Here are 100 books that Spaceships Over Glasgow fans have personally recommended if you like
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I think music is magic. Sometimes, it feels like reading about music deflates its inherent mystery. When I finished Dilla Time, it was like I had taken mushrooms and could see beat patterns with my mind’s eye. Although a good portion of Dilla Time is biographical, the parts I love are the chapters explaining how rhythm works, and Charnas dives deep into this topic.
The biography portion strengthens those sections because Dilla fundamentally changed the rhythm of pop music. I read this book, and my understanding of rhythm completely changed—and I am a drummer! Plus, the mixed-media, multi-formatted content is such a delight. He even includes graphs. Who doesn’t enjoy a nice graph?
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Before I heard Ani DiFranco’s music, I was writing about one topic - love - in simple rhyme schemes.
After I heard Ani DiFranco’s music, I realized that figurative language was a powerful tool to make my poetry sounds better. She’s simply the best wordsmith we have. She’s as impactful and relevant as any other folk singer to walk the earth.
She also helped me to appreciate the acoustic guitar in a way I hadn’t before. Ani is a phenomenal record producer ad visionary.
(Can you tell I’m a fan?)
Her memoir is honest and eye opening. I enjoyed reading about the seeds that sprouted her work and her career. Highly recommended.
"A memoir as fierce, freewheeling, and passionate as her music." --O, the Oprah magazine
A memoir by the celebrated singer-songwriter and social activist Ani DiFranco
In her new memoir, No Walls and the Recurring Dream, Ani DiFranco recounts her early life from a place of hard-won wisdom, combining personal expression, the power of music, feminism, political activism, storytelling, philanthropy, entrepreneurship, and much more into an inspiring whole. In these frank, honest, passionate, and often funny pages is the tale of one woman's eventful and radical journey to the age of thirty. Ani's coming of age…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
I’ve been a music fan–especially pop and rock and roll–since I was a toddler, thanks to my dysfunctional family upbringing that led me to spend the bulk of my time attached to my transistor radio! Not only did I listen to rock radio stations, but I also learned about musicians, including the Beatles, thanks to magazine articles and books once I started to read at an early age–I went to my local library daily and continued to do so all the way through my school years!
I’ve been a tremendous fan of Lucinda Williams since seeing her perform on nearly a weekly basis back at the Barndance at the Palomino in the late 80’s and early 90’s–she’s an incredibly talented singer and musician, and it turned out she’s a great memoir writer too, able to describe how she came up from traumatic childhood in the Deep South, to her years of being overlooked in the music industry, to her eventual successful country and pop music career which includes being a three-time Grammy winner!
'Williams's memoir is as flinty, earthy and plain-spoken as her songs' New York Times 'The often hilarious, occasionally harrowing Don't Tell Anybody the Secrets I Told You is a bracingly candid chronicle of a sui generis character plotting a ramshackle but ultimately triumphant trajectory' Wall Street Journal 'An engaging read and beautifully written' MOJO
The beloved and iconic singer-songwriter and three-time Grammy winner opens up about her traumatic childhood in the Deep South, her years of being overlooked in the music industry, and the stories that inspired her enduring songs.
Lucinda Williams's rise to fame was anything but easy. Raised…
Over many years of being an African American fan of rock music, I’ve learned that the combination of my gender, race, and musical taste can be disconcerting to people who expect Black women to adhere to a limited set of cultural interests. My frustration with these kinds of assumptions, my awareness that rock has deep roots in African American musical culture, my curiosity about the experiences of African American women who participated in rock and roll, and my desire to make sure that they are part of the stories we tell about the music’s history led me to write Black Diamond Queens: African American Women and Rock and Roll.
One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty.
One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
This is a candid autobiography of an unlikely rock star. Relying on her early journals, Carly Simon conveys the details of her privileged childhood and storybook career as a singer/songwriter. Woven through her musical accomplishments are her relationships – primarily her marriage to James Taylor – but also with Warren Beatty, Mick Jagger, Jack Nicholson, Cat Stephens, and Kris Kristofferson.
