Fans pick 81 books like Doll Bones

It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.

A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.

The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.

I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.

Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.

I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.

In this middle-grade horror novel, Steve is feeling lonely and worried. His newborn brother is sick in the hospital, and his parents are understandably stressed. There’s also a wasp’s nest threatening their home, which becomes a bigger problem when the wasp queen visits him in his dreams. One night, the queen comes to Steve and offers to help “fix” the baby.

I have read many, many horror books. I consider myself a connoisseur of the creepy. This book, intended for middle-grade children, remains one of the scariest books I’ve read. It’s filled with dread while also centering on family.

I can imagine a young Wednesday (as played by Christina Ricci or the late great Lisa Loring) reading this book and imagining what she would wish upon her own brother should a wasp queen approach her.

I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.

Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.

It just made the challenges of being a child… show more.

I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.

I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.

There are two things that I’ve always loved in my books: animal POV and spooky vibes.

This book has both! In so many ways, the things we face in our everyday life can feel like a horror story, or feel like monsters. For a fox, that would be things like rabies, hunters, fires, etc.

The prose was so good and so vivid, and I really worried with each different story how the little foxes were going to survive. One of my absolute favorites.

I still think about the setting of The Ash House all the time.

It is so vivid and so real. The eeriness and spookiness of this place starts from the first page, even the first sentence. We know something is off here in the ash house, and we watch as the main character starts being subsumed by the other kids here.

We worry as he starts losing his identity. But this is a powerful and haunting story about listening to yourself and remembering yourself no matter what else is going on around you, and no matter what anyone else believes.

I wanted to put a graphic novel on this list because gosh do I love 'em! In fact, it was tough to narrow it down to just one. And in the interest of full disclosure, I should probably say that Stephanie Hans also did an incredible cover for one of my GI Joe novels. I hasten to add, however, that this happened after I had already fallen head over heels for this series.

Gillen described this series as "Goth Jumanji," and I get why he chose such a pithy, clever pitch. It gives you a really hooky snapshot of the vibe. But it really doesn't do justice to the sublime, brutal sadness of this work. It is stunningly ambitious yet deeply human. The art is utterly gorgeous, even when it is also distressingly grotesque.

On a more personal note, I found the depiction of Ash, the primary protagonist who is… show more.

This book is a series of essays from some of the most well-known writers and creators in tabletop gaming.

This book is filled with tips and tricks to help you build your world and create a compelling plot that your players will want to engage in. This book will help you learn how to use different storytelling devices effectively in an RPG as it is slightly different than how you would use such devices in a written novel.

This book really helped me to start wrapping my mind around how shared narrative stories can work and how as a GM I can steer the story without taking away the agency of my players. This is a great quick read for new and experienced GMs alike! 

This book is an exploration of “geek culture” including Dungeons and Dragons but also other aspects of fandom like live-action-role-playing (LARPing), and Harry Potter fandom. 

This is not a theoretically weighty book, but the author did substantial field work trying to explore and understand these subcultures. The throughline of the book concerns the human fascination with imaginary realms and the cultural forms people will invent to connect with these realms and bring them to life. As a religious studies scholar, I see this longing for other worlds as a “religious” impulse.