Here are 100 books that Women of Ideas fans have personally recommended if you like
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I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Although this novel focuses on the world of investment banking, I list it here because it shows the difference between being a female working in finance and being a male working in finance; like This is what happens, it shows the impact of sexism on one woman's professional life, her dream, her ambition, her failure to achieve the former despite the latter.
I read it quite a while ago but was reminded of it while reading recently about the recent Martin/Nicole thing (wherein they switched email addresses, so Martin experienced what it was like to be Nicole for a couple of weeks) ("Folks, it sucked" was his summary).
"A job at Cray McKinley is whatever you make of it. For the real high flyers, there's no limit to what you can achieve."
Abby is a high flyer. But she's not your average banker. Driven by something other than money and status, she has her own reasons for climbing the ladder.
And so does Mike. An ambitious young graduate with an equally impressive CV, Mike is in it for the six-figure salaries and fast cars. He's got the skills, the grades and the swagger to make it all the way to the top.
I grew up rebelling against the roles I was expected to take on as a girl. I grew up not knowing that girls could fall in love with girls. I grew up with a strong sense of injustice and a desire to do something about it. The books on my list all feature strong female protagonists experiencing and/or taking on injustices of one kind or another. They are written by interesting women who write brilliantly. Some of the books are dear to me because nature provides comfort and strength beneath the chaos of human chatter, as it does for me.
The first time I tried to read this book, I had to put it down. I like grammar, and this book is having none of it. Then I tried again a few weeks later because everyone said I should. Once I got used to it, I came to appreciate this stream-of-consciousness story filled with artists, poets, writers, lesbians, love triangles, and adventures, and, at its heart, unlikely female friendships between Black women living mostly in London, with plot twists and turns deepening their interconnectedness in often astonishing ways.
The writing is so vivid that it made me feel as if I’d watched a film rather than read a book. A bright, multi-colored, hilarious, emotionally deep, socially aware, politically progressive, moving, and fast-paced film.
“A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum.” —Booker Prize Judges
Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language.…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
On occasion, most notably in a personal letter to Valian, I have described This is what happens as a fictional version of her book. She covers sexism at home, sexism at work, the effects on ourselves, the effects on women in the professions, on women in academia... It was, is, very gratifying to have one's experience validated!
Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women.
Why do so few women occupy positions of power and prestige? Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women. According to Valian, men and women alike have implicit hypotheses about gender differences—gender schemas—that create small sex differences in characteristics, behaviors, perceptions, and evaluations of men and women. Those small imbalances accumulate to advantage men and disadvantage women. The most important…
As a veteran business and finance journalist, I’ve always been amazed at the huge gender gap that still exists in so many parts of the economy and society despite all the strides we’ve ostensibly made. When I became a mother, it became even clearer to me that gender norms are still so entrenched in culture and still have a huge bearing on women’s economic and professional lives. I’ve written about this topic for a whole host of publications, from the BBC to The Washington Post. I have an MBA from Columbia Business School and am an associate Instructor in the Strategic Communications program at Columbia’s School of Professional Studies.
I read this book in a single day and was captivated by the way in which Sieghart combined narrative storytelling with deep-rooted research and analysis.
To me, the book makes a crystal-clear case that many of the gender gaps we contend with today actually begin with the authority gap: the fact that women are trusted less than men and are considered less credible.
Sieghart does a fantastic job of making complex research accessible and digestible.
Every woman has a story of being underestimated, ignored, challenged, or patronized in the workplace. Maybe she tried to speak up in a meeting, only to be talked over by male colleagues. Or a client addressed her male subordinate instead of her. These stories remain true even for women at the top of their fields; in the U.S. Supreme Court, for example, female justices are interrupted four times more often than their male colleagues-and 96 percent of the time by men. Despite the progress we've made toward equality, we still fail, more often than we might realize, to take women…
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
Crispin is funny, acerbic, trenchant, and a little bit mean. Her 2017 polemic takes contemporary feminism to task for what she sees as its feckless devolution from fervent, world-changing force to toothless irrelevancy. It’s a challenging read, especially for anyone who is, like me, a longtime feminist. But Crispin’s voice is fresh and compelling, and whether or not you agree with her entirely, her critique is impossible to ignore.
Outspoken critic Jessa Crispin delivers a searing rejection of contemporary feminism . . . and a bracing manifesto for revolution.
