Here are 100 books that Lakewood fans have personally recommended if you like
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.
The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected.
I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.
I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
This tightly-plotted murder mystery takes place in one of the most compelling imagined settings I’ve ever encountered: a double city somewhere in the Balkans where the inhabitants of each half are required by law not to see the inhabitants of the other half.
Equal parts Kafka and Philip K Dick, Miéville’s The City and the City offers a thought-provoking meditation on the haves and have-nots, as well as life in the Balkanized cities of the world, those “double places” where one-half of the population conspires not to notice the other half.
With shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, the multi-award winning The City & The City by China Mieville is a murder mystery taken to dazzling metaphysical and artistic heights.
'You can't talk about Mieville without using the word "brilliant".' - Ursula Le Guin, author of the Earthsea series.
When the body of a murdered woman is found in the extraordinary, decaying city of Beszel, somewhere at the edge of Europe, it looks like a routine case for Inspector Tyador Borlu of the Extreme Crime Squad. But as he probes, the evidence begins to point to…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
This National Book Award-winning novel is the story of an unnamed writer negotiating life in a Black skin that pre-empts most people from seeing him as an individual human being. And it has one of the funniest (pee-in-your-pants) first chapters I’ve ever read.
I not only laughed, but I so identified with the writer (and I think most readers will, no matter what your race—that is the genius of this writing), that I lived every moment of this crazy quest to be seen in a world that absolutely refuses to drop its projections.
But ultimately, the person who needs to see this man as a human being, accepting all of his history, hurt, and uniqueness, is the unnamed writer himself. This is a combination of crazy humor and pain.
Winner of the 2021 Sir Walter Raleigh Award for Fiction, Joyce Carol Oates Literary Prize Finalist, 2022 Chautauqua Prize Finalist, Willie Morris Award for Southern Writing Shortlist, and the 2021 Aspen Words Literary Prize shortlist
A Read With Jenna Today Show Book Club Pick!
An Ebony Magazine Publishing Book Club Pick!
One of Washington Post's 50 Notable Works of Fiction | One of Philadelphia Inquirer's Best Books of 2021 | One of Shelf Awareness's Top Ten Fiction Titles of the Year | One of TIME Magazine’s 100 Must-Read Books | One of…
I come from worlds that look much like the worlds in these books: raised in poverty, absent father, generational trauma, and mental illness running strong in my genes. I’ve always been interested in the ways our opportunities shape us, and the coping mechanisms we wield—secrecy, denial, anger, violence, even love—as we try to survive.
Marais does an excellent job of moving among these three point-of-view characters: a Black woman and two white sisters, all brought together by a child and the question of parentage. At the heart of the story is life in apartheid-era South Africa. A must-read for anyone who loves messy families and complex characters.
From the author of the beloved Hum If You Don't Know the Words comes a rich, unforgettable story of three unique women in post-Apartheid South Africa who are brought together in their darkest time and discover the ways that love can transcend the strictest of boundaries.
In a squatter camp on the outskirts of Johannesburg, seventeen-year-old Zodwa lives in desperate poverty, under the shadowy threat of a civil war and a growing AIDS epidemic. Eight months pregnant, Zodwa carefully guards secrets that jeopardize her life.
Across the country, wealthy socialite Ruth appears to have everything her heart desires, but it's…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Everfair is one of several recent alternate histories that challenge the usual focus on the same sorts of events in the same parts of the world and the all-too-frequent disturbing obsession with “what if the bad folks had won?” questions (South in the Civil War, Axis in WWII).
Shawl imagines a different, better history for the Congo—liberated from European control and gifted with a new source of energy. Her interesting characters from many backgrounds around the globe come together to fight for their sometimes conflicting, sometimes flawed visions for a better future.
This is the visionary aspect of speculative fiction at its most powerful.
Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium's disastrous colonisation of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo's "owner," King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated. Shawl's speculative masterpiece manages to turn…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
In this genre-bending novel, Ricky Rice is working as a janitor in an upstate New York bus station when he’s sent a ticket to Burlington, Vermont, with a note that reminds him of a promise he made years ago—a promise no one else could know about because he made it only to himself. There are a variety of crimes in the book, as well as several mysteries that unfold—not the least Ricky’s quest to understand the organization where he finds himself working.
As he does, he must sift through his past, including the narratives he’s grown up with and that he has used to understand and survive his world. I won’t tell you what the big machine is or how it works, but I loved this book and Ricky and the world he’s trying to (re)make.
Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God.
Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine…
I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.
Rothman was one of the first to examine the culture of research medicine and its relationship to science and American culture at large. Doctors on the cutting edge of new procedures, much desired medical elixirs, and scientific advancement used a utilitarian calculus to determine what was ethical and what the public was willing to accept. Scientific breakthroughs were celebrated with few - certainly no one of renown - taking notice that the breakthroughs were coming at the expense of vulnerable, powerless populations.
David Rothman gives us a brilliant, finely etched study of medical practice today. Beginning in the mid-1960s, the practice of medicine in the United States underwent a most remarkable--and thoroughly controversial--transformation. The discretion that the profession once enjoyed has been increasingly circumscribed, and now an almost bewildering number of parties and procedures participate in medical decision making.
Well into the post-World War II period, decisions at the bedside were the almost exclusive concern of the individual physician, even when they raised fundamental ethical and social issues. It was mainly doctors who wrote and read about the morality of withholding a…
I’m a lecturer in history at the University of Hertfordshire where I teach early modern history of medicine and the body. I have published on reproductive history in the seventeenth and early eighteenth centuries. The history of medicine is endlessly diverse, and there are so many books on early modern medicine, some broad and others more specific, it’s this variety that I find endlessly intriguing. Some conditions from the era, like gout and cancer, are familiar, while others like, greensickness, aren’t recognized any longer. Thinking about these differences and about how people’s bodies ached and suffered helps me to appreciate their relationships, struggles, and triumphs in a whole new dimension.
I am always fascinated by gender history and women’s experiences in the past. Churchill’s book puts women front and center and considers how medical practitioners understood women’s bodies and health and what women experienced as patients. The book covers traditionally feminine conditions – gynecological and obstetrical issues – but also looks at disorders that affected both men and women, including smallpox, and mental health – hysteria and hypochondria. I like the way this book thinks through all aspects of women’s experiences, how their disorders were understood, who they sought treatment from, and how those treatments were adapted to the specifics of the female body (menstruation and lactation).
This investigation contributes to the existing scholarship on women and medicine in early modern Britain by examining the diagnosis and treatment of female patients by male professional medical practitioners from 1590 to 1740. In order to obtain a clearer understanding of female illness and medicine during this period, this study examines ailments that were specific and unique to female patients as well as illnesses and conditions that afflicted both female and male patients. Through a qualitative and quantitative analysis of practitioners' records and patients' writings - such as casebooks, diaries and letters - an emphasis is placed on medical practice.…
