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Book of the Little Axe.
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I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Valentine handles some very heavy topics beautifully.
Many of the characters are connected by only one thread: they are women trying to survive in West Texas in the early 1970s. It centers around a brutal incident and the quest to find justice for a Mexican teenage girl who was violently assaulted.
Throughout the story we get such an intimate look at these women’s lives. I felt like I knew them. I felt like I was sitting right next to them in their kitchen or on their front porch.
These women were all hardened by the trials life had thrown at them, and were battling the urge to protect themselves with the urge to protect one another. I loved this book because it was just so honest.
A top ten New York Times bestseller. With the haunting emotional power of American Dirt and the atmospheric suspense of Where the Crawdads Sing: a compulsive debut novel that explores the aftershock of a brutal crime on the women of a small Texas oil town.
'The very definition of a stunning debut' Ann Patchett
'Brilliant, sharp, tightly wound, and devastating' Elizabeth Gilbert
'Quite simply one of the best books I've ever read' Jeanine Cummins,
author of American Dirt
Mercy is hard in a place like this. I wished him dead before I ever saw his face...
Like the widows in The Widows’ Wine Club, I’m getting on. Unlike them, I’ve been a writer for forty years, often hunched over a keyboard, ignoring people. Amazingly, though, I managed to have a happy marriage and make some great friends. Phew! Because I’ve needed friends, especially since my husband died. Looking back, I’m interested to see that I didn’t instantly take to some of my closest buddies. Circumstances threw us together, and we got to know and like and love each other. I explore this in my book.
I love this book because it has everything, believable, engaging characters, a riveting plot, a vivid setting, and a cause. Larger-than-life Margery O’Hare and lady-like Alice are unlikely friends, but friends they become in this great story.
When I first saw photos of those "librarians on horseback," the wonderful women who responded to Eleanor Roosevelt’s call to take books to the rural poor of Kentucky in the depressed 1930s, I longed to know more. Jojo Moyes gives us lots more. There’s an array of well-drawn characters, but it’s Margery and Alice who drive the story forward, defying the odds to achieve their aims and find men who love and appreciate them.
Yes, it’s a love story, too, and a whodunnit? Perfect!
#1 NEW YORK TIMES BESTSELLER | A REESE WITHERSPOON X HELLO SUNSHINE BOOK CLUB PICK
"A great narrative about personal strength and really captures how books bring communities together." -Reese Witherspoon
From the author of The Last Letter from Your Lover, now a major motion picture on Netflix, a breathtaking story of five extraordinary women and their remarkable journey through the mountains of Kentucky and beyond in Depression-era America
Alice Wright marries handsome American Bennett Van Cleve, hoping to escape her stifling life in England. But small-town Kentucky quickly proves equally claustrophobic, especially living alongside her overbearing father-in-law. So when…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
Night Wherever We Go is the visceral story of six enslaved women defying their oppressors on a Texas plantation, determined to protect themselves from forced pregnancies. These women are cunning and resourceful!
Told in a first-person-plural voice, Tracey Rose Peyton's narrative is a powerful portrayal of collective resistance. It sheds light on a dark chapter of American history with unflinching honesty.
'A powerful and inspired achievement. This one is not to be missed' NATHAN HARRIS
'Extraordinary... I'm not sure I've recovered from the experience of reading it, or ever will, or ever should' ELIZABETH MCCRAKEN
'A haunting, powerful and utterly unforgettable read' RACHEL HENG
An intimate look at the domestic lives of enslaved women, NIGHT WHEREVER WE GO is an evocative meditation on resistance and autonomy, on love and transcendence and the bonds of female friendship in the darkest of circumstances.
On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and…
I have always been a history lover, but often find myself thinking about the untold stories. The people who were not writing the history books or commanding armies or ruling countries. I’ve always been more inspired by everyday people, especially women, who fought daily battles we know very little about. I find myself seeking out their stories. I love to imagine these women’s lives. What motivated them, what frightened them, what angered them. That’s what I’m most passionate about. Finding and telling their stories.
Amy Tan is a master at telling stories that explore the complex dynamics of family relationships.
I’ve read a lot of her books, but The Hundred Secret Senses is my favorite because I adore Kwan, the main character’s half-sister from China. Kwan has a special secret that she can see and speak to ghosts, but Olivia always dismisses her as a little crazy and only pretends to believe her stories.
I love this book because it made me laugh out loud on multiple occasions and because it was so relatable.
We all have family members that we both love and can’t stand at the same time. This book goes back and forth between the 1990s and the 1800s.
