10 books like Rage to Survive

Iconic feminist, philosopher, and activist Angela Y. Davis put African American women at the center of the story of the blues, expanding our understanding of a genre usually presented as the purview of male artists. Discussing the music and careers of 1920s blues superstars Ma Rainey and Bessie Smith and 1930s jazz vocalist Billie Holiday, who was deeply influenced by the blues, Davis approaches the blues as music innovated, popularized, and consumed by African American women. She pays close attention to the impact of gender, race, and class on artists and audiences, and shows how these artists and their fans used blues music as entertainment, self-expression, social commentary, political critique, resistance, and survival.

When Wald published her thoroughly researched and sensitively written biography of Tharpe, few people outside the world of gospel were familiar with the guitarist and singer or her significant contribution to twentieth-century music. Wald traces Tharpe’s years as an acoustic guitar-playing traveling teenage gospel evangelist, her role as one of the first stars of the fledgling genre of gospel in the 1930s and 1940s, her controversial decision to play gospel music in nightclubs, and her influence as a flashy virtuoso whose intricate licks on the electric guitar inspired musicians in country, rock and roll, and beyond. A well-told story of a fascinating woman, Shout, Sister, Shout! establishes Tharpe as a key figure in the evolution of twentieth-century popular music.   

Daphne A. Brooks’ book is a revolutionary work, centering more than a century of innovations by Black women in popular music who have been marginalized, overlooked, or erased.

Situating Zora Neale Hurston as a sound archivist and performer and Lorraine Hansberry as a cultural critic alongside blues pioneers such as Bessie Smith and Mamie Smith and contemporary artists like Janelle Monáe and Valerie June, Brooks doesn’t merely fill in blind spots.

She exposes how those blind spots reflect the partial, subjective view of white male critics and historians.

Showing us a different way of seeing and listening to culture, Brooks has informed and inspired my thinking, and some of the best work I’ve done as a journalist, including this piece about Elizabeth Cotten, whose music fueled the 1960s folk revival.

With amazing illustrations by Rachelle Baker, the journalist Clover Hope spotlights dozens of women who have played an integral role in hip-hop’s story, from legends such as Roxanne Shanté and Lil’ Kim to less often celebrated trailblazers like Bytches with Problems.

Documenting women's often unrecognized influence, Hope leaves you with a sense of how deeply they have nevertheless left their mark, and keeps their legacy alive for future generations of music-makers.

This is a candid autobiography of an unlikely rock star. Relying on her early journals, Carly Simon conveys the details of her privileged childhood and storybook career as a singer/songwriter. Woven through her musical accomplishments are her relationships – primarily her marriage to James Taylor – but also with Warren Beatty, Mick Jagger, Jack Nicholson, Cat Stephens, and Kris Kristofferson. 

The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.

I have known the amazing author Danyel Smith for over 15 years. At first, I only knew her through her incredible writing, but I grew to know her personally when she hired me as a Managing Editor at Vibe magazine when she was the Editor-in-Chief. During that time, I was able to personally witness her knowledge of music and the entertainment industry, as well as her unwavering passion for storytelling behind the music. 

Her new book, Shine Bright, which she has been writing for more than five years, seems so fitting as part of her journey. Described as “a weave of biography, criticism, and memoir” it’s a history of Black women’s music as the foundational story of American pop.

The 7-to-10-year-old set will love this one. My own rock-loving son, who inspired the character of Truffle in our book, was addicted to this series of books (which also includes Black Music Greats: 40 inspiring icons), originally published in France. Both informative and filled with fun facts about the 40 artists selected by the authors (readers will learn about Mod culture through The Who, about how ABBA got their name, or how the Wu-Tang Clan influenced hip hop), the book reads like a cheat sheet on pop and rock music, with vivid and colorful illustrations.   

This is such a gorgeous book! Beautifully told by Pam Muñoz Ryan, this is the story of Marian Anderson, a little girl with a beautiful voice who battled racial prejudice in the pre-Civil Rights era to become one of America’s greatest singers. Brian Selznick’s illustrations are exquisite, done in soft sepia tones to give a feel for the period. And the book’s unique format will delight readers of any age. This is a book that inspires, touching hearts, and teaching young readers what courage, perseverance, and generosity can accomplish.

There’s a reason why so many books set in Venice revolve around death, heaven (aka Paradise), mystery, and love lost & found. There’s a story lying in wait around every alley corner, under every bridge, and at the bottom of every canal. It’s no surprise that Anne Rice, the queen of Vampire lit, set Cry to Heaven in Venice. Her novel is impeccably researched and written, bringing to life the castriti of the 18th century—men who were castrated to become sopranos for the opera houses and royal courts. Beneath the decadence of the surface of Anne Rice’s Venice lies a dark underbelly.