Here are 100 books that Bronze Drum fans have personally recommended if you like
Bronze Drum.
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I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
I love being taken to places I’ve never been before and being exposed to leaps in imagination. Marquez, the most famous of the school of magical realism, takes the reader on a journey through time and history in an unforgettable tale. The style of writing captures me in this book and has also influenced me. If you read no other book, read this one.
One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
The Alvarados are an unhealthy family with a very big communication problem. The patriarch turns into a shell of himself obsessed only with rainfall, the matriarch is hiding her own secrets, and their adult children are all in varying stages of trouble in their own relationships.
I loved that this book was set in 2016, in California, centered around a Mexican-American family, and did not explicitly address immigration issues or Donald Trump—even if that was very much hinted at towards the end of the novel.
Aside from the family’s journey to healthier relationships with themselves and each other, it was refreshing to see another perspective of that moment in time. It was a good reminder to me that we all contain multitudes, and that no single story is the whole story.
FORECAST: Storm clouds are on the horizon in L.A. Weather, a fun, fast-paced novel of a Mexican-American family from the author of the #1 Los Angeles Times bestseller Esperanza's Box of Saints
L.A. is parched, dry as a bone, and all Oscar, the weather-obsessed patriarch of the Alvarado family, desperately wants is a little rain. He's harboring a costly secret that distracts him from everything else. His wife, Keila, desperate for a life with a little more intimacy and a little less Weather Channel, feels she has no choice but to end their marriage. Their three daughters-Claudia, a television chef…
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
This novel, of two Nigerian families who are from incredibly different backgrounds and prospects, is in stark contrast to the previous book. It is rooted in the present, in the dual realities of life in modern-day Nigeria.
I loved this novel for its twists of fate, the way storylines inevitably collide like two freight trains going in opposite directions on the same track, and just how deeply the cultural values surrounding marriage and family shine through—such as when a teenage girl counts the number of times in a week her family members mention marriage to her.
LONGLISTED FOR THE BOOKER PRIZE 2023 MOST ANTICIPATED BOOK OF 2023: the Observer, Guardian, Financial Times, Stylist, the Express and Oprah Daily
Ayobami Adebayo, the Women's Prize-shortlisted author of Stay With Me, unveils a dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession and political corruption.
Eniola is tall for his age, a boy who looks like a man. His father has lost his job, so Eniola spends his days running errands for the local tailor, collecting newspapers and begging, dreaming of a big future.
Years ago in a psycholinguistics class, I discovered that a person’s primary language—not just their vocabulary but the structure of the language itself—shapes the way that person perceives the world and relationships around them. Ever since, I’ve been fascinated with perspective and how perceptions of an event are shaped by who is experiencing them, what stage of life they’re in, the language they speak, and so on. As a full-time marketer in addition to an author, I have to consider every angle of a project before I can begin, whether I’m designing an ad or writing dialogue between characters.
This is an incredible novel that provides an intimate look at a piece of history that many Americans know next to nothing about (embarrassingly, I was one of them before discovering this book). The prose was breathtaking, and certain sections had me in uncontrollable tears.
However, I didn’t just choose this novel because it’s a beautiful, heart-wrenching story of a Palestinian family broken by war (though it most certainly is). I had initially disliked the ending because it didn’t offer the closure I prefer from a novel’s final pages. But after reflecting, I realized that was the point.
Salt Houses showed me that not only do authors need to carefully consider what they include in their books—it’s also important to decide what needs to be left out, and why.
Winner of the Dayton Literary Peace Prize and the Arab American Book Award
Named a Best Book of the Year by NPR * Nylon * Kirkus Reviews * Bustle * BookPage
“Moving and beautifully written.” — Entertainment Weekly
On the eve of her daughter Alia’s wedding, Salma reads the girl’s future in a cup of coffee dregs. She sees an unsettled life for Alia and her children; she also sees travel and luck. While she chooses to keep her predictions to herself that day, they will all soon come to pass when the family is uprooted in the wake of…
My first job upon graduating from college was working for an invention-marketing firm. This wasn’t my intention; armed with a degree in journalism, I was ready to take on the world. Unfortunately, the country was enduring a recession, and after six months of unemployment, I was happy to be offered a copywriting position. So often during the two years I spent there, I would think to myself, “This could make such a great novel.” It took me a while—and with more than a few rejections along the way—but inspired by the writers and books I’ve included in my collection, I finally got around to penning my own tale.
I’m both inspired and depressed by this book. Yes, the book itself is on the depressing side, but what truly saddens me about it is that I’ll never write as well as Richard Yates. He packs so much into this 57,000-word work that it almost defies logic. Still, he’s an inspiration as a writer, and I will always use him as a guidepost. No one’s ever going to confuse me with Michael Jordan, either, but I’m still going to shoot hoops (poorly) in my driveway.
In The Easter Parade, first published in 1976, we meet sisters Sarah and Emily Grimes when they are still the children of divorced parents. We observe the sisters over four decades, watching them grow into two very different women. Sarah is stable and stalwart, settling into an unhappy marriage. Emily is precocious and independent, struggling with one unsatisfactory love affair after another. Richard Yates's classic novel is about how both women struggle to overcome their tarnished family's past, and how both finally reach for some semblance of renewal.
