Here are 100 books that Pity the Beast fans have personally recommended if you like
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I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
This sweeping novel moves from the Caribbean to the American West and follows Rosa Rendón, a free Black woman, as she flees her home in Trinidad when it changes from Spanish to British rule.
Uncertain about whether she will be allowed to remain free under the new government, she travels to the United States, where she falls in with the Crow people of Montana. Beautifully researched and masterfully told, this is a fabulous read for anyone interested in the history of Black men and women in the West.
Ambitious and masterfully-wrought, Lauren Francis-Sharma's Book of the Little Axe is an incredible journey, spanning decades and oceans from Trinidad to the American West during the tumultuous days of warring colonial powers and westward expansion.
In 1796 Trinidad, young Rosa Rendon quietly but purposefully rebels against the life others expect her to lead. Bright, competitive, and opinionated, Rosa sees no reason she should learn to cook and keep house, for it is obvious her talents lie in running the farm she, alone, views as her birthright. But when her homeland changes from…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
LaValle brings his trademark mastery of horror and suspense to the American West in this story about the dangers of the past and the perils of being a woman alone. In 1915, Adelaide flees California for Montana, tugging behind her a locked steamer trunk inside which lives a deadly secret.
Spooky, riveting, and uncomfortably timeless in its portrayal of how Black women are treated in the United States, this is a necessary addition to the canon.
Blue skies, empty land—and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and an “absorbing, powerful” (BuzzFeed) new vision of the American West, from the award-winning author of The Changeling.
“Propulsive . . . LaValle combines chills with deep insights into our country’s divides.”—Los Angeles Times
ONE OF THE MOST ANTICIPATED BOOKS OF 2023: The New York Times, Time, Oprah Daily, Los Angeles Times, Esquire, Essence, Salon, Vulture, Reader’s Digest, The Root, LitHub, Paste, PopSugar, Chicago Review of Books, BookPage, Book Riot, Tordotcom, Crime Reads,…
I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
In 1877, Bridget arrives penniless in Dodge City, Kansas, and, needing work, takes a job at the Buffalo Queen, a brothel run by women. Bridget finds friendship and community among the other sporting women until their relative peace is shattered by the arrival of legendary female gunslinger Spartan Lee.
Cravens delivers a one-two punch of queer love and swashbuckling action that culminates in an explosive finale. Cinematic, brilliantly paced, and sexy as hell, this is a story that will and should turn the Western on its head.
'A Western like you've never seen before: a story of reinvention, sex work, found family, and queer self-discovery' Harper's Bazaaar, Best Queer Books of 2023
In the summer of 1877, Bridget is orphaned when her unreliable father succumbs to a snakebite as they're crossing the Kansas prairie. Arriving in Dodge City as a penniless orphan, she's quickly recruited for work at the Buffalo Queen brothel and befriends her bookish mentor Constance, securing her home and employment as the favourite of Sheriff's Deputy Jim Bonnie. As winter creeps in from the plains, female gunfighter Spartan Lee rides into town, and Bridget…
I grew up around ranch and rodeo life, having always been fascinated by it, attended several rodeos each year. Watching Jonnie Jonckowski ride bulls and Martha Josey break records wining barrel races—they were an inspiration. When an opportunity arose for me to build a career around researching and writing about cowgirls, rodeo, and cattlewomen, it was a dream come true. Hope you enjoy the books about them that I’ve recommended.
Cowgirls evoke a variety of images: Wild West show shootist, rodeo athletes, working ranch women, and pin-ups. Many stories, dime novels, and a plethora of fiction about the cowgirl confuse her true history and are in many ways responsible for why we have so many interpretations of her. In The Cowgirls, Joyce Gibson Roach unravels the folklore to give us the history of the cowgirl, the good, and the “lady rustlers,” to explain her longevity as heroic cattlewomen who hold our attention and fascination even today. Roach’s narrative is as entertaining as it is informative and is a history any fan of the cowgirl should read.
An important chapter in the history and folklore of the West is how women on the cattle frontier took their place as equal partners with men. The cowboy may be our most authentic folk hero, but the cowgirl is right on his heels. This Spur Award winning book fills a void in the history of the cowgirl.
While Susan B. Anthony and her hoop-skirted friends were declaring that females too were created equal, Sally Skull was already riding and roping and marking cattle with her Circle S brand on the frontier of Texas. Wearing rawhide bloomers and riding astride, she…
I recall the exact moment when my interest sparked about frontier prostitution and Denver’s underbelly — a friend mentioned the ‘bad blood’ in her family — an ancestor who was a second-rate madam and who employed her own daughters. The quest started. Who were these women, and why did they make the choices they did? I’ve spent years chasing down traces of the old west’s prostitutes, fascinated by their identities and lives. The west had opportunities for women who were willing to take chances. As a fifth-generation Coloradoan, I hoped to capture the story of these enterprising and overlooked women, their lives, and the world around them.
By now, readers can get a sense of where my recommendations are going with all of this. Life in the West was hard, and alcohol and drugs were turned to (often) to help reduce the pain, discomfort, and loneliness of living in the western United States. Whiskey tended to be of poor quality, drugs were not known to be addictive, and a lot of the stereotypical old west behavior stemmed from the use of liquor and drugs – often to the detriment of the users…and innocent bystanders.
