93 books like Hey, Dollface

It took years of being an undercover writer turned book blogger for me to realize just how much of what's considered African fiction is Western publishers' profiteering efforts to churn out novels centered on colonial trauma after postcolonial trauma tailored to white audiences. When does the African reader get a break? When do we read books that aren't geared towards African pain? When I set out to write my book, I wanted to write a novel that documented the rot in publishing and how commercialisation of the post-colonial trauma trend has been to the detriment of not just the African reader but African writers as well. 

I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love. 

I’m obsessed with obsession; with the nature of intimate relationships. If I could obsess about a topic as easily and naturally as I can about a human, I’d probably have five or six advanced degrees. As a writer I’m most frequently drawn to third-person limited because I love the marriage of intimacy and distance it can create. It's that marriage that confounds me; the dark inner spaces contained by the people we love. 

I’m a psychologist by profession and I’m fascinated by the way personalities develop and change with life events. In novels, I’m drawn towards wounded characters who are searching for something to make them feel whole. Common issues I see in my psychotherapy work include imposter syndrome, low self-esteem, feelings of not being good enough. Many people try to hide their vulnerability behind a mask, faking confidence or bravado, or pretending to be something they’re not. But these fictional characters take it up a level, one small step at a time, until the lies build and they end up in a web of deceit with no way out.

I wrote Uncle Bobby’s Wedding in 2005, just after same-sex marriage became legal in Massachusetts. It was published in 2008 and immediately became the target of anti-LGBT attacks. Many people attempted to ban it. Some went so far as to burn it – and then they wrote to tell me they had. It was one of the most challenged books in the country that year, and it was one of the 100 most-challenged books of the decade. I have been deeply involved with LGBTQ+ picture books ever since. 

As a gay Cuban-American kid, I always wanted more books with queer protagonists and I wanted more protagonists to be kids of color. I rarely found either (and never both in one book). Happily, a few decades later, we live in a moment where these stories are finally getting their due; you can now find all facets of the LGBTQ+ experience in print with characters from an array of cultures. As a writer, I’m excited to be part of that with my book Spin Me Right Round, featuring a gay Cuban-American protagonist. Seeing his face looking back at me from the bookstore shelves is a dream come true.

I’m a middle school librarian, former language arts teacher, and middle grade author. I have a passion for all things literary, especially as they relate to kids in grades 5-8. I also grew up in New Jersey, so I come by my fascination with the Mob as a result of proximity. What I enjoy most about books about criminals is the moral gray area that some criminals exist in. They’re doing bad things—robbing banks, selling stolen goods, killing people—but their hearts are pulling them in another direction. Middle school kids also feel that tug of moral dilemmas, figuring out what is just and unjust, and I love to help them wrestle with those ideas.

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

As a parent, I’ve been struck by the fierce sense of justice my children have, from the unfairness of one getting more screen time to bigger injustices, like bullying or discrimination. Kids have an innate sense of what’s right, of what’s fair, but they can also lack a sense of nuance and have rather Byzantine notions of what justice requires. I wrote Wayward Creatures to explore a different way of thinking about justice and accountability. Restorative justice practices seek to bring the offending party together with the people hurt by their actions to acknowledge the harm caused and find a solution together. These five books explore other aspects of what it means to seek justice.

Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.