Love Strongholds of the Picts? Readers share 100 books like Strongholds of the Picts...

Who can resist a story that begins, “I write this sitting in the kitchen sink. My feet are in it; the rest of me is on the draining board, which I have padded with our dog’s blanket and the tea-cozy”? Especially when you know the author also wrote 101 Dalmations? 

I loved this coming-of-age story for the teenage narrator’s quirky, elegant writing. She’s an aspiring novelist, “capturing” the characters around her in her diary. She’s largely left to her own devices, along with her two siblings, on the grounds of a remote castle, with a bohemian stepmother and a distant father suffering from writer’s block. It’s a light, farcical story, tinged with sadness, set in the English countryside and featuring another unlikely female protagonist breaking the mold. 

This book is essential to understanding the feudal system, and how life revolved around the myriad castles dotted throughout the countryside of England and Wales.

They focus on one castle in particular, but the structure of the society around the castle was somewhat universal, with the lord and lady of the castle, to the workers in the castle, the village that was nearby that would take refuge inside the castle walls if necessary during battles.

I found this an essential book when I was researching my book, which features a castle named Wodesley. What would meals be like there, entertainment, daily life?

This is a vivid, dramatic and well-paced version of the story of King Arthur and the Knights of the Round Table. It is set in a legendary time full of castles such as Tintagel, or as here: "Meanwhile Sir Lancelot had lain six days and six nights prisoned in the vault below Sir Meliagraunce’s castle, and every day there came a maiden who opened the trap and let food and drink down to him on the end of a silken cord. And every day she whispered to him, sweet and tempting…" I love the resonance of Sutcliff’s writing; rereading it just now, I couldn’t resist reading it out loud just for the beauty of the sound of the language—something I’m very conscious of because I write poetry.

This is fantasy right up to date: for 8 to 12-year-olds, it was published in 2021. Its castle setting immediately defines it as fantasy: "Beyond the castle’s moat, the deep, dark forest was shot through with trails of sunlight, tracing golden paths of possibility…. The dark-haired girl… sat, bare feet dangling against stone, on the windowsill of her tower bedroom." It’s a vivid picture, instantly engaging us in a world where family is very important. The heroine, Cordelia, is one of three triplets. Their task is to use their magical powers to find and mend the Raven Crown so that the parched land beyond the forest can be healed of the fighting that rampages across it, and people and the natural world live in peace—themes I feel very much in sympathy with.

Don't worry if you really don't care about housing in London or Liverpool: you should read this book about what happens when a country gives high-rise housing its best shot, and then messes things up. It is partly a cautionary tale about what happens when support for ambitious housing projects is killed by right-wing politicians, but also a tribute to the people who thought at first they'd died and gone to heaven when they got a flat with inside plumbing.  

This is the first book that inspired me whilst learning the art of timber framing.

It was my constant companion in the early days because of the wealth of information within this small but perfectly formed paperback. It provides details on joints, construction techniques, and different styles of building.

The book is filled with many beautifully hand-drawn illustrations that bring it alive. A must have!

Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealing entrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.

Liverpool’s Architecture represents all schools, styles, and tastes, and this book captures exactly that using glorious colour plates for each of the 226 buildings in the book. Each image is supported by a readable but detailed write-up on the history of the building, and an analysis of its style and composition. It also talks about the respective architects, and gives dates and other statistical information where appropriate.

I love this book because it is a tour-de-force by a respected historian and architect who loved his work, and who loved his city. This shows in the book.

Do we need architects for our homes? Well, it seems that in the past they often failed to be there. Bernard Rudovsky, who was himself an architect, featured in 1964 an exhibition dedicated to the topic at the New York MoMA. The related catalogue, Architecture Without Architects, has since then turned into an iconic book. A beautiful set of black and white pictures that describes a primitive state of the art in which skilled but anonymous builders applied throughout the planet the laws of nature giving birth to what is presently labeled as vernacular styles. No names survived despite the talents, in this collection featuring the first steps of architecture, but rationality and functionality are already there, long before Modernism would make them its core principles. It was a pleasant surprise to discover in this book some kind of credit to my belief that medieval castles may have inspired… show more.

When Susanka’s book first came out in the 90s, I felt like she had hit on something that many architects were being challenged by—the expanding popularity of the McMansion. Now with Tiny Houses bookmarking her work at the other end, and with all the at-home needs and complications that came with the pandemic, I still think she has got the formula right: Build better, not bigger. Her chapters include many principles on how to build smaller eloquent, gem houses, and to get away from the clunky, gaudy costume jewelry architecture ruining the American suburbs.

When I realized Alexander’s Pattern Language had also influenced Susanka’s work, I began to question why it was not on my list. But, I couldn't decide which book it would replace. Maybe it will make it onto the list for a future book, but that’s for another day.