Here are 100 books that Girl, Woman, Other fans have personally recommended if you like
Girl, Woman, Other.
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I have always been interested in feminine culture and how we move through loss & disappointment, build self-worth, find beauty, make and keep friendships, handle family strife, love the natural world, and value a rich imagination. I love creating fantasy worlds. My fantasy world is fueled by a lifetime of lucid dreaming and a group of animal spirits who always find a place in my stories. Music is my lifelong passion and profession, so original songs are a part of my storytelling package. I am steeped in the expression of the many facets of being a girl and practiced the myriad of ways to explore them creatively.
This is a story of redemption at its sweetest. Although written in 1911, it stands the test of time for today’s girls who think all is lost and find their happy place in the natural world.
I loved nine-year-old Mary Lennox’s exotic beginnings. Born in India to an absent mother and an often ill and busy English father, Mary’s frequent illnesses, lack of attention, and permissive nannies had turned her into an unlikable human. I had a hard time imagining this girl doing anything positive.
I thought for sure she was unretrievable. But when Mary, a seeming lost cause, is sent to live with a distant uncle, she is transformed. Inspired by a secret garden and determined to bring it back to life, she ultimately finds healing and happiness. Lost causes who are saved by birds and nature are my favorites!
The Secret Garden by Frances Hodgson Burnett is a magical novel for adults and children alike
'I've stolen a garden,' she said very fast. 'It isn't mine. It isn't anybody's. Nobody wants it, nobody cares for it, nobody ever goes into it. Perhaps everything is dead in it already; I don't know.'
After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no one to play with, but one day she learns of a secret garden somewhere in the grounds that no…
I grew up in a small, rural community that is perhaps best defined by cold, grey, rainy days – perfect reading weather. I developed an interest in learning about different places and cultures through books. Then I started traveling and my interest turned into a passion, that transformed my educational journey. I completed a Masters and PhD in Anthropology and did my field research for my degree in Australia and Nepal. I still love to learn about new cultures, though the children have meant less traveling and more adventuring via books!
This book is a brilliant ethnography and one of the first books I read as a young anthropology student, The Spirit Catches You and You Fall Down by Anne Fadiman.
It is about a Hmong family, living in California, that has an epileptic child and their interactions at a children’s hospital. The book came back into my life when my second daughter started having seizures and we were admitted into the same children’s hospital where the book was researched.
One of the doctors knew I was an anthropologist and reminded me of the book. Despite the cultural difference between myself and the Hmong family, I could see myself in their fear, their hope, and their desire to make sense of having a very ill child.
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Although this novel focuses on the world of investment banking, I list it here because it shows the difference between being a female working in finance and being a male working in finance; like This is what happens, it shows the impact of sexism on one woman's professional life, her dream, her ambition, her failure to achieve the former despite the latter.
I read it quite a while ago but was reminded of it while reading recently about the recent Martin/Nicole thing (wherein they switched email addresses, so Martin experienced what it was like to be Nicole for a couple of weeks) ("Folks, it sucked" was his summary).
"A job at Cray McKinley is whatever you make of it. For the real high flyers, there's no limit to what you can achieve."
Abby is a high flyer. But she's not your average banker. Driven by something other than money and status, she has her own reasons for climbing the ladder.
And so does Mike. An ambitious young graduate with an equally impressive CV, Mike is in it for the six-figure salaries and fast cars. He's got the skills, the grades and the swagger to make it all the way to the top.
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
On occasion, most notably in a personal letter to Valian, I have described This is what happens as a fictional version of her book. She covers sexism at home, sexism at work, the effects on ourselves, the effects on women in the professions, on women in academia... It was, is, very gratifying to have one's experience validated!
Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women.
Why do so few women occupy positions of power and prestige? Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women. According to Valian, men and women alike have implicit hypotheses about gender differences—gender schemas—that create small sex differences in characteristics, behaviors, perceptions, and evaluations of men and women. Those small imbalances accumulate to advantage men and disadvantage women. The most important…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I read this book in a single day and was captivated by the way in which Sieghart combined narrative storytelling with deep-rooted research and analysis.
To me, the book makes a crystal-clear case that many of the gender gaps we contend with today actually begin with the authority gap: the fact that women are trusted less than men and are considered less credible.
Sieghart does a fantastic job of making complex research accessible and digestible.
