Fun Home

By Alison Bechdel,

Book cover of Fun Home: A Family Tragicomic

Book description

DISCOVER the BESTSELLING GRAPHIC MEMOIR behind the Olivier Award nominated musical.

'A sapphic graphic treat' The Times

A moving and darkly humorous family tale, pitch-perfectly illustrated with Alison Bechdel's gothic drawings. If you liked Marjane Satrapi's Persepolis you'll love this.

Meet Alison's father, a historic preservation expert and obsessive restorer…

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Why read it?

14 authors picked Fun Home as one of their favorite books. Why do they recommend it?

Fun home is what the author and her family call the funeral home they were raised in. I was drawn into this graphic memoir of the author’s relationship with her father, with disturbing themes of suicide, unaccepted gender identities, and domestic abuse.

The story manages to stay buoyant despite it all, and the observations are funny. The author’s ability to capture her most painful memories in bright light and intricate detail catapulted this read to the top for me. 

I couldn’t put this book down! It changed what I felt was possible in a graphic story. When I started this memoir, knowing Alison Bechdel from her great, long-running cartoon strip “Dykes to Watch Out For,” I thought it would be light, funny, and well-drawn. I was right about the last two.

I love how Bechdel captures her characters’ quirky reactions and geographies—her “Fun Home” was the Pennsylvania funeral home where Bechdel grew up—and the comic elements of 1970s family life. (She and I are about the same age.)

I did not expect, and was knocked out by…

From Sylvia's list on maddening dads.

It’s not a “deep cut” by any means, but I had to start this list with this book. It’s the book that made me fall in love with the graphic novel format and remains perhaps my favorite book of all time.

Bechdel weaves together her coming-of-age as a lesbian, her discovery of her father’s homosexuality, and rich literary allusions, all with beautiful, detailed artwork.

When I read this book for the first time as a closeted teenager, I was captivated not only by the queer representation but by the rich storytelling. The way Bechdel’s words and illustrations work together to…

From Jonah's list on gay coming-of-age graphic novels.

This deeply intense and personal biography is visually told so well, Bechdel illustrates emotions through posture, timing, and expression brilliantly. The writer moves characters from one decade to another seamlessly without the reader ever being confused as to who's who.

One thing that is worth mentioning is the use of repetition; the repeated crossing of the road of her father, in his decline, increases its power with each re-framing from a different angle. This is a really useful storytelling tool that I have tried to employ with elements such as the portrait of Napoleon Bonaparte in my graphic novel. Hopefully,…

Alison Bechdel is a graphic artist, and for many years her weekly comic strip was syndicated in queer newspapers across the United States, and then published in a marvelous and hilarious series of books called Dykes to Watch Out For.

It was so wonderful to have a comic strip that reflected back to me so much of my own interior life and also the queer people and communities I knew. Then in 2006 Allison Bechdel took the queer world by storm when she published this memoir based on her childhood in a small New England town in which her father…

This Eisner Award-winning memoir explores personal and family complexities, as well as the love of literature.

Bechdel navigates the trials of growing up in a mortuary with an idiosyncratic family.

Two themes predominate: a father with a secret, and her own sexuality. Time magazine smartly ranked Fun Home at the top of its "Best Books of 2006" list.

From John's list on merging art with personal history.

When I set out to write a memoir about a complex family story, Alison Bechdel’s graphic memoir was my inspiration.

She investigated the mysteries of her father-daughter story in the midst of a family and a community, a relationship that shared an intense love and identification with literature despite their battles. Her story tells how she came out in the 1970s as she came to understand her father’s living in the closet in the 1950s.

She was witty and honest and deeply insightful, as she wrote and drew her way through the story of her life. I was so moved.  

Nothing ruins a childhood so much as a parent with a secret. Alison’s father is a closeted gay man who sublimates unmet desires via the “monomaniacal restoration” of their old Gothic Revival house into a kind of look-but-don’t-touch museum. His M.O. is artifice, while young Alison becomes a relentless seeker of honesty. Soon after she comes out to her parents as a lesbian, her father finally tells her haltingly some of the secrets about his own sexuality. Shortly after that, he dies, in what may have been a suicide, and she feels culpable. In richly drawn panels full of…

From Deborah's list on impossible childhoods.

Alison Bechdel’s graphic memoir about her enigmatic father and his ambiguous death paralleled my experience in so many ways that it made me feel less alone in my grief and puzzlement. Where she grew up in a funeral home, my brother and I grew up around grass-strip airports. Where her father was closeted gay, ours was closeted trans, and where her father stepped backwards into the path of a truck, our father was found in a field. Being told in a graphic format and by a fellow lesbian with ties to the Midwest made it all the more stirring.

I was drawn to this graphic memoir because, like me, Bechel grew up with a closeted parent in a heterosexual marriage while being a queer child herself. Like my memoir, Fun Home is also a coming-out story. Her art beautifully details the complexities of family life with both humor and gravitas. Some of the humor involves dead bodies, as her family runs a funeral home. Yet Bechdel must also grapple with profound loss: just after she comes out to her father, he dies by suicide, walking in front of a truck. She wonders if she can infer that he was…

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