I’m a writer of historical novels and primary literacy books, and a poet. I was born in Trinidad and live in London. So why am I writing about the magic of castles? I’ve loved visiting them since I was a child, when I’d run round them and imagine what had happened there. Back home, I’d immerse myself in reading legends and fairy stories—at bedtime, lying in my top bunk, I'd make up stories to entertain my sister in her bottom bunk. So it was natural to move on to writing fiction—the novel I’ve just completed is about King Canute. I’ve written primary literacy books for Collins, Oxford, and Ransom.
This is an amazingly comprehensive and lively guide to life in a medieval castle, useful for me because I write historical novels for adults, and I like to get my background facts right. It’s packed with information about subjects as various as the herbs strewn among the rushes in the castle hall, the timing of everyday dinner (between 10 am and noon), and how a count might take off his shirt in the evening to have his back scratched… It tells how the castle remained ‘the basic center of power throughout the Middle Ages’ both in peace and war.
"Some particular books I found useful for A Game of Thrones and its sequels deserve mention...Life in a Medieval Castle and Life in a Medieval City, both by Joseph and Frances Gies." -George R.R. Martin, author of the series A Song of Ice and Fire Medieval history comes alive in Joseph and Frances Gies's Life in a Medieval Castle, used as a research resource by George R. R. Martin in creating the world of A Game of Thrones. Newly reissued for the first time in decades, Life in a Medieval Castle is the bestselling classic that has introduced countless readers…
I’ve spent some time in the north of Scotland and became intrigued by the remains of Pictish forts on hilltops and by the sea. This book doesn’t provide many answers—written records before 900 AD are few and the archaeology is confused—Konstam’s conclusion is "the main benefit of any visit to one of these sites is to be able to stand on the same hilltop or promontory, and to imagine what it might have looked like in the days of the Picts." Which explains why legends and stories have grown up about castles—imagining has been key to making sense of such imposing features in the landscape, when often their real history has been forgotten over time.
Konstam’s book is one of a series, and if your curiosity is about a different sort of castle it’s worth checking it out.
This concise guide actually covers not just Pictish fortifications, but all those in use in early medieval Scotland, including those of Strathclyde and Rheged and of the Dal Riata. Konstam introduces the reader to the principal types of fort, including the re-use of earlier defences, before offering more in-depth surveys of Dundurn and Dunadd. As well as architecture and construction he looks at the use of the forts in war and peace, to control the landscape and act as royal strong points.
This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.
Rooted in folklore, medieval ideals of chivalry, and the last gallant strugglesof the British against the Saxon invaders, the legends of King Arthur have been told in song and story since the middle ages.
The Sword and the Circle tells of the birth of Arthur, the gift of Excalibur, the forming of the Round Table and the first noble quests of its knights until the arrival of Percival . . .
I’ve only recently given up dreaming of living in a castle (I’d actually rather live in a warm, efficient modern house now!) but when I was in my early teens, when I first read this, I’d have loved to live in the tatty semi-ruined castle that narrator Cassandra Mortmain and her penniless family rent. The novel was published in 1949 and it has the gentle rural and romantic feel that one can associate with that period—just postwar, looking back to a more idyllic time, and yet realistic about relationships. There’s a languor about it, a savouring of each moment that we have largely lost today, and a love of the natural world: "I decided to think a little before I began writing, and lay back enjoying the heat of the sun and staring up at the great blue bowl of the sky. It was lovely feeling the warm earth under me and the springing grass against the palms of my hands."
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.
Cordelia and her triplets Rosalind and Giles have lived safely in the castle at the centre of the forest all their lives, protected by the spells their mother has woven. The only time Cordelia feels truly free is when she turns into a dragonfly or a blackbird and can fly beyond the great stone walls. But then one day the outside world comes to them. Two rival dukes and their soldiers have come for the triplets - because whoever is the eldest is the heir to the throne.
But their mother knows that since the Raven Crown was broken, no…
I’ve always loved castles. So when I was asked to write this primary literacy book about them I put in it the things that I enjoyed as a child—climbing spiral stairs, being up on the battlements or down in the dungeon, for example. I feel strongly that children need to enjoy books if they are going to want to read them.
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea…or is it?
"Flight to Brassbright appeals to my inner child's desire for adventure and independence as well as my (mostly) grown-up desire for really well-written stories that capture my imagination and hold my attention." - Tricia, Amazon Reviewer
"...well plotted with a likable protagonist...upbeat with…
Constance is a wild, stubborn young girl growing up poor in a small industrial town in the late 1800's. Beneath her thread-worn exterior beats the heart of a dreamer and a wordsmith. But at age twelve, she’s orphaned. Running away to join the circus—like kids do in adventure books—seems like such a brilliant idea… or is it?
