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Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
Of all the legendary bands that are part of the history of Rock and Roll, Pink Floyd is the one that appears to have the least amount written about them. That is why this book is so important and so good. Other books had touched on their history, but none of them went as deep and thorough as this one.
Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions…
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
I found this to be one fo the best of the never-evening parade of rockstar autobiographies. Townshend is very honest about his complex personality and his shortcomings, and reading this, you can easily trace how this informed so much of The Who’s amazing music — and the stories of all the craziness of the early days of The Who are a blast, to boot.
“Raw and unsparing...as intimate and as painful as a therapy session, while chronicling the history of the band as it took shape in the Mod scene in 1960s London and became the very embodiment of adolescent rebellion and loud, anarchic rock ‘n’ roll.” — Michiko Kakutani, New York Times
One of rock music's most intelligent and literary performers, Pete Townshend—guitarist, songwriter, editor—tells his closest-held stories about the origins of the preeminent twentieth-century band The Who, his own career as an artist and performer, and his restless life in and out of the public eye in this candid autobiography, Who I…
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
The Bible as far as I am concerned. As I was becoming a rock and roll fantastic in the early 80s, this was my go to source whenever encountering a new act that I hadn’t heard of. I would look up the new act, get an overview of their career and then dive in. It was always fun to see how they reviewed each album, using a scale of 1 to 5 stars. I bought every edition of this book (and will continue to do so, if they keep publishing them) and it was also interesting, and great feature of these books, that in each subsequent edition they would revisit their reviews and often change them, along with their star ratings.
A completely revised edition of the bestselling guide to popular recordings--featuring 2,500 entries and more than 12,500 album reviews. The definitive guide for the `90s.
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
As a teenager and aspiring Rock and Roll Photographer, I poured through this book over and over again. Annie Leibowitz's work is always stunning, but this period in particular is my favorite. Her use of color and the clean, crisp, powerful images were exactly what I wanted to do with my own work. And it didn’t hurt that most of this work was for Rolling Stone Magazine!
Brings together a collection of seventy photographs--including portraits of musicians, actors, writers, and other celebrated personalities of American popular culture--taken by the chief photographer for "Rolling Stone" magazine over the past fifteen years
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
Interested in learning more about the life and times of Mort Sahl? Then look no further! Curtis does a remarkable job of putting Sahl’s life and work into historical context, a key to understanding the evolution of stand-up comedy after 1950. The story of Sahl is the story of every comedian who wanted to speak truth to power in a funny way. Sahl shaped the style of George Carlin, Woody Allen, and David Steinberg. Curtis pays tribute to the comedian and the artistic legacy he left us. It was an important resource for my study of George Carlin.
On December 22, 1953, Mort Sahl (b. 1927) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged-Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson,…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
Jon Stewart once proclaimed that Richard Pryor, Lenny Bruce, and George Carlin were the “Holy Trinity” of stand-up comedy. After reading Scott Saul’s first-rate biography of Richard Pryor, I was transformed by the detailed writing and Saul’s portrait of an artist who struggled to find his voice. Saul’s premise was not to write a full biography but to examine the life and times of Pryor from his birth to his mid-life successes in 1980. I could not have written a book about George Carlin, Pryor’s contemporary, without Saul’s deeply researched tome. It’s a great read.
A major biography-intimate, gripping, revelatory-of an artist who revolutionized American comedy. Richard Pryor may have been the most unlikely star in Hollywood history. Raised in his family's brothels, he grew up an outsider to privilege. He took to the stage, originally, to escape the hard-bitten realities of his childhood, but later came to a reverberating discovery: that by plunging into the depths of his experience, he could make stand-up comedy as exhilarating and harrowing as the life he'd known. He brought that trembling vitality to Hollywood, where his movie career-Blazing Saddles, the buddy comedies with Gene Wilder, Blue Collar-flowed directly…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
I love to read biographies that are detailed, critical, and smart. Considering the number of biographies available about music legend Hank Williams, Ribowsky’s informative style and sensible writing strips away the veil of myth and gets down to contextual facts. His biography of Williams tells the story most people already know, yet he creates a fresh, vibrant tale of a truly great musician, troubled by poor health, an oppressive mother, and a drinking problem that took him to the edge. Ribowsky puts all of Williams’s quirks into perspective by writing a well-rounded and empathetic biography that leaves all others in the dust.