This book explores the role and influence of drink and drugs (primarily opium) in the Old West, which for this book is considered to be America west of the Mississippi from the California gold rush of the 1840s to the closing of the Western Frontier in roughly 1900. This period was the first time in American history that heavy drinking and drug abuse became a major social concern.
Drinking was considered to be an accepted pursuit for men at the time. Smoking opium was considered to be deviant and associated with groups on the fringes of mainstream society, but opium…
Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
A thrilling if bumpy ride through 1846, as DeVoto tracks multiple stories of Americans who headed west at the start of the great migration. Like Webb’s Great Plains, this book — published in 1942 — is a little dated in places, but DeVoto’s vivid descriptions and strong opinions make it highly enjoyable. The general subject is the “period when the manifold possibilities of chance were shaped to converge into the inevitable,” writes DeVoto. More plainly, the book is about "some people who went west in 1846." Many of them died on the way. Some found fortune. Altogether, they left behind extraordinary history.
Year of Decision 1846 tells many fascinating stories of the U.S. explorers who began the western march from the Mississippi to the Pacific, from Canada to the annexation of Texas, California, and the southwest lands from Mexico. It is the penultimate book of a trilogy which includes Across the Wide Missouri (for which DeVoto won both the Pulitzer and Bancroft prizes) and The Course of Empire. DeVoto's narrative covers the expanding Western frontier, the Mormons, the Donner party, Fremont's exploration, the Army of the West, and takes readers into Native American tribal life.
Just because you’re told something is true doesn’t make it the case. I have never accepted received ideas before subjecting them first to my own personal sniff test. Non-fiction is a wonderful way of acquiring knowledge, and stories open a door to the human soul to make possible living through someone else’s sensibility. Life becomes more vibrant and meaningful. My Ph.D. in English taught me to analyze the ways writers tell their stories. Add in my own life experience, and something magical happens during the creative process. Whether writing historical, literary, or popular fiction, I can’t help but reshape limitation into independence and personal freedom.
While researching Annie Oakley as a character in my novel, I was amazed by what an exceptional icon she was. This non-fiction book gives sumptuous detail about a singular woman and the life she led. Oakley met Frank at a shooting competition, where she beat him by only one shot. Rather than becoming defensive, he married her and became her agent. Clearly, she didn't need his help to do what she did better than anyone else in the world, but he helped showcase her skills for adoring crowds in a rough and tumble business. My protagonist Abigail was inspired by her, and frankly so am I.
With a widowed mother and six siblings, Annie Oakley first became a trapper, hunter, and sharpshooter simply to put food on the table. Yet her genius with the gun eventually led to her stardom in Buffalo Bill's Wild West Show during the latter half of the nineteenth century. The archetypal western woman, Annie Oakley urged women to take up shooting to procure food, protect themselves, and enjoy healthy exercise, yet she was also the proper Victorian lady, demurely dressed and skeptical about the value of women's suffrage. Glenda Riley presents the first interpretive biography of the complex woman who was…
Growing up in Alberta, Canada, I spent many summer days at the Calgary Stampede, where I became familiar with the idea of the Wild West. We would don our cowboy hats and trek to the fairgrounds to watch bucking horses and chuckwagon races. Thus began my obsession with popular westerns. I wrote my Ph.D. dissertation on the subject, and I still teach courses and write books about various aspects of the popular West. As a bit of an outsider myself, I especially love Westerns by folks on the margins, without a lot of power. Their takes on the West are always quirky and surprising. I hope you agree!
I never thought of the Old West the same again after reading this book, which shows how the myth of the Old West was made by powerful men who created the West in their own image.
I used to think of Western vigilantism as part and parcel of the “Wild West,” necessary to keep the piece in the absence of “civilization.” Little did I know that the ones behind Western vigilante violence were powerful men using terrorist tactics to preserve their control over the land and its resources.
Bold’s meticulous research is as undeniable as it is thought-provoking and utterly absorbing.
The Frontier Club is Christine Bold's name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and "quality" publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Here, I veer off into nonfiction, but only because nobody would believe any novelist who conjured up the likes of the real-life people Betsy Gaines Quammen talks to in constructing this portrait of how things got so fraught out West.
In my view, it takes a writer of particular skill and empathy to honestly get at the thoughts and motivations of folks with whom she likely disagrees on fundamental questions. Further, it takes a writer of inherent fairness to call balls and strikes on all sides of contentious issues. Quammen, for my money, is such a writer.
“True West disentangles reality from centuries of myth and mystique."
—HAMPTON SIDES, New York Times bestselling author of Blood and Thunder
From the Northern Rockies to the Southwest deserts, Betsy Gaines Quammen explores how myths shape our identities, heighten polarizations, and fracture our shared understanding of the world around us. As she investigates the origins and effects of myths of the American West, Gaines Quammen travels through small towns and big cities, engaging people and building relationships at every stop. Misperceptions about land, politics, liberty, and self-determination threaten the well-being of people and communities across the country, and Gaines Quammen…
