Here are 100 books that Bastard Out of Carolina fans have personally recommended if you like
Bastard Out of Carolina.
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Someone once said I can’t believe you didn’t end up in a ditch with a needle in your arm. It sounds harsh, but they meant it with love. In spite of my broken home, familial dysfunction, trauma, and bad decisions, I found a way to be okay and share my life experiences through words and stories rather than a bottle. I am the Executive Director of a non-profit organization specializing in developing authors who want to publish and use writing for therapy and healing. I live in Calgary, AB, Canada, with my teenage daughter and act as the emotional support human for an anxious dog.
This is quite possibly my favourite memoir ever written. It made me laugh, cry and scream. Never have I seen such a clearly dysfunctional family that didn’t even realize they were dysfunctional.
I loved them because they embraced life no matter what and hated them because they didn’t see how bad what they were doing to one another was. Full of elements and emotions from my own childhood, this book made me feel deeply and emotionally.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
I am an adult child of an alcoholic father and an abusive and dysfunctional stepmother who ran away from home at sixteen and fell into the wrong crowd in my search for love and family. Yet after years of hard personal work, I have overcome and triumphed over these obstacles to become stable, happy, and successful, in a good marriage, raising a great son in a loving, stable home. I’ve gone on to help and inspire others to do the same, including writing the book Redeemed, A Memoir of a Stolen Childhood.
I identified with Tara Westover while reading her memoir because of her secluded and restrictive upbringing. Like her, my upbringing made me feel left out, “other,” different from normal kids, not allowed the usual activities that other kids could do and kept from learning and growing in my own way.
I didn’t understand how these rules affected me until I saw my angst in her own words of isolation, yearning, and rebellion. It gave me hope that our desire for self-fulfillment and actualization is universal and stronger than the people who try, for good reasons or bad, to keep us down.
It is an amazing book. I could barely put it down.
Selected as a book of the year by AMAZON, THE TIMES, SUNDAY TIMES, GUARDIAN, NEW YORK TIMES, ECONOMIST, NEW STATESMAN, VOGUE, IRISH TIMES, IRISH EXAMINER and RED MAGAZINE
'One of the best books I have ever read . . . unbelievably moving' Elizabeth Day 'An extraordinary story, beautifully told' Louise O'Neill 'A memoir to stand alongside the classics . . . compelling and joyous' Sunday Times
Tara Westover grew up preparing for the end of the world. She was never put in school, never taken to the doctor. She did not even have a birth certificate…
I am an adult child of an alcoholic father and an abusive and dysfunctional stepmother who ran away from home at sixteen and fell into the wrong crowd in my search for love and family. Yet after years of hard personal work, I have overcome and triumphed over these obstacles to become stable, happy, and successful, in a good marriage, raising a great son in a loving, stable home. I’ve gone on to help and inspire others to do the same, including writing the book Redeemed, A Memoir of a Stolen Childhood.
In this book, I saw my dysfunctional family mirrored back at me, but his writing was so good it made me laugh at the absurdity of it at the same time.
As a child, I also looked for the ‘why,” as in “Why am I being treated like this,” but with this book, I finally saw that there was no why. It just is…and that made me feel less to blame and more like a victim of circumstance…of other people’s problems.
Although that was still a lot to handle emotionally, it opened a door for me to stop blaming myself, get professional help, and see my troubled childhood as the product of my parent's mistakes. And that was huge.
This is the true story of a boy who wanted to grow up with the Brady Bunch, but ended up living with the Addams Family. Augusten Burroughs's mother gave him away to be raised by her psychiatrist, a dead ringer for Santa Claus and a certifiable lunatic into the bargain. The doctor's bizarre family, a few patients and a sinister man living in the garden shed completed the tableau. The perfect squalor of their dilapidated Victorian house, there were no…
Ever since I was a kid, as the grandson of Italian immigrant farmers and the son of a Polish-immigrant father, I wondered how my family fit into the American story. As I grew older, I learned that the American story could not be limited to a single race, a single religion, or even a single generation. Rather, the essence of any culture lies in the story that gets passed down from one generation to the next. That is where my passion lies: tapping into the essence of multiple cultures by tracing the multigenerational family wisdom that is often imparted quietly, humbly, and painfully, which makes it durable, meaningful, and indelible.