After he died in the back seat of a Cadillac at the age of twenty-nine, Hank Williams-a frail, flawed man who had become country music's first real star-instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression and tainted love, he would become in death a template for the rock generation to follow.
Mark Ribowsky weaves together the first fully realised biography of Williams in a generation. Examining his music while re-creating days and nights choked in booze and desperation, he traces the rise of this legend-from the dirt roads of Alabama to…
I’m a student of biography. Artists, musicians, and comedians are what I read about. I crave to know what makes a great artist tick, how their ideas develop, and why they choose to pursue their craft at huge personal expense. I’m motivated to write more of my own. These biographies are informative, entertaining, and engaging reads, well worth your time. It’s a challenging and frustrating process to tell an artist’s story. Yet their roots, their influences, and how they shake up popular culture make for greater insight into our humanity. Artists take risks and I’m always impressed by the boldness of their vision.
One of the most misunderstood artists of the last century has to be Yoko Ono. Donald Brackett, whose written biographies of Amy Winehouse, Tina Turner, and Sharon Jones, has done an excellent job of telling Ono’s story, going way beyond the standard, reductive tales about Ono and her relationship with John Lennon. His book traces Ono’s roots in Japan, her early works of performance art, and her time in New York in the Fifties mixing with the city’s art scene in Soho. Brackett’s love and respect for Ono’s artistic achievements shines throughout its pages.
For more than sixty years, Yoko Ono has fascinated us as one of the world’s most innovative, radical artists. From a childhood of both extraordinary privilege and extreme deprivation in war-time Japan, she adopted an outsider’s persona and moved to America where, after a spell at Sarah Lawrence College, she made a place for herself in bohemian arts circles. She was already twice divorced and established as a performance artist in the Fluxus movement and in Tokyo’s avant-garde scene before her fortuitous meeting with the Beatles’ John Lennon at a London Gallery in 1966.
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
Published in 1968, this is the only authorised biography of the Beatles.
Davies was in the room when Lennon and McCartney were songwriting, providing insights worth the price of admission alone. He could have interviewed more of the outriders but on the other hand, this is a brilliant account of their claustrophobic world.
There's only one book that ever truly got inside the Beatles and this is it. The landmark, worldwide bestseller that has grown with the Beatles ever since.
During 1967 and 1968 Hunter Davies spent eighteen months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. As their only ever authorised biographer he had unparalleled access - not just to John, Paul, George and Ringo but to friends, family and colleagues. There when it mattered, he collected a wealth of intimate and revealing material that still makes this the classic Beatles book…
We all know Little Richard’s great hits like "Long Tall, Sally", "Tutti Frutti" and "Good Golly Miss Molly" and Little Richard’s life was as wild as his records. It’s excess all areas as Spencer Leigh tells the story of Little Richard in Send Me Some Lovin. It is a biography of someone who transformed popular music. Spencer Leigh was born in 1945 and hearing Little Richard for the first time in 1956 changed his life. He is a world expert on the Beatles and he has written a series of music-based biographies – Frank Sinatra, Elvis Presley, Buddy Holly, Bob Dylan, Simon and Garfunkel – all of which are full of facts and opinions.
A mammoth tome about all the locations around the young Beatles in Liverpool.
Wonderful details and some very good recommended walks by someone who really knows the area and what he is writing about. Only trouble is, the book is so heavy you can’t take it with you on those walks.
Liddypool, The Birthplace of The Beatles, the critically acclaimed book to concentrate solely on the history of The Beatles from their experience of living and growing up in Liverpool, has been released in its third and expanded edition. Covering their rise from childhood in the 1940s and obscurity to their triumphant civic reception at Liverpool Town Hall on 10th July 1964, when the city said goodbye to the Fab Four, author David Bedford uses local knowledge and eyewitness testimony to chart every band member and name-change and lineup, from The Quarrymen to The Beatles: the real story of the "Fab…
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