Here are 100 books that The Hundred Secret Senses fans have personally recommended if you like
The Hundred Secret Senses.
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I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Valentine handles some very heavy topics beautifully.
Many of the characters are connected by only one thread: they are women trying to survive in West Texas in the early 1970s. It centers around a brutal incident and the quest to find justice for a Mexican teenage girl who was violently assaulted.
Throughout the story we get such an intimate look at these women’s lives. I felt like I knew them. I felt like I was sitting right next to them in their kitchen or on their front porch.
These women were all hardened by the trials life had thrown at them, and were battling the urge to protect themselves with the urge to protect one another. I loved this book because it was just so honest.
A top ten New York Times bestseller. With the haunting emotional power of American Dirt and the atmospheric suspense of Where the Crawdads Sing: a compulsive debut novel that explores the aftershock of a brutal crime on the women of a small Texas oil town.
'The very definition of a stunning debut' Ann Patchett
'Brilliant, sharp, tightly wound, and devastating' Elizabeth Gilbert
'Quite simply one of the best books I've ever read' Jeanine Cummins,
author of American Dirt
Mercy is hard in a place like this. I wished him dead before I ever saw his face...
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
I love this book because it has everything, believable, engaging characters, a riveting plot, a vivid setting, and a cause. Larger-than-life Margery O’Hare and lady-like Alice are unlikely friends, but friends they become in this great story.
When I first saw photos of those "librarians on horseback," the wonderful women who responded to Eleanor Roosevelt’s call to take books to the rural poor of Kentucky in the depressed 1930s, I longed to know more. Jojo Moyes gives us lots more. There’s an array of well-drawn characters, but it’s Margery and Alice who drive the story forward, defying the odds to achieve their aims and find men who love and appreciate them.
Yes, it’s a love story, too, and a whodunnit? Perfect!
#1 NEW YORK TIMES BESTSELLER | A REESE WITHERSPOON X HELLO SUNSHINE BOOK CLUB PICK
"A great narrative about personal strength and really captures how books bring communities together." -Reese Witherspoon
From the author of The Last Letter from Your Lover, now a major motion picture on Netflix, a breathtaking story of five extraordinary women and their remarkable journey through the mountains of Kentucky and beyond in Depression-era America
Alice Wright marries handsome American Bennett Van Cleve, hoping to escape her stifling life in England. But small-town Kentucky quickly proves equally claustrophobic, especially living alongside her overbearing father-in-law. So when…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
Night Wherever We Go is the visceral story of six enslaved women defying their oppressors on a Texas plantation, determined to protect themselves from forced pregnancies. These women are cunning and resourceful!
Told in a first-person-plural voice, Tracey Rose Peyton's narrative is a powerful portrayal of collective resistance. It sheds light on a dark chapter of American history with unflinching honesty.
'A powerful and inspired achievement. This one is not to be missed' NATHAN HARRIS
'Extraordinary... I'm not sure I've recovered from the experience of reading it, or ever will, or ever should' ELIZABETH MCCRAKEN
'A haunting, powerful and utterly unforgettable read' RACHEL HENG
An intimate look at the domestic lives of enslaved women, NIGHT WHEREVER WE GO is an evocative meditation on resistance and autonomy, on love and transcendence and the bonds of female friendship in the darkest of circumstances.
On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This sweeping novel moves from the Caribbean to the American West and follows Rosa Rendón, a free Black woman, as she flees her home in Trinidad when it changes from Spanish to British rule.
Uncertain about whether she will be allowed to remain free under the new government, she travels to the United States, where she falls in with the Crow people of Montana. Beautifully researched and masterfully told, this is a fabulous read for anyone interested in the history of Black men and women in the West.
Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion.
