Here are 100 books that A Newer World fans have personally recommended if you like
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I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book,Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.
I’m admittedly self-impressed, having read this volume of nearly a thousand papers, poky reader that I am. The Pulitzer Prize-winning biographer strikes me as little short of brilliant with this masterpiece on Ulysses S. Grant, whose military career began with distinguished service in the Mexican War and overlaps with that of Steptoe, subject of my biography. Chernow focuses much of his book on Grant’s Civil War service, but his relevance to my theme is the subject of Grant’s presidency, taken up in later pages. Like many officers who served in the West before and after the Civil War, Grant recognized that white incursions on Indian lands were largely to blame for the violence out West, and he was sympathetic to their plight. Custer’s defeat occurred during Grant’s second administration.
The #1 New York Times bestseller and New York Times Book Review 10 Best Books of 2017
"Eminently readable but thick with import . . . Grant hits like a Mack truck of knowledge." -Ta-Nehisi Coates, The Atlantic
Pulitzer Prize winner Ron Chernow returns with a sweeping and dramatic portrait of one of our most compelling generals and presidents, Ulysses S. Grant.
Ulysses S. Grant's life has typically been misunderstood. All too often he is caricatured as a chronic loser and an inept businessman, or as the triumphant but brutal Union general of the Civil War. But these stereotypes don't…
I am a journalist, the author of 10 works of popular history, and, latterly, a playwright. For nearly 25 years, I have earned a living on the strength of my own writing. I have written one full-length play that was produced at an outdoor summer theatre in July 2023, and I have written three short plays for the Port Hope, Ontario Arts Festival. I now live in Peterborough, Ontario, about 90 miles northeast of Toronto, but have had a lifelong interest in the history of western North America by dint of having grown up in southeastern Saskatchewan and having worked as a journalist in Alberta in the early 1980s.
I loved this book enough to read it twice. In fact, felt compelled to read it twice because of Connell’s amazing portrayal of Custer and dozens of other figures, both American and Native American, both well-known and obscure.
The battle of the Little Bighorn lasted only a few hours but had an amazing impact, and Connell tells the story with remarkable originality.
On a scorching June Sunday in 1876, thousands of Indian warriors - Lakota Sioux, Cheyenne and Arapaho - converged on a grassy ridge above the valley of Montana's Little Bighorn River. On the ridge five companies of United States cavalry - 262 soldiers, comprising officers and troopers - fought desperately but hopelessly. When the guns fell silent, no soldier - including their commanding officer, Lt Col. George Armstrong Custer - had survived. Custer's Last Stand is among the most enduring events in American history - 130 years after the fact, books continue to be written and people continue to argue…
I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book,Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.
Aside from the Colorado landmark, Pike’s Peak, most of us know little of Zebulon Pike. A relative passed along the tee-shirt, but that’s as close as I got before reading Jared Orsi’s account of Lieutenant Pike’s 1805-07 fascinating expeditions to the headwaters of the Mississippi and to the Rockies. Pike strives to establish friendly relations among the Ojibway and Dakotah and later among the Osage and Pawnee while introducing the tribes to their new landlords, the U.S. government under President Jefferson. In attempting to ascend the peak, Pike and his men suffer near starvation and death in bitter cold and waist-deep snow, only to be rescued and arrested by the forces of New Spain. Orsi approaches the expeditions from an environmental perspective.
Today Zebulon Pike's name is immortalized at Pikes Peak, the second most visited mountain in the world after Japan's Mount Fuji. It overlooks the town of Colorado Springs, where historian Jared Orsi teaches. Orsi was inspired to take up this biography not just by geography but also because there has been no modern interpretation of the life of this key explorer in American history. His life sheds considerable life on the early national period and on the American frontier.
Born during the Revolution Zebulon, Pike came of age with the nation. Trained as a soldier and stationed at various frontier…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book,Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.
Because Crook (not Custer!) was probably the most successful and thoughtful general officer to lead troops in the West. Robinson traces Crook’s career from the 1850s Rogue River War in the Oregon Territory, through the Great Sioux War of the 1870s, concluding with the pursuit of Geronimo in the 1880s, where he achieved his greatest fame. And because, as indicated in an epigraph, quoting Oglala Chief Red Cloud, “He, at least, never lied to us.” I found comments on Crook’s employment of tribal scouts especially informative. Robinson concludes, “In war, he could be as cruel as they, but he always respected them as human beings.” He doesn’t apotheosize Crook, who reflected the views of his era in advocating assimilation to make Indians useful and productive citizens “by white standards.”
General George Crook was one of the most prominent soldiers in the frontier West. General William T. Sherman called him the greatest Indian fighter and manager the army ever had. And yet, on hearing of Crook's death, the Sioux chief Red Cloud lamented, "He, at least, never lied to us." As a young officer in the Pacific Northwest, Crook emphasized training and marksmanship--innovative ideas in the antebellum army.
Crook's career in the West began with successful campaigns against the Apaches that resulted in his promotion to brigadier general. His campaign against the Lakota and Cheyennes was less successful, however, as…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
When we think of the West, we so often think about people moving and traveling, but rarely do women come to mind, except as pioneers in covered wagons. But ever since Sacagawea walked with the Lewis and Clark expedition, women have not only traveled West, they often led the way, both physically and metaphorically. Scharff’s book is a fascinating look at how hard it was for women to actually move through the region, whether stumping for suffrage or civil rights. Scharff’s book is especially valuable because she includes so many women of color, and you can feel their pain and their exhilaration on the page.
