild West and all kinds of foreign characters were drawn to the region like a magnet. Englishman Robert Davies ran bars and tourism ventures and married an Uyghur woman, a love affair passionately recounted in his memoir, before being arrested for hashish smuggling on trumped-up charges (a drug native to the Uyghurs, who openly sold it in Xinjiang restaurants in Beijing as late as the 1990s) and sent to a Shanghai prison for eight years. Davies and those busted with him were the first such group of foreigners to be made an example of (and survive with mind intact). His account is highly readable, chock full of vivid detail, and an excellent general introduction to Chinese culture and society of the 1980s—from within the belly of the beast. I was most impressed by Davies’ fearless embrace…
Robert Davies first went to China in 1988 as an overland backpacker and, after a hair-raising two months touring Pakistan, found himself in Kashgar, the fabled Silk Road city. Here his life was irrevocably changed when he fell head over heels in love with Sharapet, an Uighur lady who was already married with a ten-year-old daughter. Love made them blind to the bureaucracy they had to face, strong for the thousands of miles they had to travel to obtain permission to marry, and resolute against the rage of Sharapet's revenge-seeking ex-husband. But Robert became involved in the trafficking of hashish.…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Absorbed by Chinese culture while a grad student in Hong Kong, Susan Blumberg-Kason is charmed into marriage with Cai, a PhD student of Taoist music from the Hubei Province backwater. Marital discord arises when the openhearted Midwesterner realizes her function as a wife is to produce a son, turn it over to his (not her) parents for upbringing, and get out of the way so the husband can carry on with his philandering and porn watching. But even as he molts his intellectual shell and his narcissistic monster emerges, Cai can also be sympathetically understood as a product of his culture. Intercultural conflict is what makes this fairy tale so readable and engrossing, with its timeless theme of the loving sweetheart enthralled and entrapped in her dark prince's perverted castle. What moved me most was Blumberg-Kason’s honesty in laying everything bare, at the risk of baring her own flaws.
A stunning memoir of an intercultural marriage gone wrong
When Susan, a shy Midwesterner in love with Chinese culture, started graduate school in Hong Kong, she quickly fell for Cai, the Chinese man of her dreams. As they exchanged vows, Susan thought she'd stumbled into an exotic fairy tale, until she realized Cai―and his culture―where not what she thought.
In her riveting memoir, Susan recounts her struggle to be the perfect traditional "Chinese" wife to her increasingly controlling and abusive husband. With keen insight and heart-wrenching candor, she confronts the hopes and hazards of intercultural marriage, including dismissing her own…
From childhood on, I’ve been drawn to storytellers, especially those who use their imagination to captivate and question. My favorite stories twist and turn, and throw light on the every day to reveal what is inexplicable, weird, wondrous, and often heartrending. My taste runs wide, and I could list dozens of favorite collections. Having released my own debut book of stories during the pandemic, I learned firsthand how difficult it can be to find readers for story collections, especially when those collections are published by smaller presses. For that reason, I’ve chosen five recent debuts from masterful authors I hope more readers will discover.
I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances andparticipants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.
Steeped in a long history of violence and suffering, Michael X. Wang's debut collection of short stories interrogates personal and political events set against the backdrop of China that are both real and perceived, imagined and speculative. Wang plunges us into the fictional Chinese village of Xinchun and beyond to explore themes of tradition, family, modernity, and immigration in a country grappling with its modern identity. Violence enters the pastoral when Chinese villagers are flung down a well by Japanese soldiers and forced to abandon their crops and families to work in the coal mines, a tugboat driver dredges up…
Queens and queenship is a topic that has fascinated me since childhood when I first read about women like Cleopatra and Eleanor of Aquitaine. They ignited a passion to learn about the lives of royal women which led me from the ancient Mediterranean to medieval Europe, on into the early modern era, and has now gone truly global. I am particularly passionate to draw out the hidden histories of all the women who aren’t as well-known as their more famous counterparts and push for a fully global outlook in both queenship and royal studies in the works I write and the journal and two book series that I edit.
Imperial China provides an incredible case study for queenship and the agency of royal women. Keith McMahon’s two volumes, Women Shall Not Rule and the follow-on Celestial Women: Imperial Wives and Concubines in China from Song to Qing are the ideal introductions to the lives and roles of women in Imperial China. You won’t need a background in queenship studies or an understanding of Asian history to enjoy this book and absorb both the anecdotes of the intriguing women featured and the key arguments that McMahon makes on how the position of royal women shifted over individual reigns as well as major dynastic transitions.
Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony-rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives.
Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research…
As a Children’s Librarian for over 30 years, my passion has been for the sound of language. I want children to hear rhythmic, joyful language that will make them fall in love with words. My own career as a storyteller and author continues this same love of language. I try to write my own picture books in such a way that any adult who picks them up will read them out with the same kind of verve and joy that I put into them.
