100 books like Little

This is not the origin of the haunted painting trope, but it’s certainly the best. Beautiful Dorian Gray is a stunning subject for painter Basil Hallward, and the painting reflects the young man’s natural allure. However, Gray laments the inevitable loss of his beauty and wishes the painting would age instead of him. When it does, he sets off on a hedonistic path that ultimately ravages the painting and the man.  

Part antiquated pontifications about beauty, part horror novel, and doused in homoerotic innuendo, this book hits hard on several fronts. While I loved this book when I read it in junior high, it became better with each reread.

At the beginning of this book, I recognized the ingredients that make up popular erotic novels. The main character, Edie, a Black woman and struggling artist, is beginning a relationship with an older, wealthy, successful white man in an open marriage. There’s a power imbalance. To a certain extent, this excites Edie, and in this way, the book fits neatly into the parameters of the genre.

However, the relationship becomes messy, and Edie’s life, both with and away from Eric, is fraught with bad decisions. Race, wealth, and gender intersect with sex in a complex and uncomfortable milieu. Through all of this, and with the guidance of Eric’s wife, Edie begins to make progressive, less destructive choices, and as she does, her art progresses.

In trademark Vonnegut fashion, Bluebeard uses humor to juxtapose the horror and violence of World War II. In this way, it is similar to Slaughterhouse-Five. 

However, Vonnegut skewers the art movement born out of the war’s aftermath: abstract expressionism. Bluebeard is the story of Rabo Karabekian (who first appeared in Breakfast of Champions), a war veteran and failed illustrator who accidentally found success as a contemporary of Rothko and Pollock. At the end of his life, he’s ready to unveil one final secret locked away in a damp potato barn.

This posthumously published novel is the last offering from the punk rocker, poet, and writer Jim Carrol. Carrol was a friend of Patti Smith and Andy Warhol and a product of the New York City art scene in the 1970s and 1980s.

The central character is Billy, a successful painter with such deep artistic sensitivities that navigating small things like relationships, his health, and earning money is crushingly difficult. The book reads like an allegory as much novel as moving characters through action seems a secondary aim. In this way, it reminds me of Franz Kafka’s A Hunger Artist.

A thrilling and fully immersive description of the French Revolution; I loved this book in particular for its moving description of how the Jews of Paris were affected.

I found Madame Tussand’s story to be a wonderful frame for the upheaval in France at the time – especially as a highly layered, wonderful character whose strong personality helped her to survive troubling times.

It’s definitely my favorite Michelle Moran book – and that’s tough, considering how many amazing historical novels she’s written.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

I was immediately engaged in the story of a nurse who follows a man to Mayotte and, unable to conceive, adopts a child whom she brings up by herself after the man abandons her. She dies abruptly, however, and the story changes completely, turning into an intense, violent novel about children in the slums. The orphan who fled after his mother's death is horribly abused by another young teenager who is a gang leader, and can free himself only by killing him in the end. I am in awe of Nathacha Appanah for her ability to capture the voice of street children. This is a poignant, powerful, and beautifully written novel about harassment, cruelty, and possession. 

Don’t worry; this gripping 534-page tale of mystery can sweep you through its pages in a single day, especially since its gritty-but-stunning brown and white artwork acts like a movie as it speeds you and a young orphaned boy through an underground train station and across the streets of Paris and up a clock tower in 1931. Why was the boy’s dead father obsessed with repairing a broken clock? And who is the mysterious angry old man anyway?

A compelling historical fiction with the background of the French Revolution. The book describes the three main figures from the outside province to Paris who made the agitated and bloody history. Camille was related to the capture of Bastille; Danton made the execution of Louis XVI and Robespierre—the Terror. They enjoyed the happiness of power, but also paid a heavy price for it. We can see how humanity was lost in the turbulent revolutionary storm. 

A total feeling for the pulse of the Revolution, and a focus on its core in that fatal year – the end of the Monarchy, the ushering-in of the Reign of terror. Its reverberations spread everywhere. It gave me such a strong sense of the decadence of the ancien régime, and the fury of the populace that aroused.