Here are 100 books that The Ash House fans have personally recommended if you like
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In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
Ever since I was a child, I’ve been drawn to the creepy and kooky world of the Addams Family. I’ve watched every episode of the 1960s sitcom. I fell in love with the 90s films, and when the Netflix adaptation Wednesday aired, I streamed every episode immediately. I’ve written two books based on Wednesday and her family, and I have an upcoming cocktail book with recipes based on gothic literature. My love of horror books and my understanding of the Addams family led me to seek out the perfect list of Wednesday read-alikes.
In this middle-grade horror novel, Steve is feeling lonely and worried. His newborn brother is sick in the hospital, and his parents are understandably stressed. There’s also a wasp’s nest threatening their home, which becomes a bigger problem when the wasp queen visits him in his dreams. One night, the queen comes to Steve and offers to help “fix” the baby.
I have read many, many horror books. I consider myself a connoisseur of the creepy. This book, intended for middle-grade children, remains one of the scariest books I’ve read. It’s filled with dread while also centering on family.
I can imagine a young Wednesday (as played by Christina Ricci or the late great Lisa Loring) reading this book and imagining what she would wish upon her own brother should a wasp queen approach her.
'The first time I saw them, I thought they were angels.' The baby is sick. Mom and Dad are sad. And all Steve has to do is say, "Yes" to fix everything. But yes is a powerful word. It is also a dangerous one. And once it is uttered, can it be taken back? Treading the thin line between dreams and reality, Steve is stuck in a nightmare he can't wake up from and that nobody else understands. And all the while, the wasps' nest is growing, and the 'angel' keeps visiting Steve in the night.
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
There are two things that I’ve always loved in my books: animal POV and spooky vibes.
This book has both! In so many ways, the things we face in our everyday life can feel like a horror story, or feel like monsters. For a fox, that would be things like rabies, hunters, fires, etc.
The prose was so good and so vivid, and I really worried with each different story how the little foxes were going to survive. One of my absolute favorites.
Christian McKay Heidicker draws inspiration from witches, vampires, H. P. Lovecraft, and Edgar Allen Poe to craft his middle-grade debut, a chilling portrait of survival and an unforgettable tale of friendship.
When fox kits Mia and Uly are separated from their litters, they quickly learn that the world is a dangerous place filled with monsters. As the young foxes travel across field and forest in search of a home, they'll face a zombie who hungers for their tender flesh, a witch who wants to wear their skins, a ghost who haunts and hunts them, and so much more.
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
I have never encountered a story that depicts the dread and heartbreak of growing up more authentically than Black has done in the pages of this Newberry-awarded novel for children.
It is both as brutal and as delicate as the creepy antique doll (which may or may not be haunted) at the center of the story. Three kids head out on their own, determined to lay the spirit trapped within the doll to rest while the all-to-real fears and quiet dangers of their regular lives snap at their heels.
It is a book of loss, acceptance, and courage that will remain nestled in my heart for life. I am literally tearing up right now as I think of it.
My name is Eleanor Kerchner. You can call me the Queen. I died in 1895. Now it's time to play.
A chilling ghost story by the bestselling author of The Spiderwick Chronicles, Holly Black.
Recipient of a Newbery Honor Award. An ALA Notable Book. A Kirkus Reviews Best Book. A School Library Journal Best Book. A Booklist Editor's Choice Books for Youth. A Publishers Weekly Best Children's Book. A 2013 Goodreads Choice award nominee. A People Magazine 'Best New Kids Book'.
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Amy Bloom is one of the authors I admire most in the world, and I loved this story of two fascinating sisters, Eva and Iris, not just for Bloom’s enthralling use of language but also for the spiritedness and intrigue of who the sisters are. (While Iris, "the pretty one,” struggles to make it in Hollywood as a B-movie actress, Eva, “the smart one,” gets roped into offering tarot card readings to help support their ragtag family.)
I loved living in the world that Bloom created in a story that crisscrossed the U.S. and beyond in the 1940s, and I loved being constantly surprised by the sisters’ choices and the events that befall them–and by the riveting words used to describe them.
When Eva's mother abandons her on Iris's front porch, the girls don't seem to have much in common - except, they soon discover, a father. Thrown together with no mothers to care for them and a father who could not be considered a parent, Iris and Eva become one another's family. Iris wants to be a movie star; Eva is her sidekick. Together, they journey across 1940s America from scandal in Hollywood to the jazz clubs and golden mansions of Long Island, stumbling, cheating and loving their way through a landscape of war, betrayals and big dreams.
