I’m the descendant of three generations of visual artists, a gene I thought had skipped me. However, art popped up in many of my stories when I started writing fiction. In 2012, I published The Life Story of a Chilean Sea Blob, and to promote it, I launched a street art campaign that included putting plaster blobs on the streets of Washington, D.C. This blossomed into several other street art projects and earned attention from The Washington Postand several D.C. TV news stations. My next two books centered around Frida Kahlo and Edvard Munch.
This is not the origin of the haunted painting trope, but it’s certainly the best. Beautiful Dorian Gray is a stunning subject for painter Basil Hallward, and the painting reflects the young man’s natural allure. However, Gray laments the inevitable loss of his beauty and wishes the painting would age instead of him. When it does, he sets off on a hedonistic path that ultimately ravages the painting and the man.
Part antiquated pontifications about beauty, part horror novel, and doused in homoerotic innuendo, this book hits hard on several fronts. While I loved this book when I read it in junior high, it became better with each reread.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
In trademark Vonnegut fashion, Bluebeard uses humor to juxtapose the horror and violence of World War II. In this way, it is similar to Slaughterhouse-Five.
However, Vonnegut skewers the art movement born out of the war’s aftermath: abstract expressionism. Bluebeard is the story of Rabo Karabekian (who first appeared in Breakfast of Champions), a war veteran and failed illustrator who accidentally found success as a contemporary of Rothko and Pollock. At the end of his life, he’s ready to unveil one final secret locked away in a damp potato barn.
“Ranks with Vonnegut’s best and goes one step beyond . . . joyous, soaring fiction.”—The Atlanta Journal and Constitution
Broad humor and bitter irony collide in this fictional autobiography of Rabo Karabekian, who, at age seventy-one, wants to be left alone on his Long Island estate with the secret he has locked inside his potato barn. But then a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves.
Praise for Bluebeard
“Vonnegut is at his edifying best.”—The Philadelphia Inquirer…
This posthumously published novel is the last offering from the punk rocker, poet, and writer Jim Carrol. Carrol was a friend of Patti Smith and Andy Warhol and a product of the New York City art scene in the 1970s and 1980s.
The central character is Billy, a successful painter with such deep artistic sensitivities that navigating small things like relationships, his health, and earning money is crushingly difficult. The book reads like an allegory as much novel as moving characters through action seems a secondary aim. In this way, it reminds me of Franz Kafka’s A Hunger Artist.
A moving, vividly rendered novel from the late author of The Basketball Diaries.
When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches…
This fictionalized biography of Madame Tussaud is a wild blend of fact and fiction. Orphan Marie (Madame Tussaud) works as an apprentice to a physician, making wax models of body parts and organs. This progresses to full-body models and even a grisly hall of famous murderers displayed for ticket-paying patrons. As Marie’s skill grows, so does her renown. Soon, she becomes an art instructor to the princess on the eve of the French Revolution.
What makes this book great is that while it’s based on fact, it reads like a surreal fairy tale. The inclusion of Carey’s illustrations throughout is an added bonus in this art-centric story.
LONGLISTED FOR THE INTERNATIONAL DUBLIN LITERARY AWARD 2020
LONGLISTED FOR THE RSL ONDAATJE PRIZE 2019
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2019
LONGLISTED FOR THE RATHBONES FOLIO PRIZE 2019
SHORTLISTED FOR THE HWA CROWN AWARDS 2019
A Times and Sunday Times Book of the Year, Little tells the extraordinary story of a singular, diminutive crumb of a servant girl turned entertainment mogul.
'A startlingly original novel' Times
Born in Alsace in 1761, the unsightly, diminutive Marie Grosholtz is quickly nicknamed 'Little'. Orphaned at the age of six, she finds employmet in Bern, Switzerland, under the charge of…
At the beginning of this book, I recognized the ingredients that make up popular erotic novels. The main character, Edie, a Black woman and struggling artist, is beginning a relationship with an older, wealthy, successful white man in an open marriage. There’s a power imbalance. To a certain extent, this excites Edie, and in this way, the book fits neatly into the parameters of the genre.
However, the relationship becomes messy, and Edie’s life, both with and away from Eric, is fraught with bad decisions. Race, wealth, and gender intersect with sex in a complex and uncomfortable milieu. Through all of this, and with the guidance of Eric’s wife, Edie begins to make progressive, less destructive choices, and as she does, her art progresses.
AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year
WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award
One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!
"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or…
In 2004, masked thieves stole Edvard Munch's “The Scream” from an Oslo museum. Norwegian police recovered the painting two years later but never explained how or where they had found it. Stealing The Scream examines/re-imagines the event, offering a tantalizing account of what happened through fictional characters, Percival Davenport, an artist whose obsession with Munch leads him to steal “The Scream” and Leonard, a museum security guard and amateur sleuth, whose interest in Davenport’s art leads him and the police to the artist’s door, setting up a tense climax and a satisfying if unexpected ending to the story.
A fractured mind or a global conspiracy? Uncovering the truth can be hell when nobody believes you… and you can’t even trust yourself.
"A fantastic science fiction thriller with a sincere and important message.”—Kirkus Reviews.
“A breathtaking, deeply dark alternate-history Earth with complex characters, layered worldbuilding, and twist after twist after twist.”—Julianna Caro, Reedsy Discovery.
Broken Mirror is the first volume in a queer psychological science fiction saga that looks at the stigma of mental illness and the hellish distrust and alienation that goes with it.
Broken Mirror: the start of a smart, complex, and imaginative cyberpunk alternate history saga. Literary science fiction from a fresh, young voice.
In a skewed mirror universe, a mentally ill young man searches for his grandfather’s killer.
Someone killed Jefferson Eastmore. His grandson Victor is sure of it, but no one believes him.
Diagnosed with mirror resonance syndrome and shunned by Semiautonomous California society, Victor suffers from hyperempathy, blank outs, and sensory overload. Jefferson devoted his life to researching mental illness and curing Broken Mirrors like Victor through genetic engineering, but now that he’s gone, Victor must walk a narrow…
