100 books like If You Want to Make God Laugh

I’ve always loved a good Gothic novel, but Moreno-Garcia raised the bar with this book.

Part mystery, part romance, part haunted house story—this novel runs the gamut from eerie to enchanting. The menacing secrets of High Place, set against the backdrop of glamorous 1950s Mexico, drew me into an intriguing plot that was as captivating as it was frightening. 

Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.

Giddings takes the stories of Henrietta Lacks and the Tuskegee experiments and extrapolates them into the present day. A young woman dealing with crushing medical debt agrees to participate in medical trials with strange and debilitating side effects. This book is horrific, lyrically written, and brimming with emotion.

This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.

I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.

But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.

I find the notion of the “unknown” writer quite problematic.

Most of the time, at least somebody has, in fact, heard of the writer. So by whom is this writer unknown, and for what reasons has their reputation been erased?

The South African writer Miriam Tlali – the first South African woman writer to publish a book in English - is a case in point.

Tlali’s novel Muriel at Metropolitan (about an office worker in apartheid Johannesburg) was banned when it was published in 1975 for its critical portrayal of white South Africans.

Tlali was subsequently ignored by her literary (almost entirely male) peers, dismissed as offering “reportage” rather than “art”. Yet since 2017, Tlali’s work has been celebrated.

The question of whether a writer is “known” or “unknown” is complex with many layers to consider, including the prejudices of racism and sexism. 

OK this book is not about the United States but Rebecca Ginsburg’s incredibly nuanced investigation of the domestic landscape in apartheid South Africa should be required reading for anyone thinking about embodied experience and architecture. Houses built in the twentieth century for White families in suburban Johannesburg featured small rectangular rooms in the back yard for Black domestic workers. Using interviews, site visits, and compassionate storytelling, Ginsburg pieces together the daily rhythms for women who woke up outside, “came in the dark,” and learned the “tempo of kitchen life,” to borrow two of her provocative chapter titles. When people possessing such drastically different levels of social power share spaces built to remind them of their status at almost every turn, the visceral capacity of architecture becomes painfully clear.

I studied this great work of literature in the 1960s in Secondary School in Mombasa and the injustice of humanity in this tragic story is still indelibly etched in my heart. The story is set in Ndotsheni, a poor, agricultural village in South Africa but with a strong sense of community and in the city of Johannesburg a corrupt, big city where it's every man for himself. It is about a Zulu pastor, Stephen Kumalo, who receives a letter that his sister in Johannesburg has fallen sick. Kumalo undertakes the difficult journey travelling from his village to the city in the hopes of aiding his sister and of finding his son, Absalom, who left to go to the city and never returned. What really moved me is the estranged relationship of two fathers and their sons that evoke anguish in the fathers. Upon reading this book the message that resonated… show more.

As an indie author myself, I am committed to supporting other independent authors and Mark Fine is one of the best. Fine has created an epic love story set against the backdrop of South Africa’s apartheid in the 1970s. When a beautiful white model falls in love with a black man, they become prey in a deadly manhunt that stretches from the golden city of Johannesburg to the dangerous wilds of the African bushveld. The author’s compelling characters and vivid descriptions shine a light on the effects of tribalism and social injustice during a dark period in this nation’s history. This story will keep you riveted until the last page is turned.

This book by South Africa’s most eminent historian, Charles van Onselen, tells the story of the night trains which brought poverty-stricken Mozambican men from Rossania Garcia on the Mozambique border to work as migrant labourers on the gold mines in Johannesburg between 1902 and 1955.

The men travelled in appalling conditions and were preyed on by petty criminals, con men, and corrupt officials. The night trains were a transport system run in partnership between the mining houses and the railways and designed to maximise profit at the expense of the health, well-being, and even the lives of the men it conveyed. 

At the end of their time in the mines, the trains sent the men back to Mozambique, often ill and broken and even insane after their experiences in the mines and in the trains. The story reflects South Africa’s evolving system of segregation and apartheid and the brutal logic… show more.

I enjoyed the local setting, the intensity of the novel, and its unflinching exploration of South Africa’s violent crime problems and how crime ties into cultural beliefs.

The novel goes to some dark places, in terms of events and character arcs, and the pacing and well-written scenes keep the reader nailed to the story – you’ll see a side of South Africa which is very real, but perhaps largely unknown to the rest of the world.