100 books like Lucky Us

I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.  

I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.  

I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.  

Growing up queer and Italian in suburban New Jersey in the late 1960s and early 70s, it was the passionate love of food and family that got me through the tough times. I learned to cook from my mother and my grandmothers. I gardened and picked tomatoes with my grandfathers. There was always a pot of simmering tomato gravy and magic meatballs on the stove. My mother’s chicken parmigiana, my paternal grandmother’s homemade ravioli, my maternal grandmother’s stuffed clams, my great aunt’s baked chicken. As a writer, it became my mission to share these secret family recipes and the loving life lessons that saved me.

Teaching middle school made me painfully aware of the disparity in our students’ lives. Some kids have every advantage, while others struggle to survive without enough food, clean water, or a safe, dry place to sleep for the night. All these kids, with their diverse backgrounds, sit side-by-side in class and are expected to perform at the same academic and social levels. In my novels, I feature ordinary teens that are strong, smart, and resilient, like so many of the students who taught me as much as I taught them.

I’ve been a stay-at-home mom and author for the past decade, and during that time, I went through the stillbirth of my second baby. Grief taught me a lot about compassion, including the importance of being able to see the nuance of difficult subject matters. I learned it’s easy to theorize what to do in a situation until you're in that situation. For that reason, I love books in all sorts of genres that are layered with characters’ past griefs, impossible scenarios, and tensions regarding the choices they make. I picked five of my favorite books with a heart-ripping plot that sparks interesting discussion and leaves readers pondering, "What would I have done?"

I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.

What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.

I have a great interest in personal stories, well written. My memoir, The Full Catastrophe, was published in 2016. I wanted an answer to my own question “How could a well-educated, intelligent woman marry an abusive man?” Writing allowed me to find my answers. From that time on, I have taught people to write their own memoirs, have lectured on memoir, facilitated group discussions on memoir, and written articles on memoir. I am now in the process of writing another memoir. 

Born the same year as Winona Ryder, Tupac Shakur, and Elon Musk, I’m a Toronto-based writer of novels, short fiction, graphic stories, nonfiction, and scripts for film and television. My YA books include the graphic novella The Lion of Africa, the supernatural, climate change-fuelled Daughters of Light trilogy, and the hard-hitting Since You’ve Been Gone. My writing gives voice to strong, diverse protagonists in urban settings who are dealing with seemingly insurmountable challenges. I’ve been a special education teacher for more than 20 years and my characters are often inspired by the amazing young people I’ve worked with. The cities in my work are living, breathing entities that shape the plot and the protagonist’s character.