Here are 100 books that Girl, Woman, Other fans have personally recommended if you like
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I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
This book is a brilliant ethnography and one of the first books I read as a young anthropology student, The Spirit Catches You and You Fall Down by Anne Fadiman.
It is about a Hmong family, living in California, that has an epileptic child and their interactions at a children’s hospital. The book came back into my life when my second daughter started having seizures and we were admitted into the same children’s hospital where the book was researched.
One of the doctors knew I was an anthropologist and reminded me of the book. Despite the cultural difference between myself and the Hmong family, I could see myself in their fear, their hope, and their desire to make sense of having a very ill child.
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Although this novel focuses on the world of investment banking, I list it here because it shows the difference between being a female working in finance and being a male working in finance; like This is what happens, it shows the impact of sexism on one woman's professional life, her dream, her ambition, her failure to achieve the former despite the latter.
I read it quite a while ago but was reminded of it while reading recently about the recent Martin/Nicole thing (wherein they switched email addresses, so Martin experienced what it was like to be Nicole for a couple of weeks) ("Folks, it sucked" was his summary).
"A job at Cray McKinley is whatever you make of it. For the real high flyers, there's no limit to what you can achieve."
Abby is a high flyer. But she's not your average banker. Driven by something other than money and status, she has her own reasons for climbing the ladder.
And so does Mike. An ambitious young graduate with an equally impressive CV, Mike is in it for the six-figure salaries and fast cars. He's got the skills, the grades and the swagger to make it all the way to the top.
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
On occasion, most notably in a personal letter to Valian, I have described This is what happens as a fictional version of her book. She covers sexism at home, sexism at work, the effects on ourselves, the effects on women in the professions, on women in academia... It was, is, very gratifying to have one's experience validated!
Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women.
Why do so few women occupy positions of power and prestige? Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women. According to Valian, men and women alike have implicit hypotheses about gender differences—gender schemas—that create small sex differences in characteristics, behaviors, perceptions, and evaluations of men and women. Those small imbalances accumulate to advantage men and disadvantage women. The most important…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I read this book in a single day and was captivated by the way in which Sieghart combined narrative storytelling with deep-rooted research and analysis.
To me, the book makes a crystal-clear case that many of the gender gaps we contend with today actually begin with the authority gap: the fact that women are trusted less than men and are considered less credible.
Sieghart does a fantastic job of making complex research accessible and digestible.
Every woman has a story of being underestimated, ignored, challenged, or patronized in the workplace. Maybe she tried to speak up in a meeting, only to be talked over by male colleagues. Or a client addressed her male subordinate instead of her. These stories remain true even for women at the top of their fields; in the U.S. Supreme Court, for example, female justices are interrupted four times more often than their male colleagues-and 96 percent of the time by men. Despite the progress we've made toward equality, we still fail, more often than we might realize, to take women…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
I grew up reading books that featured strong women, including Little Women and Anne of Green Gables so it only made sense that I would go on to write a book featuring four strong women. As much as I love reading fiction, since I am a professor, my writing is mainly academic and/or non-fiction and I aim to make research translatable and interesting to all – including mainstream audiences. Currently, I am working on a new book about evangelical Christian women and politics, which I started in 2020 right before the presidential election. No matter where I live or work, exploring the various facets of women’s lives will remain my driving pursuit.
This is billed as a non-fiction book but very much reads as fiction.
Taddeo’s characters (who are based on real women) have different voices and very different stories – yet their intimate tales of sex, belonging, and love resonate. Through Taddeo’s sensitive, artful writing you feel as though you know them personally.
The International No. 1 Bestseller
A BBC 2 Between the Covers Book Club Pick
'Cuts to the heart of who we are' Sunday Times
'A book that begs discussion' Vanity Fair
All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her?
All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?
All Sloane wanted was to be admired. How did she end up a sexual object…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
Peter Orner creates a startling intimacy with his characters. In these short, pithy vignettes, we see estranged siblings, dying spouses, missing fathers, and a marriage that is ending. Orner’s gift is to drop us right into the conflict and emotional action of his characters. Every protagonist feels like someone we know and maybe even loved. His writing is breathtaking. Spanning America of the 80s, his stories take place across the country from California to Chicago to the East Coast.
In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (New York Times) takes the short story to new heights.
Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments.
Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar,…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
One of the most original voices in contemporary fiction, Offill’s novel is unusual and from my perspective, brilliant. Perspective is what makes this book shine, the story is so direct it feels as if it is originating in the narrator’s innermost thoughts. Weaving facts and articles with slices of daily routine with the narrator’s own thoughts, the reader is propelled forward, almost a participant in the gradual transformation of the narrator as she comes to terms with her husband’s betrayal. This short, spare book is hard to put down, wise in ways that are hard to articulate and yet Offill succeeds beautifully.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
In these hilarious and often tender interconnected stories, Strout takes off where Olive Kitteridge (her previous book) ended, following her husband’s death. Olive is once again charting new territory with her grown son and his children, a particularly moving and unsentimental story about their visit. After her son leaves, Olive grapples with loneliness and turns to Jack Kennison, a man who is also struggling with his own strained relationship with his daughter. Together they form an unlikely couple, discovering a new realm of intimacy neither expected. Relationships are at the centerpiece of this collection, and each story gives a glimpse into Olive’s tenacity and courage to grow and find joy wherever it comes.
From the Pulitzer Prize-winning, Number One New York Times bestselling author of Olive Kitteridge and My Name is Lucy Barton
'A terrific writer' Zadie Smith
'A superbly gifted storyteller and a craftswoman in a league of her own' Hilary Mantel
'A novel to treasure' Sunday Times
Olive, Again follows the blunt, contradictory yet deeply loveable Olive Kitteridge as she grows older, navigating the second half of her life as she comes to terms with the changes - sometimes welcome, sometimes not - in her own existence and in those around her.
As a writer, I’m fascinated by relationships, what makes them work and what might make them fail. And I’ve always been gripped by the power of two people who try to love each other, no matter how different they may be or what obstacles they face. I honestly believe that two people in love are far more than the sum of their parts and can create something magical that wouldn’t have been there without them. So, yes, I’m a romantic at heart but, even in these cynical times, I don’t think that’s a bad thing. I hope you love the books on this list as much as I do.
I love this book as it’s about a marriage in crisis and it shows the complete power that those we love most can hold over us.
I also loved the fascinating insight into the world of tennis as both main characters are tennis coaches – and I’ve always enjoyed Wimbledon! I thought the family dynamics and the push-and-pull of who to trust and why was utterly gripping.
I also loved how the way other people see the marriage is so completely different to how Stan and Joy, the husband and wife, see it. There are different versions of truth and, somehow, the one that carries the most love is the most important of all.
From Liane Moriarty, the #1 New York Times bestselling author of Big Little Lies and Nine Perfect Strangers, comes Apples Never Fall, a novel that looks at marriage, siblings, and how the people we love the most can hurt us the deepest.
The Delaney family love one another dearly―it’s just that sometimes they want to murder each other . . .
If your mother was missing, would you tell the police? Even if the most obvious suspect was your father?
This is the dilemma facing the four grown Delaney siblings.
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