10 books like The Rolling Stone Album Guide

In this thorough biography of The Beatles, Lewisohn grabbed my attention from the first sentence, “Every once in a while, life conjures up the genuine ultimate.” For the next 800-plus pages, Lewisohn charts the story of John Lennon, Paul McCartney, George Harrison, and Ringo Starr with a flourish of page-turning insights, evaluations, and cultural history. I’ve written two biographies on two artists. Lewisohn, who is the defacto Beatles historian, has written the story of four men and not let his love of the band and their music get in the way of sober, constructive criticism. It wasn’t all love and rockets for the band. They worked their butts off, risking their health and their personal relationships to pursue their musical goals. I look forward to Volume 2 and 3.

Of all the legendary bands that are part of the history of Rock and Roll, Pink Floyd is the one that appears to have the least amount written about them. That is why this book is so important and so good. Other books had touched on their history, but none of them went as deep and thorough as this one.

I found this to be one fo the best of the never-evening parade of rockstar autobiographies. Townshend is very honest about his complex personality and his shortcomings, and reading this, you can easily trace how this informed so much of The Who’s amazing music — and the stories of all the craziness of the early days of The Who are a blast, to boot.

As a teenager and aspiring Rock and Roll Photographer, I poured through this book over and over again. Annie Leibowitz's work is always stunning, but this period in particular is my favorite. Her use of color and the clean, crisp, powerful images were exactly what I wanted to do with my own work. And it didn’t hurt that most of this work was for Rolling Stone Magazine!

David Hewitt’s On the Road: Recording the Stars in a Golden Era of Live Music is an important contribution to the extensive annals of popular music history in that it focuses on the business of live recording that was an integral component to the explosion of rock ‘n’ roll from the 1960s through the 1980s. Hewitt was a top live recording engineer and his expertise permeates the pages of the richly detailed book.

Chuck Berry: The Autobiography is a primary clue to the Inner Chuck, if not the Facts of Chuck, an indisputable masterpiece, witty, elegant, and revealing, and (or perhaps but) ultimately elusive. Unlike so many music (and other) autobiographies, every word of this one was written by its author in a web of elegant, intricate connections that are both coded and transparent. Very much like the songs.

One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty. 

Want to write about music and musicians? You’ll need to understand the world in which they live. And if you’re writing about jazz and rock ‘n’ roll in the middle of the last century, that means a segregated, ugly world where even the most talented were treated as less than human. This was the world of the Chitlin’ Circuit. A dangerous, exciting, lawless network of nightclubs and juke joints from Memphis to New Orleans, Houston to Indianapolis, this topography spawned the popular music we love today. And nobody brings it to life like Lauterbach, whose reporting and language are as intense and musical as the era itself.

We need a documentary made from this exquisite history of how rock and roll came to Great Britain by the redoubtable Pete Frame, best known for his intricately calligraphed and intensely researched Rock Family Trees. He walks readers through the rise of Tommy Steele and the 2I’s club in Soho, where Cliff Richards, England’s Elvis, and other nascent stars of the new sound were discovered. He skillfully entwines the strains of skiffle, trad jazz, and early British r&b into his narrative and brings to life early British rock and rollers such as Marty Wilde, Billy Fury, Vince Taylor, and others who never made their way across the Atlantic, setting the stage for the emergence of the Beatles and nothing less than an explosion of British culture on a global scale after the many long, dark years following World War II. This brilliant book is stuffed full of original research and… show more.

War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.

Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.