Here are 100 books that Why I Am Not A Feminist fans have personally recommended if you like
Why I Am Not A Feminist.
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I began advocating for the rights of California prisoners and their families while incarcerated. As co-director of Legal Services for Prisoners with Children (LSPC), in 2003, I cofounded All of Us or None (AOUON), a grassroots movement of formerly incarcerated people working on their own behalf to secure their civil and human rights. AOUON is now the policy and advocacy arm of LSPC, which I have led as executive director since 2011. Collective victories include ending indefinite solitary confinement in California, expanding access to housing and employment for formerly incarcerated people, and restoring the vote to those on parole and probation.
I knew Michelle when she was teaching at Stanford University before she wrote this book, but I didn’t know then how much of the work she’d done. Her book is so profound that when I first read it, I was in Vegas on vacation, and I couldn’t get out of the room because I was so deep into reading her book. I couldn’t get to the great food or the penny slots because she was putting together all the pieces I had read about or heard discussed in different places, and she built a picture of the system of oppression Black people live under in the United States.
She affirmed what I had suspected: that incarceration continues the enslavement of Black people. I called a colleague and said, this book will have more impact than I could making speeches to a thousand people at a time, a hundred times a…
Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it has been the winner of numerous prizes, including the NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists motivated by Michelle Alexander's unforgettable argument that 'we have not ended racial caste in America; we have merely redesigned it.'
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
Grim is a brilliant veteran reporter who always looks beyond, behind, and beneath the official story. This book is original, insightful, and animated by genuine curiosity about how power works. It tells an important story about what led to the political period, circa 2015 to 2022, that I covered in my own book. It’s also a fun and informative read for anyone interested in American history or politics, and inspirational and invigorating for those who, like me, are more drawn to mass movements than to corporate hackery and love the idea of people triumphing over profit.
Alexandria Ocasio-Cortez may seem like she came from nowhere, but the movement that propelled her to office – and to global political stardom – has been building for 30 years.
We’ve Got People is the story of that movement, which first exploded into public view with the largely forgotten presidential run of the Rev. Jesse Jackson, a campaign that came dangerously close to winning. With the party and the nation at a crossroads, this timely and original book offers new insight into how we’ve gotten where we are – and where we're headed.
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
A timely and well-researched look at the right’s successful, decades-long strategy of capturing state legislatures, this book sounds the alarm—and points to a crucial path forward. I love that Winter succeeds where many academic authors have failed: she has written a book that’s both deeply informative and fun to read. I especially appreciate her concrete and practical approach to moving the United States in a more progressive direction; anyone can point out that the right is, by many measures, winning, but it takes real talent to show us what we can do about it.
After the 2016 election, the Republican Party seized control not just of the White House and Congress but of many state governments. To be precise, the GOP seized control of both legislative chambers in 32 states and governor offices in 33 states-a majority the party hadn't held since 1928. What happened?
In In the Red, journalist Meaghan Winter argues that over the last couple decades, the Democratic Party has made a very risky strategic choice to abandon state and local races in order to win federal races, while the GOP poured money into winning state governor seats and state congresses.…
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
Essentially a field manual for progressive organizers, this personal and engaging book offers hard-won insights into what works, what doesn’t, and how left-wing organizations can break the too-common cycle of isolation and marginalization and broaden their reach. Smucker imparts valuable lessons without being hectoring or pedantic; he is admirably generous and self-critical, and he writes like a real person rather than a jargon-spewing robot. This book reminded me why I got interested in politics in the first place and renewed my faith in our power to change our communities.
A guide to political struggle for a generation that is deeply ambivalent about power. While many activists gravitate toward mere self-expression and identity-affirming rituals at the expense of serious political intervention, Smucker provides an apologia for leadership, organization, and collective power, a moral argument for its cultivation, and a discussion of dilemmas that movements must navigate in order to succeed.
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
Simone de Beauvoir met Nelson Algren in Chicago in 1947.
A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.
But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book.
Sharp and intimate, Douglas Cowie’s reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France’s feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
When I first read this book on feminist philosophy in the late 1980s, I was nervous about both feminism (because I wasn’t sure what it meant for me) and philosophy (because I wasn’t sure I was smart enough to understand it).
Marilyn Frye’s book helped me realize that I had been raised in a male-dominated and deeply sexist culture without knowing much about it, making feminism essential to my education. She also demonstrated that philosophy written in plain language was for everyone rather than an esoteric endeavor for specialists.
Frye was a scholar-in-residence at the university where I did graduate studies, and she sat in on our reading group. It was a real treat to sit across the room and hear her think out loud.
Politics of Reality includes essays that examine sexism, the exploitation of women, the gay rights movement and other topics from a feminist perspective.
