Here are 81 books that Hour of the Witch fans have personally recommended if you like
Hour of the Witch.
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Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
I’ve always had a passion for history and the American West in particular. From a young age, my reading reflected my passion, with a few mysteries in the mix. I didn’t read many romance novels until one day I was flying to another city and I forgot to pack a book. My assistant drove me to the airport and she pulled a historical romance novel from her handbag. It was her favorite and she was an expert on romance novels. Before my plane landed, I was hooked—and I’m still hooked. That started my career as a historical romance novelist.
This one will probably surprise a few people, but it is a historical romance. For those who haven’t read the book, please know that the movie starring Daniel Daydream- Lewis does not accurately parallel the book. I chose this novel because it is an American story with American characters, published in 1826. Cora is another very strong character, certainly ahead of her time and admired by Hawkeye, who was also an unusual character for the period. I enjoyed the historical details intertwined with fiction. Definitely worth your time to read.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
I write historical fiction set in New England and based on the lives of real people. My New England roots go back to the 1630s when my English ancestors first came to the region so I’m steeped in its traditions and literature. I love doing the research for my books, especially when my characters lead me in new directions. I spent ten years digging into the conflict between the Puritans and the indigenous Natives and in the process discovered a largely forgotten story that has long-lasting implications for our day.
When Caleb’s Crossing came out I couldn’t wait to read it. Not only was it written by one of my favorite authors, it was inspired by a true story and set in the same place and time period as the novel I was working on. Brooks’ depiction of the love between a Puritan minister’s daughter and the son of a Wampanoag leader is fraught with tension as two very different cultures collide. The novel brings to life the forces driving the conflict through the characters of Bethia and Caleb as they struggle to navigate a perilous time and the looming prospect of war.
A bestselling tale of passion and belief, magic and adventure from the author of The Secret Chord and of March, winner of the Pulitzer Prize.
Bethia Mayfield is a restless and curious young woman growing up in Martha's vineyard in the 1660s amid a small band of pioneering English Puritans. At age twelve, she meets Caleb, the young son of a chieftain, and the two forge a secret bond that draws each into the alien world of the other. Bethia's father is a Calvinist minister who seeks to convert the native Wampanoag, and Caleb becomes a prize in the contest…
Many of my English ancestors came to New England during the so-called Great Migration of the 1630s. I also have Native American ancestors, and as I researched both groups I couldn’t escape the feeling that something important was missing from our contemporary understanding of the period. In the novel that became Will Poole’s Island, I was in a sense driven to recreate the age, or at least to complicate our received mythologies about it. A central theme of the book is the collision of two radically opposed worldviews that had in common a preoccupation with the visionary and the unseen; this is also a theme of the five narratives described below.
This novel, published in 2000 by the University Press of New England, has in my opinion never gained the readership it deserves. It’s a rich, funny, deeply humane captivity tale based on the true story of Nathan Blake, who was taken by Algonkian-speaking people from his home in Keene, New Hampshire, in 1746, and brought up to Canada, where he was held for three years as a slave. The novel weaves a defamiliarized but extremely plausible-feeling tapestry of early colonial America that complicates the stereotypes established by Cooper’s influential novel set in the same period, and Hebert’s main character, Caucus-Meteor—an elderly, multilingual Indian and the last survivor of his band—is by my lights one of the great characters in literature.
In 1746, Nathan Blake, the first frame house builder in Keene, New Hampshire, was abducted by Algonkians and held in Canada as a slave. Inspired by this dramatic slice of history, novelist Ernest Hebert has written a masterful new novel recreating those years of captivity.
Set in New England and Canada during the French and Indian Wars, The Old American is driven by its complex, vividly imagined title character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled"king" of the remnants of the first native tribes that encountered the English. Displaced and ravaged…
Many of my English ancestors came to New England during the so-called Great Migration of the 1630s. I also have Native American ancestors, and as I researched both groups I couldn’t escape the feeling that something important was missing from our contemporary understanding of the period. In the novel that became Will Poole’s Island, I was in a sense driven to recreate the age, or at least to complicate our received mythologies about it. A central theme of the book is the collision of two radically opposed worldviews that had in common a preoccupation with the visionary and the unseen; this is also a theme of the five narratives described below.
Ok, this isn’t actually a historical novel, but it was a bestseller when it came out back in 1682 and in some ways it does read like fiction. The story of a Puritan settler and her three children who were captured by Narragansett Indians during King Phillip’s War, Rowlandson’s account, judged by contemporary mores, is both racist and religiously bigoted. Still, it provides a rare first-hand rendering of the Puritan experience of a central truth of 17th century America: the collision of two radically distinct societies and the personal fallout resulting from that collision. As such it’s an invaluable historical document—though one best considered alongside other, less publicized primary accounts, which tell us that many seventeenth-century English captives, especially younger ones, were reluctant to return to the English settlements because of the freedom and ease they found in Indian society.
Mary (White) Rowlandson was a colonial American woman who was captured during an attack by Native Americans during King Philip's War and held ransom for 11 weeks. After being released, she wrote A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson, also known as The Sovereignty and Goodness of God. It is a work in the literary genre of captivity narratives. It is considered to be one of America's first bestsellers, four editions appearing in 1682 when it was first published.
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Dolores Price is one of the most honest, funny, and irresistible narrators I’ve ever encountered, and the story of her coming of age grabbed me by the heart and didn’t let go until the very last page. I found the trauma she suffers to be highly relatable, and her way of plowing through it is both admirable and heartbreaking.
