94 books like Die Volume 1

I really don't know how Catriona Ward manages to balance the languid sadness and unrelenting tension so well.

Ward's profound empathy for every single character, no matter how flawed, is what twists your heart. At the same time, you feel as though you're on a roller coaster barreling at breakneck speed through pitch-black tunnels.

I wasn't always sure I understood what was going on from moment to moment, and that seems very much by design because, wow, what a twist! And the deeply felt depiction of the characters never made me feel like I was truly lost. I will indulge a great deal of mystery as long as it is presented by such a steady and skillful hand.

I love this book because it really erases the line between the real and the fantastic. I’ve been a Neil Gaiman fan since Sandman. This is a middle-grade book written for me. The path I took through this book led me back to my childhood and reminded me of Where the Wild Things Are, with its nearly seamless transition between the “real” world and the imagined.

Neil’s done this before with Caroline and the Graveyard. But Ocean is different. Here, I never lose touch with the real world. The turn to fantasy just makes the real world more dangerous. I think that’s an important change. When I was a child, when I daydreamed or pondered the things and people and dark corners that I didn’t understand, when I added the additional layer of the fantastic, it wasn’t really an escape.

It just made the challenges of being a child… show more.

I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.

I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.

I have never encountered a story that depicts the dread and heartbreak of growing up more authentically than Black has done in the pages of this Newberry-awarded novel for children.

It is both as brutal and as delicate as the creepy antique doll (which may or may not be haunted) at the center of the story. Three kids head out on their own, determined to lay the spirit trapped within the doll to rest while the all-to-real fears and quiet dangers of their regular lives snap at their heels.

It is a book of loss, acceptance, and courage that will remain nestled in my heart for life. I am literally tearing up right now as I think of it.

I love the story of these best friends who, in trying to add something new to their lives, end up learning that the grass isn't always greener in someone else's yard!

The rhyme and meter are perfect, which makes it fun to read aloud, and the humor is subtle and sweet! Matthew Cordell's illustrations of Ollie and Claire are equally as sweet and matches the text perfectly!

How are women supposed to behave, discreetly? Are their friendships always a saccharine Hallmark card? Not in this novel. Living loudly, louchely, in chaos, with hedonistic nights out and all-day hangovers, Laura and Tyler are a tight, whip-funny twosome… except one has a wedding on the horizon to a teetotal stable man, and she’s wrestling with whether marriage is a legitimate life milestone anymore. The friendship portrayal here is a messy, clever, and foul-mouthed foray into the moment when inseparable friends face the prospect of their familiar relationship disappearing through the unstoppable forces of adult life. And we’ve all had impossible choices when we haven’t known which loyalties to put first – one’s duty to oneself or to one’s best friend?

I was on a panel with John and really enjoyed reading his novel, set in the 1940s. Two teenage girls, Philippa and Judy, are brought together through school and their shared admiration for teacher Christina Martins. A rape—or was it?—and a murder turn this story into a noir tale wrapped in the secrets they keep from others, and themselves. The narrative is uniquely structured with a voice that may be one or the other, not revealed until the end.

This book was ahead of its time. This YA novel was written in 1978 but I found it on a shelf in my local library in 1992 when I was a queer preteen. An elliptical narrative about the burgeoning romantic relationship between two teenage girls, the novel captures a nameless yearning I understood without knowing why. Though the narrative felt to me illicit, it wasn’t prurient but rather deeply felt and authentic to the experience of a teenager coming to understand her sexuality as it crystalizes around one compelling friend.

Technically, Beetle Boy is not told from an animal’s POV (or even a beetle’s POV for that matter), but an important part of the main human character’s journey is that he learns how to understand what the beetles are saying. Young people have a special ability to communicate with animals, and because you are reading this, it is highly likely you are one of those. So, please enjoy this super fun, heartwarming tale, and be encouraged that if you think you understand animals—you probably do. Conversely, if you think I am ridiculous, then I suggest you learn how to listen to animals and minibeasts as soon as possible. You don’t want to become one of those adults Roald Dhal calls “stodgy” now do you?

In this standalone addition to the Greenglass House series, Kate Milford has built a world of cozy and adventurous specificity.

It’s set mostly in the Liberty of Gammerbund, a walled municipality within the city of Nagspeake, a New England-ish coastal community populated by lots of former smugglers and pirates. Marzana and her friend Nialla learn that a girl from a neighboring school has been kidnapped, and they believe she sent a coded message using a book from a series they read obsessively. Marzana puts together a group of plucky kids (including one ghost) to solve the crime.

The setting is so lovingly created—with secret passages, architecture that modifies itself, and a magical, perpetually vacant “Glass Museum and Radioactive Teashop”—discerning readers will savor every minute of the mystery.