An outpouring of kindness for families despite their flaws—or because of their flaws.
I miss the Hamiltons and Trasks because of the forgiving portrayal of their human limitations. One tragedy involving a brother and sister left a lasting impression on me precisely because of its gentle, restrained depiction, as if the tragedy were being viewed from the seat of heaven, with an infinite and eternal compassion.
California's fertile Salinas Valley is home to two families whose destinies are fruitfully, and fatally, intertwined. Over the generations, between the beginning of the twentieth century and the end of the First World War, the Trasks and the Hamiltons will helplessly replay the fall of Adam and Eve and the murderous rivalry of Cain and Abel.
East of Eden was considered by Steinbeck to be his magnum opus, and its epic scope and memorable characters, exploring universal themes of love and identity, ensure it remains one of America's most enduring novels. This edition features a stunning new cover by renowned…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
I met Matthew Desmond before he became one of the youngest Professors with his own center at Princeton University. He was visiting London, had just published his first book, and was still finishing the research for this book.
Desmond did an enormous amount of field research; he spent months living in a trailer park, on top of thousands of hours in archives and courtrooms where eviction cases are decided. The result is the best book I have ever read about poverty.
What happens when ‘normal people’ get evicted? Desmond’s story is rich and personal, and that is what we need: we need to understand the lives of poor people better in order to finally decide that we must change the systems that put them there.
*WINNER OF THE 2017 PULITZER PRIZE FOR NON-FICTION* 'Beautifully written, thought-provoking, and unforgettable ... If you want a good understanding of how the issues that cause poverty are intertwined, you should read this book' Bill Gates, Best Books of 2017
Arleen spends nearly all her money on rent but is kicked out with her kids in Milwaukee's coldest winter for years. Doreen's home is so filthy her family call it 'the rat hole'. Lamar, a wheelchair-bound ex-soldier, tries to work his way out of debt for his boys. Scott, a nurse turned addict, lives in a gutted-out trailer. This is…
I’m an investigative journalist and author, and a decade ago I began digging into the child welfare system—what we call the patchwork web of child protection agencies around the country. The more I learned, the more I realized how this system, which is ostensibly to help children in need, is actually perpetrating deep and lasting harm on generations of children and families. These books have helped me understand how we punish poor people instead of helping them, and how our racist systems harm Black and Indigenous children. They’ve also helped me to sit with the reality of child abuse, and begin to see a different way of preventing harm and healing those who’ve been hurt.
Andrea Elliott, a New York Times reporter, spent nearly a decade reporting on Dasani Coates, a Black child growing up in a New York City shelter, and the result is a deeply humane look at a family in poverty.
This Pulitzer-winning book makes clear that the child protection system is a downstream solution to problems that begin with the failure of our society to meet families’ basic human needs.
As Dasani’s journey becomes public in a front page New York Times series, she is afforded an opportunity to escape poverty and become educated in an elite institution, but Elliott shows that plucking a favored child out of her family—even for the most positive of reasons—is still painful for the child.
PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A “vivid and devastating” (The New York Times) portrait of an indomitable girl—from acclaimed journalist Andrea Elliott
“From its first indelible pages to its rich and startling conclusion, Invisible Child had me, by turns, stricken, inspired, outraged, illuminated, in tears, and hungering for reimmersion in its Dickensian depths.”—Ayad Akhtar, author of Homeland Elegies
ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times • ONE OF THE BEST BOOKS OF THE YEAR: The Atlantic, The New York Times Book Review, Time, NPR, Library Journal
My idyllic childhood while following my father, a US Air Force JAG officer, around the country and around the world did not prepare me to understand and recognize an abusive relationship. I had never seen or experienced abuse until I married. After twenty years of emotional abuse, which eventually led to domestic violence, I was able to leave it behind. It is only with therapy that I came to understand the early warning signs, why I had ignored them and why I stayed so long. While preparing to write A Sparrow Falls, I read many personal accounts of domestic violence and child abuse and conducted an interview with a survivor of child sexual abuse.