If you love books about sisters, you need to read this one!
Stunning reissue of an international bestseller, from the author of 'The Joy Luck Club' and 'The Bonesetter's Daughter'.
Olivia Yee is only five years old when Kwan, her older sister from China, comes to live with the family and turns her life upside down, bombarding her day and night with ghostly stories of strange ancestors from the world of Yin. Olivia just wants to lead a normal American life.
For the next thirty years, Olivia endures visits from Kwan and her ghosts, who appear in the living world to offer advice on everything from restaurants to Olivia's failed marriage. But…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
In 1877, Bridget arrives penniless in Dodge City, Kansas, and, needing work, takes a job at the Buffalo Queen, a brothel run by women. Bridget finds friendship and community among the other sporting women until their relative peace is shattered by the arrival of legendary female gunslinger Spartan Lee.
Cravens delivers a one-two punch of queer love and swashbuckling action that culminates in an explosive finale. Cinematic, brilliantly paced, and sexy as hell, this is a story that will and should turn the Western on its head.
'A Western like you've never seen before: a story of reinvention, sex work, found family, and queer self-discovery' Harper's Bazaaar, Best Queer Books of 2023
In the summer of 1877, Bridget is orphaned when her unreliable father succumbs to a snakebite as they're crossing the Kansas prairie. Arriving in Dodge City as a penniless orphan, she's quickly recruited for work at the Buffalo Queen brothel and befriends her bookish mentor Constance, securing her home and employment as the favourite of Sheriff's Deputy Jim Bonnie. As winter creeps in from the plains, female gunfighter Spartan Lee rides into town, and Bridget…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This book takes place in contemporary America, but it is a Western as much as any of the historical novels on this list. The novel focuses on a horrific crime that happens to a rancher woman named Ginny and her attempts to escape and survive the brutality of her environment.
McLean's prose is as dense and brilliant as William Faulkner's; her imagery is as cruel and unsparing as Cormac McCarthy's. She draws parallels to the violence visited upon humans and animals alike and the desire in many men to dominate the land and all that walk upon it. I'm calling it now: This author will one day win a Nobel.
A brutalized woman is left for dead. But dead is the one thing she isn't. With a stolen horse and rifle, she escapes into the mountains, and a small posse of her tormentors has to gear up and give chase - whether to beg forgiveness or shut her up for good, nobody knows.
With detours through time, space and myth - not to mention into the minds of a pack of philosophical mules - Pity the Beast is a mind-melting feminist Western that pins a tale of sexual violence and vengeance to a canvas as wide and strange as America…
Female warriors add more depth to the action/thriller genre and make any character infinitely more interesting. I’ve read and watched enough Jacks, Johns, and Jakes to last a lifetime and I want some Janes in my reading life. I’ve been an avid reader for more than 40 years and always felt that there was a blank space when it comes to female protagonists. Many of my favorite female characters were relegated to supporting roles including some on my list, but when I find a great female character I end up reading her again and again. And if you haven’t seen it yet, watch Lioness on Amazon, it will leave you breathless!
When it comes to Constance Greene, I hardly know where to begin.
She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.
She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.
In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.
When a longtime enemy shows up dead on Pendergast's doorstep, the murder investigation leads him into his own dark past as a vengeful killer waits in the shadows.
It begins with murder. One of Pendergast's most implacable, most feared enemies is found on his doorstep, dead. Pendergast has no idea who is responsible for the killing, or why the body was brought to his home. The mystery has all the hallmarks of the perfect crime, save for an enigmatic clue: a piece of turquoise lodged in the stomach of the deceased.
As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.
Another great series from Rick Riordan. Set somewhat in the real world, a brother and a sister who don’t look alike discover they are descended from long line of a family of both Egyptian pharaohs and magicians. They have special talents to battle gods from Egyptian mythology and must save their father and the world.
Again, so much history and mythology packed into an exciting adventure story. Our whole family loved it.
The Red Pyramid: the first book in Rick Riordan's The Kane Chronicles.
Percy Jackson fought Greek Gods. Now the Gods of Egypt are waking in the modern world...
'I GUESS IT STARTED THE NIGHT OUR DAD BLEW UP THE BRITISH MUSEUM . . .'
CARTER AND SADIE KANE'S dad is a brilliant Egyptologist with a secret plan that goes horribly wrong. An explosion shatters the ancient Rosetta stone and unleashes Set, the evil god of chaos . . .
Set imprisons Dr Kane in a golden coffin and Carter and Sadie must run for their lives. To save their dad,…