In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from…
I’m an author of historical fiction and many of my books have included war. I find I just cannot stay away from it as a subject. Obviously any war is full of natural drama which makes for wonderful narratives, but it’s more than that; it’s something to do with how war tests people to their limits, a veritable crucible. I’m fascinated by the way loyalties are split and how conflict is never simple. To paraphrase my character Helena from The Seamstress of Warsaw, war is peopled by a few heroes, a few bastards, and everyone else in the middle just trying to get through it in one piece…
An absolute tour de force from the author of The Joy Luck Club. This novel is not as famous, but it’s actually my favourite Tan book. It has that epic sweep across history that I adore, whereby the movement of history catches people in its wake and hurls them hither and thither, uncaring of the consequences of its wreckage. The novel follows the experiences of a Chinese woman before and after Japan’s invasion of China in the 1930s and 40s and on to her move to America after the war. Reading this novel was truly immersive and fueled my interest in writing about war and showing how my own characters are caught up in its inexorable flow. A brutal and beautiful novel.
A stunning reissue of the international bestseller, from the much-loved author of The Joy Luck Club and The Bonesetter's Daughter.
Pearl Louie Brandt has a terrible secret which she tries desperately to keep from her mother, Winne Louie. And Winnie has long kept her own secrets - about her past and the confusing circumstances of Pearl's birth. Fate intervenes in the form of Helen Kwong, Winnie's so-called sister-in-law, who believes she is dying and must unburden herself of all falsehoods before she flies off to heaven. But, unfortunately, the truth comes in many guises, depending on who is telling the…
I’m a Swedish American journalist, blogger, and author whose writings about Scandinavian parenting culture have appeared in newspapers, magazines, and online publications across the world, including Time.com, Parents.com, and Green Child Magazine. I’m particularly interested in the role of nature in childhood and believe the best memories are created outside, while jumping in puddles, digging in dirt, catching bugs and climbing trees. In 2013, I started the blog Rain or Shine Mamma to inspire other parents and caregivers to get outside with their children every day, regardless of the weather. I’m currently working on my second book, about the Nordic outdoor tradition friluftsliv, which will be published by Tarcher Perigee in 2022.
Chua set off an international firestorm with her memoir, a frank account of the trials and tribulations of raising her two daughters the Chinese way in the U.S. Her strict, achievement-oriented parenting tactics often run counter to mainstream Western ideals about raising children and have drawn harsh criticism from many readers. Whether you agree with her methods or not, it’s impossible not to be touched by Chua’s book.
A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER: the most talked-about book of the year
'Blissfully funny' India Knight, Sunday Times
'Entertaining, bracingly honest and, yes, thought-provoking' New York Times
'A treat from first to last: ruefully funny, endlessly self-deprecating, riven with ironies .. I relished this memoir' I
Updated with a new postscript by Amy Chua and a letter from her eldest daughter, Sophia
Battle Hymn of the Tiger Mother is a story about a mother, two daughters, and two dogs. It was supposed to be a story of how Chinese parents are better at raising kids than Western…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.
Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century. In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”
In the second half of the nineteenth century, global labor migration, trade, and overseas study brought China and the United States into close contact, leading to new cross-cultural encounters that brought mixed-race families into being. Yet the stories of these families remain largely unknown. How did interracial families negotiate their identities within these societies when mixed-race marriage was taboo and "Eurasian" often a derisive term? In Eurasian, Emma Jinhua Teng compares Chinese-Western mixed-race families in the United States, China, and Hong Kong, examining both the range of ideas that shaped the formation of Eurasian identities in these diverse contexts and…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I first read Maxine Hong Kingston in college, but I can’t remember if I was assigned China Men or The Woman Warrior (the more famous counterpoint to China Men).All I know is that whichever one I read, I loved it so much that I immediately sought out the companion piece, which I also loved. In China Men, Kingston weaves together fiction and nonfiction, history and myth, story and memory. Is it a novel? A tapestry? I’m not quite sure what to call it, and that’s part of what I love about the book. Brief interludes of two or three pages present a single scene; longer stories narrate entire sagas. I love that this volume covers so much literal ground but ultimately feels incredibly personal.
The author chronicles the lives of three generations of Chinese men in America, woven from memory, myth and fact. Here's a storyteller's tale of what they endured in a strange new land.