From Sacagawea's travels with Lewis and Clark to rock groupie Pamela Des Barres's California trips, women have moved across the American West with profound consequences for the people and places they encounter. Virginia Scharff revisits a grand theme of United States history - our restless, relentless westward movement--but sets out in new directions, following women's trails from the early nineteenth to the late twentieth centuries. In colorful, spirited stories, she weaves a lyrical reconsideration of the processes that created, gave meaning to, and ultimately shattered the West. "Twenty Thousand Roads" introduces a cast of women mapping the world on their…
As an Indigenous person, I have a lived experience of the negative impacts of an erased history on all people. Students I teach are shocked to hear that Indigenous people have been in the Americas for over 60,000 years. The violence against archaeologists publishing on older than Clovis sites in the Americas is intense; that got me asking why? I sought the truth about the evidence for Pleistocene age archaeology sites in the Americas. Global human migrations attest to the fact that humans have been migrating great distances for over 2 million years. Reclaiming and rewriting Indigenous history is one path of many, leading to healing and reconciliation.
Though only discussing the “day before Clovis” a few thousand years prior to Clovis archaeological sites Dixon and Dixon provide a synthesis of over 40 archaeological sites that predate Clovis. Dixon and Dixon dispel archaeological stereotypes that depict early Indigenous people as simply big-game hunters and provide evidence for a diverse cultural landscape of marine mammal hunters, fishers, and general foragers across the Americas.
This revolutionary archeological synthesis argues an alternative model of the earliest human population of North America. E. James Dixon dispels the stereotype of big-game hunters following mammoths across the Bering Land Bridge and paints a vivid picture of marine mammal hunters, fishers, and general foragers colonising the New World. Applying contemporary scientific methods and drawing on new archaeological discoveries, he advances evidence indicating that humans first reached the Americas using water craft along the deglaciated Northwest Coast about 13,500 years ago, some 2,000 years before the first Clovis hunters. Dixons rigorous evaluation of the oldest North American archaeological sites and…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
This hefty tome is a comprehensive and valuable collection of articles about women who were bound by race and class, and who also defied the expectations of these categories. Native American, Latinx, Asian, and Black women fill this fascinating volume, with stories that span colonial New Mexico to modern-day Hollywood. If you need a reference work on women of color, this book is not only your starting point, but it also has an extensive bibliography for further reading.
A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting its essays and placing them in analytic and historical perspective. Clearly written and accessible, Writing the Range makes a major contribution to ethnic history, women's history, and interpretations of the American West.
I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I teach people how to enjoy birds. I’ve led bird walks, taught seminars, co-owned a wild bird feeding shop, and written two books and well over a hundred newspaper columns on birds. Over the years, I’ve conveyed a fair heap of information about birds because accurate knowledge and biological understanding are valuable tools for fostering appreciation. But I consider making birds relevant and vivid in our everyday lives to be far more important than simply accumulating facts. These are a few books that get to the heart of what I am most excited about: changing how we see and hear birds and thereby enriching our experience of every single day.
We all see birds to some degree. But most people completely miss their sounds. That’s where this book comes in, as a guide to the vocalization of all the western birds (there is an eastern version, too) with transliterations, spectrograms, and curated online recordings.
Here’s what I recommend you do to instantly enrich your life: sit outside, wait until a bird sings or calls, then look it up in this book. Read the description, look at the spectrogram, and play the recording if needed. Now you know a bird by ear. Now, whenever it calls, you will know what bird is present, just by the subtle patterns or qualities of tone that most people ignore.
A comprehensive field guide that uses an innovative Sound Index to allow readers to quickly identify unfamiliar songs and calls of birds in western North America.
Bird songs and calls are at least as important as visual field marks in identifying birds. Yet short of memorizing each bird’s repertoire, it’s difficult to sort through them all. Now, with the western edition of this groundbreaking book, it’s possible to visually distinguish bird sounds and identify birds using a field-guide format.
At the core of this guide is the spectrogram, a visual graph of sound. With a brief introduction to five key…
The Extraordinary Journey of David Ingram
by
Dean Snow,
An ordinary sailor named David Ingram walked 3600 miles from Mexico to Canada over the course of eleven months in 1568-9. There, he and two companions were rescued by a French ship on the Bay of Fundy. They were the first Englishmen to explore the interior of North America.
I’ve been writing about my explorations in the wilderness for over 20 years starting with the first edition of my Tahoe Rim Trail guidebook. I’ve always been fascinated by writers who embark on solo journeys into nature, or just traveling in general, and in so doing discover themselves and what they really want from their lives. While I’ve read my share (and written a few) stories about super feats of human endurance, I find the most satisfaction from reading about ordinary people experiencing life at a scale that makes sense to all of us.
Published 50 years after Desert Solitaire, seventh-generation Utah resident Amy Irvine talks about her respect for Abbey’s impact on her life and writing, while also not holding back on lambasting Abbey for his behavior and hypocrisy. Irvine told Orion magazine, “My goal was not to take Abbey down, but rather to make space for other voices and relationships to the natural world.” While Abbey might be the context for the book, Irvine goes on to deliver a fascinating exploration into her own take on the wonders of wilderness. She can be as hard on herself as she is on Abbey. This book is a great contemporary look at a key question for those of us who explore the wilds: How do we keep from loving it to death?
"A grief–stricken, heart–hopeful, soul song to the American Desert."
—PAM HOUSTON, author of Deep Creek
As Ed Abbey’s Desert Solitaire: A Season in the Wilderness turns fifty, its iconic author, who has inspired generations of rebel–rousing advocacy on behalf of the American West, is due for a tribute as well as a talking to. In Desert Cabal: A New Season in the Wilderness, Amy Irvine admires the man who influenced her life and work while challenging all that is dated—offensive, even—between the covers of Abbey's environmental classic. Irvine names and questions the "lone male" narrative—white and privileged as it is—that…