Are you a feminist? Do you believe women are human beings and that they deserve to be treated as such? That women deserve all the same rights and liberties bestowed upon men? If so, then you are a feminist . . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing,…
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
When I first read this book on feminist philosophy in the late 1980s, I was nervous about both feminism (because I wasn’t sure what it meant for me) and philosophy (because I wasn’t sure I was smart enough to understand it).
Marilyn Frye’s book helped me realize that I had been raised in a male-dominated and deeply sexist culture without knowing much about it, making feminism essential to my education. She also demonstrated that philosophy written in plain language was for everyone rather than an esoteric endeavor for specialists.
Frye was a scholar-in-residence at the university where I did graduate studies, and she sat in on our reading group. It was a real treat to sit across the room and hear her think out loud.
Politics of Reality includes essays that examine sexism, the exploitation of women, the gay rights movement and other topics from a feminist perspective.
“This is radical feminist theory at its best: clear, careful and critical.”—SIGNS
“For anyone first coming to feminism, these essays serve as a backdrop . . . for understanding the basic, early and continuing perspectives of feminists. And for all of us they provide a theoretical framework in which to read the present as well as the past.”—Women’s Review of Books
“The style is both scholarly and direct without being ponderous. Frye makes a concerted effort to…
Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
Whether this book should be taken as a polemic against feminism or support of feminism at its most radical—i.e., women may not always get it right in their fiercest battles, and that’s okay—is probably in the eye of the beholder-slash-reader.
But it doesn’t matter which side I’m on (cough, the second one) in terms of what this book means to me. Which is that adolescence is a tumultuous time when we all get to learn who we are and what matters most to us—if we’re lucky. If we’re less lucky, someone may come along and take advantage of our fresh, unfolding minds such that we never get a chance to bloom.
The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments…
I have been a feminist for as long as I can remember. I recall seeing a billboard featuring Sophie Dahl sprawling on a sofa, completely naked. I recognized that I had no control over the images that dominate the visual landscape I inhabit, and I wanted to change this. These books might seem varied, but they all critique aspects of contemporary culture and offer ways to change things. In my academic writing and artwork, I examine these issues through a queer, feminist, and anti-capitalist lens, and these books offer a glimpse into the struggles that I think are important and the methods for change that I think could work.
I love this book because it is written in a poetic and accessible way to talk about a subject that I am really passionate about. It is genuinely a joy to read, and I couldn’t put it down. It also helped me when I was writing the conclusion of my book. I wanted to end on positive actions rather than a summary of everything that is wrong with the world.
Ahmed’s book is an instruction book and a call to arms. The conclusion is in two parts, and the first part, A Killjoy Survival Kit, contains a list of things that will make the feminist struggle easier to handle–including books by your favorite feminist. This one is definitely in my survival kit.
In Living a Feminist Life Sara Ahmed shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work. Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique-often by naming and calling attention to problems-and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions-such as…
Look around us—DEI (Diversity, Equity, and Inclusion) is under attack. From challenges to the Voting Rights Act and bans on books to the suppression of history and education, protections and rights are being rolled back. We must all recognize that systemic racism, patriarchy, homophobia, and other forms of discrimination harm not only the oppressed but also those who ostensibly benefit from these structures. It is time to move beyond passive or performative allyship and become proactive Disruptors—individuals willing to stand up and use their voices to advocate for equity and mutual respect.
I am deeply connected with this essay. It filled me with joy that someone understood my experiences. How sexual politics permeates a lot of the daily interactions we experience, and just what it means to be a woman.
It had me reexamine my ideas of womanhood and my engagement with Patriarchy. This elegant, eloquent book is an empowering call to tear down gender hierarchies.
NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah
In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.
I’m a communication professor at Fairleigh Dickinson University, a social media user, and a mom. After Donald Trump won the 2016 presidential election, I wrote an op-ed for CNN arguing that he’d won the election on social media, and I just never stopped writing. A few hundred op-eds and a book later, I’m still interested in what social media is doing to us all and the issues women are up against in our society. My book allowed me to explore how social media is impacting every single aspect of the lives of women and girls and exactly what we can do about it. I wrote it as a call to arms.
Kate Manne offers the best definitions of sexism (men thinking they’re better than women) and misogyny (men punishing women for displeasing them) that I’ve ever read. And she brings receipts, showing examples of how these two things play out in everything from novels to politics to crimes to classrooms.
Once I read her book, it was impossible for me not to spot more examples pretty much everywhere I went in the world.
Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics, by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women…