I cheated a little here; this one isn’t a novel, it is instead, a short story (or perhaps a novella). I couldn’t put it down and stayed up into the wee hours reading it in a single sitting. Granted, it is a short story, but this is still an unusual feat for me.
What an unforgettable ending.
If you haven’t experienced classic Southern Gothic, this is a wonderful introduction to the genre...follow it with Flannery O’Connor’s “Wise Blood” and you will be hooked. If your high school English teacher did not introduce you to William Faulkner, A Rose For Emily is a great place to start – or “As I Lay Dying.”
Faulkner’s characters are among some of the most memorable in American literature.
The short tale A Rose for Emily was first published on April 30, 1930, by American author William Faulkner. This narrative is set in Faulkner's fictional city of Jefferson, Mississippi, in his fictional county of Yoknapatawpha County. It was the first time Faulkner's short tale had been published in a national magazine. Emily Grierson, an eccentric spinster, is the subject of A Rose for Emily. The peculiar circumstances of Emily's existence are described by a nameless narrator, as are her strange interactions with her father and her lover, Yankee road worker Homer Barron.
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
I saw this quirky little book on the “New Titles” table, “little” being the keyword. Algonquin published this short novel’s first edition in a smaller format, and I was, honestly, drawn to the size and to its evocative cover art—rumpled lines on an ornate cast iron bed. Inside I found feisty eleven-year-old Ellen, abused and ill-treated her family, abandoned to the foster care system. This wise and smart and funny narrator holds her next to the best talkers in all of literature. Among other things, Ellen (by way of Kaye Gibbons) taught me some of what I needed to know to write my own book. I fell in love with Ellen Foster and you will too!
"Filled with lively humor, compassion, and intimacy." —Alice Hoffman, The New York Times Book Review
"When I was little I would think of ways to kill my daddy." With that opening sentence we enter the childhood world of one of the most appealing young heroines in contemporary fiction. Her courage, her humor, and her wisdom are unforgettable as she tells her own story with stunning honesty and insight. An Oprah Book Club selection, this powerful novel has become an American classic.
Winner of the American Academy of Arts and Letters' Sue Kaufman Prize for First Fiction and the Ernest Hemingway…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
Set during the Civil War, this novel of Adair Colley, a young Confederate woman in a Union prison who falls in love with her jailer, proves that love can thrive even in the midst of horrific suffering.
The book also has one of literature’s most compelling portraits of a horse, who is just as much of a character here as the humans.
"A gritty, memorable book ... it is a delight from start to finish, without a single misstep." Tracy Chevalier
Missouri, 1865. Adair Colley and her family have managed to hide from the bloody Armageddon of the American Civil War, but finally even their remote mountain farm cannot escape the plundering greed of the Union militia. Her house is burnt, her father beaten and dragged away. With fierce determination, Adair sets out after him on foot. So begins an extraordinary voyage which will see Adair herself denounced as a Confederate spy and thrown in jail. Here she falls passionately in love…
I was intrigued to write this creative nonfiction book because it is a true story. It’s Mobile’s oldest and most famous legend. After extensive research, I discovered Boyington had two unqualified jurors, and all was based on circumstantial evidence. Still, he was hanged at age nineteen. A group of Mobilians formed the Boyington Oak Society, and we’ve applied for a posthumous pardon. My play is produced annually at Oakleigh Historic Museum. It has also been optioned for a movie, and the script is written.
Rick Bragg’s obsession with a grandfather he ever knew was fascinating. This was a man who lived during the Great Depression. He didn’t wear clothes with holes in them because that was popular, he did it because those were the only clothes he owned. It unveiled the ability of an ordinary man to do extraordinary things, an impressive accomplishment.
NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South.
This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate…
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