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
Life is tough for Angel—her dad is in jail, her mom is irresponsible, and she has to take care of her seven-year-old brother. Paterson doesn’t hold back in this unflinching look at family brokenness, but as sad as the circumstances are, there is hope! Angel meets some new adults and through their small kindnesses, she learns that she is stronger than she ever knew. It’s a great message for any kid who is struggling with too much responsibility. It has a redemption arc that I also loved.
Angel's dad is in jail and her mum's abandoned her and her little brother at their great-grandmother's crumbling farmhouse. Grandma can't even look after herself, let alone two children, so Angel finds that it's left up to her. In a dreary and lonely world there is only one bright spot - a mysterious stranger who appears on clear nights to teach Angel all about the stars. Katherine Paterson is an internationally acclaimed author who has won the Newbery Medal (twice), the National Book Award for Children's Literature (USA) twice, and the prestigious Hans Christian Andersen Award.
I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
Yes, it’s a Victorian novel but it’s also the slenderest and sweetest one, by my lights.
Cast out from his narrow religious community by the acts of a dishonest friend, Silas Marner flees to a new village and resolves to live a life apart, money his only security. Then along comes a tiny child in need and Silas cannot help but help—even though this new challenge comes on the heels of a devastating robbery.
The man’s generosity has the effect of opening him up to the generosity of others until, little by little, he becomes a part of the community he has lived apart from for so long. There is never a bad time to read this lovely, hopeful little novella about the worst and best of human nature.
Gold! - his own gold - brought back to him as mysteriously as it had been taken away!
Falsely accused of theft, Silas Marner is cut off from his community but finds refuge in the village of Raveloe, where he is eyed with distant suspicion. Like a spider from a fairy-tale, Silas fills fifteen monotonous years with weaving and accumulating gold. The son of the wealthy local Squire, Godfrey Cass also seeks an escape from his past. One snowy winter, two events change the course of their lives: Silas's gold is stolen and, a child crawls across his threshold.
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Jack pretends to be his brother, Earnest, blaming the made-up man for all mishandled affairs. But when Jack's friend "becomes" the infamous Earnest and begins to woo Jack's ward Cecily, all sorts of craziness ensues. This classic play is perhaps the best example of wacky characters creating mayhem in a world where even bad things turn out to be only silly mishaps.
Ever since the first night at the St James' Theatre on 14 February 1895, "The Importance of Being Earnest" has been recognised as one of the world's finest comic dramas. Now Judi Dench as Lady Bracknell leads an outstanding cast in this superb new production of Wilde's masterpiece, mounted to celebrate the centenary of the first performance.
Being of Eastern European origins, and also a child of the 80s, definitely had a say in what my likings and my character would become growing up. From the cold long winters and the white landscapes, Fantasy genre, and everything Might and Magic have shaped my childhood, my studies, my art (traditional oil painting and clay sculpting) and lingered until now (and definitely beyond).
The Dwarves series (especially the first two books) bring the readers back in time and sets them up, straight from the beginning, on a simpler way of seeing things and also a simpler way of writing, while also being able to convey the true values of the fantasy genre with class.
For countless millennia, no man or beast has ever succeeded in breaching the stone gateway into Girdlegard. Until now . . .
Abandoned as a child, Tungdil the blacksmith is the only dwarf in a kingdom of men. But when he is sent out into the world to deliver a message and reacquaint himself with his people, the young foundling finds himself thrust into a battle for which he has not been trained. Not only his own safety, but the life of every man, woman and child in Girdlegard depends upon his ability to embrace his heritage.
I have a great interest in personal stories, well written. My memoir, The Full Catastrophe, was published in 2016. I wanted an answer to my own question “How could a well-educated, intelligent woman marry an abusive man?” Writing allowed me to find my answers. From that time on, I have taught people to write their own memoirs, have lectured on memoir, facilitated group discussions on memoir, and written articles on memoir. I am now in the process of writing another memoir.
Both a captivating and heart-breaking memoir, this book is the story of a woman and her mother—the mother who abandoned her and her siblings and father. It moves back and forth in time from when the mother leaves and we hear stories of what happened to each of her children, to the present day as the mother lies dying. This memoir is beautifully told, with details so sharp and clear you can almost watch the action as it unfolds to finally tell you how Cistaro copes with the mother who refused to stay. This story is for all mothers and daughters, ones that stay and ones that go.
"A story that lingers in the heart long after the last page is turned." —HOPE EDELMAN, bestselling author of Motherless Daughters and The Possibility of Everything
This provocative, poignant memoir of a daughter whose mother left her behind by choice begs the question: Are we destined to make the same mistakes as our parents?
One summer, Melissa Cistaro's mother drove off without explanation Devastated, Melissa and her brothers were left to pick up the pieces, always tormented by the thought: Why did their mother abandon them?
Thirty-five years later, with children of her own, Melissa finds herself in Olympia, Washington,…
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