“Mommy, buy me a China Doll, Do, Mommy Do,” but, “What could I buy it with, Eliza Lou?” Eliza Lou has many suggestions…trade our Daddy’s feather bed…"Then where would Daddy sleep”…He could sleep in the horsey’s bed. “Then where would horsey sleep”…and on and on until Eliza ends up asleep herself…on Mommy’s lap. A soothing lullaby with or without the evocative illustrations by the Zemach team.
"When Mommy wonders how to get a china doll for Eliza Lou, Eliza suggests they trade Daddy's featherbed...The ridiculous swapping of sleeping places is aptly portrayed in strong, boldly drawn, colored illustrations which underline the humor and folk quality of the lilting cumulative verses. A deliciously funny picture book for small children."-Booklist
I was born to privilege in Manhattan. A seeker from the get-go, I perpetually yearned to see below the surface of the pond and understand what lay beneath and how the world really works. Not connecting with Western philosophy, religion, or culture, I turned to the wisdom of the East at a young age. I stayed the course through decades of training in Chinese martial arts, eventually reached some understanding of them, and realized my spiritual ambitions when I was ordained a Daoist monk in China in an official government ceremony. I write about China then and now and teach meditation and tai chi around the world.
Van Gulik is a giant in the field of historical mysteries, having penned the better part of 20 novels about his favorite protagonist “Judge Dee.” Set in ancient China, the stories typically involve political intrigue, moral quandaries, and settings so evocative it is easy to just close your eyes and see yourself in a pavilion overlooking a swan-filled lake or in a lady’s bed-chamber, a scholar’s library, or an artist’s studio. These novels are mood pieces as well as whodunnits, and the immersive experiences the author offers lead me to recommend not only this title but any and all in the series. Heaven for someone like me who loves what China used to be.
Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate.
As a teenager, I visited my uncle, who farmed rice in southern Haiti. I met a community that helped me understand that food is not just about dollars and cents—it’s about belonging, it’s about identity. This experience inspired me to become an aid worker. For the last 20+ years, I have worked to mend broken food systems all over the world. If we don’t get food right, hunger will threaten the social fabric.
I found Mike Davis’s book to be an essential exploration of the historical causes of global hunger. As an aid worker, I found his analysis of the politics of 19th-century hunger relief informative. Food crises often have strong political roots, and this book does an excellent job of putting those into perspective.
It is very well-researched and packed with facts and figures. This book is an essential, magisterial read in a world facing renewed conflict and climate change.
Examining a series of El Nino-induced droughts and the famines that they spawned around the globe in the last third of the 19th century, Mike Davis discloses the intimate, baleful relationship between imperial arrogance and natural incident that combined to produce some of the worst tragedies in human history. Late Victorian Holocausts focuses on three zones of drought and subsequent famine: India, Northern China; and Northeastern Brazil. All were affected by the same global climatic factors that caused massive crop failures, and all experienced brutal famines that decimated local populations. But the effects of drought were magnified in each case…
I’ve spent more than a decade exploring the historic roots of Asia’s modern political problems – and discovering the accidents and mistakes that got us where we are today. I spent 22 years with BBC News, including a year in Vietnam and another in Myanmar. I’ve written four books on East and Southeast Asia and I’m an Associate Fellow with the Asia-Pacific Programme at the London-based thinktank, Chatham House. I love breaking down old stereotypes and showing readers that the past is much more interesting than a series of clichés about ‘us’ and ‘them’. Perhaps through that, we can recognise that our future depends on collaboration and cooperation.
This book is an excellent introduction to some of the most important characters in modern Chinese history, from nineteenth-century reformers to twentieth-century communist leaders. We meet some of the characters I write about in The Invention of China like the great journalist Liang Qichao and the revolutionary leader Sun Yat-sen, along with others such as Mao Zedong. The authors link their overlapping lives together showing how the old Qing Empire crumbled and was overthrown and replaced by a new Republic, which was itself overthrown within 40 years. It’s a great way to experience China’s journey from a time when it could be described as the ‘Sick Man of Asia’ to an era in which its ‘strength and power’ unsettled the world.
By now everyone knows the basic facts of China's rise to pre-eminence over the past three decades. But how did this erstwhile sleeping giant finally manage to arrive at its current phase of dynamic growth? How, after such a long and painful period of dynastic decline, intellectual upheaval and revolution, foreign occupation and civil war, did a country once derided as the 'sick man of Asia' manage to break out of its old pattern of repeatedly failed reform efforts to burst forth onto the world stage with such an impressive run of hyperdevelopment and wealth creation? How did the century-long…