Every woman has a story of being underestimated, ignored, challenged, or patronized in the workplace. Maybe she tried to speak up in a meeting, only to be talked over by male colleagues. Or a client addressed her male subordinate instead of her. These stories remain true even for women at the top of their fields; in the U.S. Supreme Court, for example, female justices are interrupted four times more often than their male colleagues-and 96 percent of the time by men. Despite the progress we've made toward equality, we still fail, more often than we might realize, to take women…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
I grew up rebelling against the roles I was expected to take on as a girl. I grew up not knowing that girls could fall in love with girls. I grew up with a strong sense of injustice and a desire to do something about it. The books on my list all feature strong female protagonists experiencing and/or taking on injustices of one kind or another. They are written by interesting women who write brilliantly. Some of the books are dear to me because nature provides comfort and strength beneath the chaos of human chatter, as it does for me.
Who can resist a story that begins, “I write this sitting in the kitchen sink. My feet are in it; the rest of me is on the draining board, which I have padded with our dog’s blanket and the tea-cozy”? Especially when you know the author also wrote 101 Dalmations?
I loved this coming-of-age story for the teenage narrator’s quirky, elegant writing. She’s an aspiring novelist, “capturing” the characters around her in her diary. She’s largely left to her own devices, along with her two siblings, on the grounds of a remote castle, with a bohemian stepmother and a distant father suffering from writer’s block. It’s a light, farcical story, tinged with sadness, set in the English countryside and featuring another unlikely female protagonist breaking the mold.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.
A nonfiction book that tells the story of three unrelated women and
their unique but universal struggles; I loved it because of the author’s
incredible talent for articulating the everyday lived experience of
being female, the subtle and overt judgments, and the fact that women
are held to different standards, even by other women.
"‘Even when women
fight back, they must do it correctly. They must cry the right amount
and look pretty but not hot." Many times while reading, I recognised
myself, my sister, my mother, and my friends.
All three stories are highly
engaging, but the truly compelling story is Maggie’s, a troubled girl
from a difficult family who is preyed upon by her teacher, a married man
with a family. The subsequent effect on her life is just devastating
(remember, folks: this is nonfiction.)
The International No. 1 Bestseller
A BBC 2 Between the Covers Book Club Pick
'Cuts to the heart of who we are' Sunday Times
'A book that begs discussion' Vanity Fair
All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her?
All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town?
All Sloane wanted was to be admired. How did she end up a sexual object…
I've always been a person intrigued by relationships—why some last and others break up. From my perspective, distance in relationships arrives when two people have different expectations. I wanted to look at different kinds of distances in relationships—emotional, sexual, and geographical. As I was beginning to write my first stories, I read a line from my journal: explore the tension between the demands of relationships and the demand in myself to keep growing. I knew that tension was what I needed to write about. As an introvert, one of my deepest struggles has been to feel comfortable with my own boundaries in relationships, and I think that's true for most of us.
Peter Orner creates a startling intimacy with his characters. In these short, pithy vignettes, we see estranged siblings, dying spouses, missing fathers, and a marriage that is ending. Orner’s gift is to drop us right into the conflict and emotional action of his characters. Every protagonist feels like someone we know and maybe even loved. His writing is breathtaking. Spanning America of the 80s, his stories take place across the country from California to Chicago to the East Coast.
In this powerful and virtuosic collection of interlocking stories, each one "a marvel of concision and compassion" (Washington Post), a National Book Critics Circle Award finalist and "master of his form" (New York Times) takes the short story to new heights.
Through forty-four compressed gems, Peter Orner, a writer who "doesn't simply bring his characters to life, he gives them souls" (NYT Book Review), chronicles people whose lives are at inflection points, gripping us with a series of defining moments.
Whether it's a first date that turns into a late-night road trip to a séance in an abandoned airplane hangar,…
I am passionate about this topic because patriarchy has generally told us that raising babies and kids is a mundane, even vilified, topic that’s hardly worthy of artistic attention, which is ridiculous. It is the richest of topics, underlines the mysteries of being alive, and so many wonderful books that explore it are either overlooked, unwritten, or admired for how they address something else. I have a hard time saying “Best” of anything, but these are great books that contribute to the respect and reverence that the experience deserves.
I’m recommending this book because it is smart, original, mesmerizing, and beguiling and because that smart, original, and beguiling voice is a mother’s. Told in fragments of text that are like stepping stones to a broader narrative, this poetic book can be read very quickly.
I love this book because its form—fragments of short, gorgeous prose—and poetic language give Offill’s narrative a unique dimension and texture, which is thereby given to the topic of mothers and motherhood.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