#1 New York Times Bestseller A People Magazine Top Ten Book of the Year 'A sensational memoir ...brilliantly well written. Carly Simon is incapable of writing a boring sentence ...you can forgive anything for the unparalleled brilliance of her writing' - Lynn Barber, Sunday Times 'Hugely affecting memoir ...heartfelt and remarkable' - Fiona Sturges, Independent Carly Simon is a household name. She was the staple of the '70s and '80s Billboard charts and was famously married to James Taylor with whom she has two children. She has had a career that has spanned four decades, resulting in thirteen top 40…
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I shared books with children as an elementary librarian for 20 years, and I know what makes a great read-aloud!
This story about the guitar-picking little girl who grew up to inspire music legends like Chuck Berry, Elvis Presley, and Little Richard begs to be not read aloud, but performed! The energy in this picture book leaps off the page! Pair this with Rosetta’s music for an awesome listening and dancing session!
"A profile as bold and vivacious as the singer herself." -Kirkus (starred review)
"Terrific for all collections that want to inspire the musically inclined and highlight innovative pioneers." -Booklist (starred review)
"Bolden uses alliteration, assonance, repetition, and rhythm to create an irresistibly musical text that effectively communicates the feel of Tharpe's music. Christie's lively illustrations. . . capture the physicality of Tharpe's performance style and the intensity of her sound." -Publishers Weekly (starred review)
"Impressive offering about an often-overlooked figure in American music." -The Horn Book (starred review)
"The marriage of Bolden's words and Christie's pictures is almost as satisfying…
I love realm of the sensual. I sometimes call it The Magic Kingdom—the experience that sets us apart from our childhoods and teenage years. Intimacy—not just with people or lovers, but with the stuff we love as adults—is a compelling quest. For me, it lives in writing, cooking, singing, painting, befriending, loving—the things that lift my life out of the ordinary into time-stopping moments. Sharing it my writing, especially in my new fiction (Stay with Me, Wisconsinand my upcoming novelThe Seven Mile Bridge) has been an experience of helping us all get our hands and hearts and skin into the things we love and then abide there as long as life allows us.
Laurie Colwin is by far my favorite fiction writer. She died in 1992 at the age of 48, and Goodbye Without Leaving is one of my all-time favorite books of hers.
In it, Geraldine Coleshares—a privileged graduate student who is unmoved by her insulated and expectation-laden world—goes on the road as backup singer for Ruby Shakely and the Shakettes—an Ike and Tina Turner-type rock and roll band.
Her parents are horrified and will barely speak to her when she calls them from the road, but there’s nothing she loves more than to stand on stage in a day-glow fringed dress, singing her heart out.
When love finds her in the form of a straight-ahead lawyer who adores her and knows every rock n roll and rhythm and blues artist from the last century, she grudgingly lets him in, and though she knows she loves him, she resists marriage at every…
One of the most beloved novels from the critically acclaimed novelist Laurie Colwin, Goodbye Without Leaving explores a woman’s attempts to reconcile her rock-and-roll past with her significantly more sedate family life as a wife and mother.
As a bored graduate student, Geraldine Colshares is plucked from her too-tame existence when she is invited to tour as the only White backup singer for Vernon and Ruby Shakely and the Shakettes. The exciting years she spends as a Shakette are a mixed blessing, however, because when she ultimately submits to a conventional life of marriage and children, she finds herself stuck…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
Thanks to this book, I know that a great biography can also serve as a penetrating lens into an era. Yes, this is a book about Janis Joplin, but I do not value it because I care particularly much about the tragic specifics of her life, as much as I respect her music.
I love this book because it serves as a deep dive into the links between the often tritely-considered 1960s triumvirate: sex, drugs, and rock ‘n’ roll. Echols does not lightly throw around the word “counterculture”—that’s a big pet peeve of mine—but takes the reader on a tour of the making of a clear and specific cultural divide that’s still very much with us today.
No mistake, though; it is also an empathetic tale of a sensitive and era-defining musician.
The undisputed queen of sex, drugs and rock n' roll was also the voice of a generation who, when she overdosed on heroin at the age of twenty-seven in October 1970; became the posthumous icon of bad girl femininity for millions around the world. Drawing on hundreds of interviews Echols renders Joplin in all her complexity, revealing how this sweet-voiced girl from Texas recreated herself, first as a gravely-voiced bluesy folksinger, and then as rock n' roll's first female superstar. Echols examines the roots of her musicianship and her efforts to probe the outer limits of life; declaring herself the…