I grew up in an era when princesses were big and the idea that a woman needs a man to be saved was just beginning to be questioned. I also lived in a single-parent household when that was still something society shamed. Watching my mother, I got a front-row seat to just how loving, vulnerable, and tough-as-nails women can be, and this instilled a desire to tell stories that highlight these sorts of women. My novels have survivors who discover that relationships do not need to be the only thing that defines them, but instead that relationship shapes both parties in ways neither can expect.
Being a Jane Austin fan myself, it’s hard for me not to love the Glamorist series by Kowal. I deeply enjoyed the magic system she built in the series, and the characters were like… well, like old friends. Vincent provides enough of a Mr. Darcy feel for me that I was pleased by the romance written in here and I quite liked the fact that Jane was “plain” as opposed to the stunning beauties often written in the romance genre.
This is a fantasy novel you wish Jane Austen had written. "Shades of Milk and Honey" is an intimate portrait of Jane Ellsworth of Dorchester, a woman ahead of her time in a version of Regency England where the manipulation of glamour is considered an essential skill for a lady of quality. Despite the prevalence of magic in everyday life, other aspects of Dorchester's society are not that different: Jane and her sister Melody's lives still revolve around vying for the attentions of eligible men. While Jane's skill with glamour is remarkable, it is her sister who is fair of…
I have loved visiting country houses ever since I was a child. There is something unique about the combination of art, architecture, and people. Over my lifetime, I have been privileged to visit all sorts of houses and castles. I used to work at Christie’s and during that time I visited many country houses, some of which were completely private. It was a natural progression when I moved to Goodwood and became the curator of the art collection, enjoying the house as part of my daily life. The view from my office looks out through the columns of the portico, across the park, with the sea glinting in the distance. What could be better?
This book is a fascinating insight into the sisters of the 3rd Duke of Richmond and their lives played out among the country houses of England and Ireland. They were all brilliant letter writers, and although they were separated for long periods, kept up a constant correspondence. After reading it, I felt I knew the sisters personally, even though they had lived 250 years ago. It became an instant bestseller when it first came out over twenty years ago and was made into a film, with Julian Fellowes playing the 2nd Duke of Richmond.
The Lennox Sisters--great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers--lived lives of real public significance, but the private texture of their family-centered world mattered to them and they shared their experiences with each other in countless letters. From this hitherto unknown archive, Stella Tillyard has constructed a group biography of privileged eighteenth-century women who, she shows, have much to tell us about our own time.
I’m a gay Midwestern novelist who finds that literary fiction is often humorless, with a narrow emotional range that begins with ennui and ends in despair. If you're weary of trauma porn and want to read books with a broad emotional range, this list of recommendations is for you. My favorite writers ably mix laughter and tears, and are able to find the funny in just about anything life can throw at us.
Lorna Landvik’s experience as a stand-up comic shines through in her debut novel, a Minnesota tale about what happens when Patty Jane's husband leaves her, and how she and her sister, Harriett, reinvent themselves by opening a neighborhood beauty parlor – complete with live harp music and Norwegian baked goods. You don’t have to be from Minnesota to appreciate the regional humor, and the narrative voice sounds like an old friend who has shared your joys and heartbreaks over years of good times, bad times, and all those times in between.
A contemporary tale of passions, losses and triumphs. Set in the House of Curl - part beauty parlour, part open university, Patty Jane, the owner, offers the women of the neighbourhood not just a good haircut, but the chance for them to improve their lives with films, lectures and discussions.
I come from worlds that look much like the worlds in these books: raised in poverty, absent father, generational trauma, and mental illness running strong in my genes. I’ve always been interested in the ways our opportunities shape us, and the coping mechanisms we wield—secrecy, denial, anger, violence, even love—as we try to survive.
Marais does an excellent job of moving among these three point-of-view characters: a Black woman and two white sisters, all brought together by a child and the question of parentage. At the heart of the story is life in apartheid-era South Africa. A must-read for anyone who loves messy families and complex characters.
From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.
In a squatter camp on the outskirts of Johannesburg, seventeen-year-old Zodwa lives in desperate poverty, under the shadowy threat of a civil war and a growing AIDS epidemic. Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.
Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it's…
The uncanny slips into the gaps between the objective world and the
world of human experience with all its dreams, apprehensions, and
intuitions. This intermediate space is the habitat of ghosts and also
the zone where my mind does its wanderings. It's where my books come, and
explorations of that space in other peoples' books draw me in, deeply
and inescapably.
This book sent me wandering through the kind of haunted labyrinth I love most. I adore a book that constantly challenges expectations and twists me into a mystery unlike any I’ve read before.
The layers of this very strange and daring story—about a hapless young English teacher gone missing in Vietnam and the ghosts behind her disappearance—came together in ways I never saw coming.
Part puzzle, part revenge tale, part ghost story, this ingenious novel spins half a century of Vietnamese history and folklore into “a thrilling read, acrobatic and filled with verve” (The New York Times Editors’ Choice).
FINALIST FOR THE CENTER FOR FICTION’S FIRST NOVEL PRIZE • LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Good Housekeeping, Kirkus Reviews
“Fiction as daring and accomplished as Violet Kupersmith’s first novel reignites my love of the form and its kaleidoscopic possibilities.”—David Mitchell, author of Cloud Atlas
