Fans pick 87 books like Guard Your Daughters

Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.

Who can resist a story that begins, “I write this sitting in the kitchen sink. My feet are in it; the rest of me is on the draining board, which I have padded with our dog’s blanket and the tea-cozy”? Especially when you know the author also wrote 101 Dalmations? 

I loved this coming-of-age story for the teenage narrator’s quirky, elegant writing. She’s an aspiring novelist, “capturing” the characters around her in her diary. She’s largely left to her own devices, along with her two siblings, on the grounds of a remote castle, with a bohemian stepmother and a distant father suffering from writer’s block. It’s a light, farcical story, tinged with sadness, set in the English countryside and featuring another unlikely female protagonist breaking the mold. 

This novel, published in 1949, is about three grown-up siblings who are still dominated by the memory of their famous parents, both accomplished performers, and their atypical early years, which they spent playing in theaters across Europe. Though the majority of the novel takes place after the parents have died, the ties of family remain paramount for the three protagonists. At times each one feels desperate to escape those ties, but their shared past exerts an irresistible pull on all three. Unusually, the novel is narrated in the first-person plural: the narrative often refers to “us,” but tells each sibling’s individual scenes in the third person. With its three intertwined threads, The Parasites vividly explores the lifelong influence of family bonds.

Toward the end of her career, Rebecca West wrote an unusually autobiographical novel, retelling her Edwardian childhood with the wisdom and sadness of hindsight. The Fountain Overflows, published in 1956, describes the struggles of an artistic family with a fiercely devoted mother and an impossibly wayward father. West brilliantly describes the hard work and ambitions of gifted children, but the book is mainly memorable for its strange, semi-magical atmosphere and the sense it gives readers of revisiting a lost world—for hanging over this book is the shadow of the First World War, a cataclysm that finally arrives in the sequel, This Dark Night.

This is an engaging chapter book for younger readers, (especially reluctant readers), whom this story is aimed at. Kate Gordon has cleverly used her protagonist Juno Jones (who hates reading), to create a fun story with her class diary. She battles her antagonist class bullies deftly. And by thinking that her school would be closing, the option to keep it open by reading and creating class journals becomes a reality. As a new writer of chapter books myself, I loved it. And if it creates a new generation of readers, even more wonderful. Recommended for the 8-10-year-old readership.

I loved this book because it was such an easy read, but still somehow managed to really capture the whole story of the Bible.

The author also did something that was really unique. After the first chapter, he began to write a summary of the entire Bible. Then, at the end of every other chapter, he simply added to it. By the end, the reader is left with a very concise, but complete summary of the Bible. That was quite ingenious!

Recommended for anyone!

I love how every little detail of every surviving copy of the famous Gutenberg Bible (a binding, illuminations, a bit of marginalia, etc.) is investigated for clues to its monastic first owners, the book’s travels, and repairs. The chapters read like episodes of CSI. 

Yes, my university owns a Gutenberg copy, so this started as another duty read but ended in true love. A big expensive book about the first big expensive book better be good, right? Well, this one is better than good—it is a tour of the force of book sleuthing. I fetishize the illustrations and how this book, cleverly, is roughly the size of a Gutenberg volume.

The Bible as far as I am concerned. As I was becoming a rock and roll fantastic in the early 80s, this was my go to source whenever encountering a new act that I hadn’t heard of. I would look up the new act, get an overview of their career and then dive in. It was always fun to see how they reviewed each album, using a scale of 1 to 5 stars. I bought every edition of this book (and will continue to do so, if they keep publishing them) and it was also interesting, and great feature of these books, that in each subsequent edition they would revisit their reviews and often change them, along with their star ratings.

Although this is a slow-burning horror with an air of menace throughout Witch Bottle is a very human book. It is a story about grief and loss and loneliness and conjures up a deeply unsettling atmosphere that stayed with me long after I’d turned out the light. Uncanny, in the truest sense of the word. 

I love this book. I am, of course, tremendously biased as someone who believes that humor is the best gateway to truth, and this collection of poems contains a lot of humor and no small amount of truth, and even some truth about humor in the form of “Clowns”, a tremendously moving piece about comedians which proves what I've always said, the only important thing to be serious about is comedy. For anyone who has ever done stand-up, that poem is seriously a must-read. But the whole book is a much-needed shot to the heart and funny bone.