I’ve read this book at least three times over the last several years, and each time, it has made me cry harder than any other book I’ve read. For me, each time I’ve read this book, it’s been an amazing, cathartic experience.
Dolores Price is the wry and overweight, sensitive and pained, cynical heroine of this novel. The story follows her from four to 40, from her shattered family life through the hellish circles of sexual and food abuse to her gradual recovery and her fight to love again.
I was the kid who always had a fantasy novel in her backpack. Fantasy required I stretch my imagination, be open to possibilities, and understand different concepts of reality. This curiosity fueled my academic career, steering me from philosophy to Jungian psychology and, eventually, many years later, to an apprenticeship with a traditional healer in Ireland where I put my hands in the dirt and learned things that touched my soul, like how the growth of plants relates to the moon, ways to alchemize medicine making, and the psycho-spiritual aspects of healing…. You know, magic. I hope reading through this list brings you as much joy as putting it together did for me.
“She rides out of the forest alone. Seventeen years old, in the cold March drizzle, Marie who comes from France.” I read these opening sentences over and over. They both threw me off and enchanted me. What is this strange cadence? I wondered.
The song of the words wove around me and drew me into a world both political and mystical. In some ways like the Avalon of Marion Zimmer Bradley, in other ways, most definitely not. I have friends who are Lauren Groff fans. I have never made it past the first few pages… until I picked this book up.
THE NEW YORK TIMES BESTSELLER SHORTLISTED FOR THE NATIONAL BOOK AWARDS AN OBAMA'S BOOK OF THE YEAR
'Gorgeous, sensual, addictive' SARA COLLINS 'Brightly lit' NAOMI ALDERMAN
Born from a long line of female warriors and crusaders, yet too coarse for courtly life, Marie de France is cast from the royal court and sent to Angleterre to take up her new duty as the prioress of an impoverished abbey.
Lauren Groff's modern masterpiece is about the establishment of a female utopia.
'A propulsive, captivating read' BRIT BENNETT 'Fascinating, beguiling, vivid' MARIAN KEYES 'A dazzlingly clever tale' THE TIMES 'A thrillingly vivid,…
As a magical realism/horror author, born and reared in Ireland—I love stories that scream strange and unusual. By adding an extra dimension to a story, you can open the mind to the most wonderful places. I love to write for everyone with no exceptions, and while there are many worlds to lose yourself in while reading, I am drawn to the what ifs of magic. The worlds of witches, the dead, the unimaginable and realms beyond our own. This is why I love to write, and the reason I share my mind with those who enjoy a tale outside the norm of daily life.
A compelling story on the magical, yet dangerous world of Witches, Bess Hawksmith watches her mother swing from the Hanging Tree during 17th Century England. Turning to Warlock; Gideon Masters, who introduces her to the darker parts of the craft. This is where the story will take a turn for the worst, when Bess discovers the real price of accepting his help. It is a battle of good vs bad, love and hate.
In the spring of 1628, young Bess Hawksmith watches her mother's body swing limp from the Hanging Tree. She knows that only one man can save her from the same fate - Gideon Masters, the Warlock. She knows, too, that his help comes at a steep price. In present-day England, Elizabeth has built a quiet life for herself. She has spent the centuries in solitude, moving from place to place, surviving plagues, wars and the heartbreak that comes with immortality. Her loneliness comes to an abrupt end when she is befriended by a teenage girl called Tegan. Against her better…
I am a child of the South, hailing as I do from Warm Springs, Georgia, best known for Roosevelt’s Little White House. My family, indeed the entire community as far as I can tell, were in the thrall of conservative Christian values that had no room for people like me—gay (although I had no word for it for a long time) and physically misshapen (something to be hidden under layers of clothing). I was a boy and then teenager living on the fringes, always on the outside looking in, seeking approval or defiantly hiding to process the uniquely Southern dysfunction around me. I know these protagonists. They’re my people.
The Cicada Tree is a wonderful Southern Gothic magical realism mash-up leavened with humor and illuminating reflections on the human condition told in voices that drip with authentic Southernisms. Analeise Newell, this novel’s protagonist, is a complex, not-as-kind-as-she-knows-she-should-be eleven-year-old who drinks whiskey and is a piano prodigy. Her close friendship with Etta Mae, a budding coloratura soprano, sheds light on accepted racial inequities in the Deep South of the 1950s, building to (in the author’s words) a “chain of cataclysmic events with life-altering consequences-all of it unfolding to the maddening whir of a cicada song.”
WHEN AN ELEVEN-YEAR-OLD, WHISKY DRINKING, PIANO PRODIGY ENCOUNTERS A WEALTHY FAMILY POSSESSING SUPERNATURAL BEAUTY, HER ENSUING OBSESSION UNLEASHES FAMILY SECRETS AND A CATACLYSMIC PLAGUE OF CICADAS. The summer of 1956, a brood of cicadas descends upon Providence, Georgia, a natural event with supernatural repercussions, unhinging the life of Analeise Newell, an eleven-year-old piano prodigy. Amidst this emergence, dark obsessions are stirred, uncanny gifts provoked, and secrets unearthed. During a visit to Mistletoe, a plantation owned by the wealthy Mayfield family, Analeise encounters Cordelia Mayfield and her daughter Marlissa, both of whom possess an otherworldly beauty, a lineal trait regarded as…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