“This is radical feminist theory at its best: clear, careful and critical.”—SIGNS
“For anyone first coming to feminism, these essays serve as a backdrop . . . for understanding the basic, early and continuing perspectives of feminists. And for all of us they provide a theoretical framework in which to read the present as well as the past.”—Women’s Review of Books
“The style is both scholarly and direct without being ponderous. Frye makes a concerted effort to…
Some men need killing. Whether monsters, serial killers, or husbands, women often face off with danger and must put a stop to it. How they do that fascinates me as a former psychotherapist. Must her life be in imminent danger, his finger depressing the trigger, for her to shoot? What if he terrorized or stalked her, but at the moment of death, she sneaks up on him? What if this guy killed her family, and she seeks revenge? Where we draw these lines in fiction informs who we are as humans and the very nature of our souls. And each of the books on my list, prism-like, reveals a separate facet.
Whether this book should be taken as a polemic against feminism or support of feminism at its most radical—i.e., women may not always get it right in their fiercest battles, and that’s okay—is probably in the eye of the beholder-slash-reader.
But it doesn’t matter which side I’m on (cough, the second one) in terms of what this book means to me. Which is that adolescence is a tumultuous time when we all get to learn who we are and what matters most to us—if we’re lucky. If we’re less lucky, someone may come along and take advantage of our fresh, unfolding minds such that we never get a chance to bloom.
The girls at Modesta High School feel like they're stuck in some anti-feminist time warp-they're faced with sexism at every turn, and they've had enough. Sponsored by their new art teacher, Ms. Stark, they band together to form the Daughters of Eve. It's more than a school club-it's a secret society, a sisterhood. At first, it seems like they are actually changing the way guys at school treat them. But Ms. Stark urges them to take more vindictive action, and it starts to feel more like revenge-brutal revenge. Blinded by their oath of loyalty, the Daughters of Eve become instruments…
I have been a feminist for as long as I can remember. I recall seeing a billboard featuring Sophie Dahl sprawling on a sofa, completely naked. I recognized that I had no control over the images that dominate the visual landscape I inhabit, and I wanted to change this. These books might seem varied, but they all critique aspects of contemporary culture and offer ways to change things. In my academic writing and artwork, I examine these issues through a queer, feminist, and anti-capitalist lens, and these books offer a glimpse into the struggles that I think are important and the methods for change that I think could work.
I love this book because it is written in a poetic and accessible way to talk about a subject that I am really passionate about. It is genuinely a joy to read, and I couldn’t put it down. It also helped me when I was writing the conclusion of my book. I wanted to end on positive actions rather than a summary of everything that is wrong with the world.
Ahmed’s book is an instruction book and a call to arms. The conclusion is in two parts, and the first part, A Killjoy Survival Kit, contains a list of things that will make the feminist struggle easier to handle–including books by your favorite feminist. This one is definitely in my survival kit.
In Living a Feminist Life Sara Ahmed shows how feminist theory is generated from everyday life and the ordinary experiences of being a feminist at home and at work. Building on legacies of feminist of color scholarship in particular, Ahmed offers a poetic and personal meditation on how feminists become estranged from worlds they critique-often by naming and calling attention to problems-and how feminists learn about worlds from their efforts to transform them. Ahmed also provides her most sustained commentary on the figure of the feminist killjoy introduced in her earlier work while showing how feminists create inventive solutions-such as…
Look around us—DEI (Diversity, Equity, and Inclusion) is under attack. From challenges to the Voting Rights Act and bans on books to the suppression of history and education, protections and rights are being rolled back. We must all recognize that systemic racism, patriarchy, homophobia, and other forms of discrimination harm not only the oppressed but also those who ostensibly benefit from these structures. It is time to move beyond passive or performative allyship and become proactive Disruptors—individuals willing to stand up and use their voices to advocate for equity and mutual respect.
I am deeply connected with this essay. It filled me with joy that someone understood my experiences. How sexual politics permeates a lot of the daily interactions we experience, and just what it means to be a woman.
It had me reexamine my ideas of womanhood and my engagement with Patriarchy. This elegant, eloquent book is an empowering call to tear down gender hierarchies.
NEW YORK TIMES BESTSELLER • The highly acclaimed, provocative essay on feminism and sexual politics—from the award-winning author of Americanah
In this personal, eloquently-argued essay—adapted from the much-admired TEDx talk of the same name—Chimamanda Ngozi Adichie offers readers a unique definition of feminism for the twenty-first century. Drawing extensively on her own experiences and her deep understanding of the often masked realities of sexual politics, here is one remarkable author’s exploration of what it means to be a woman now—and an of-the-moment rallying cry for why we should all be feminists.
