Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I was captivated by the slow and deliberate flirtation of Dionysus with Ariadne as he revealed his own story with passion and intimacy. I felt the shared sense of abandonment between him and Ariadne, one mortal, the other immortal. I found that weaving in Phaedra’s story with the lively interactions between the two sisters with such different personalities was a clever plot devise, it was intriguing and added to the complexity of the story.
The characters evolve: innocence, abandonment, depravity, and new awarenesses show in a tragic tale where Theseus, Daedalus, Icarus, Hippolytus, and Perseus support a story basically describing the differing points of view of the two sisters. A great choice for readers like me, who enjoy stories based on Greek mythology with a feminist slant.
A mesmerising retelling of the ancient Greek myth of Theseus and the Minotaur. Perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS.
'ARIADNE gives voice to the misused Princess of Crete who betrayed her father to save Theseus from the Minotaur. Relevant and revelatory.' - Stylist
As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur - Minos's greatest shame and Ariadne's brother - demands blood every year.
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
I grew up with a serious passion for mythology and fairy tales. By the time I reached college, I knew that would be my path in life: honoring the Old Deities, honoring the earth, and writing new myths and fairy tales. To that end, I have published numerous short stories, novellas, and poems (the majority with a Pagan focus), serve on the board of directors of a Pagan publisher and a Pagan non-profit organization, and edit a Pagan literary ezine.
Chastain’s Terra Haven Chronicles currently stands at three books, with Deadlines and Dryads as the first. This is an exciting, feel-good urban fantasy series set in an alternate United States. Here, everyone practices some form of elemental magic (environmental destruction is almost unheard of and completely anathema), and humans live peacefully (mostly) alongside gargoyles, minotaurs, centaurs, dryads, and other species. I love the optimism of Chastain’s books. The world is grim enough. When I need a pick-me-up, Chastain is often my go-to read.
Getting the scoop might cost Kylie and her gargoyle companion their lives...
Dryads are a reclusive, passive species—or they used to be. Overnight, the peaceful woodland creatures have turned violent, attacking travelers with crude weapons and whipping the trees of their grove into a ferocious frenzy.
When rumors of the dryads’ bizarre behavior reaches journalist Kylie Grayson, she pounces on the story, determined to unearth the reason behind the dryads’ hostile transformation. Accompanied by Quinn, her young gargoyle friend, Kylie plunges into the heart of the malevolent grove. But nothing she’s learned prepares her for the terrifying conflict she uncovers...…
This was my
first monster romance book. I’m not typically into monster romance, but I was on
the ARC team for this particular author, and when I was sent this book, I
figured, why not?
Long story short, I was not sorry for my choice. This was such a good book.
Luna made the characters so relatable, and it didn’t feel any
different than your typical romance book to the point where I found myself
forgetting that the main male character was a Minotaur.
Benita Kane Jaro's novels are admired for their intense focus on the personal experience of historical events, and on the literature in which the participants expressed it. Her novels and translations have been featured in many academic journals, books, and papers, and cited on popular internet sites, Wikipedia, National Public Radio, major American newspapers, and lists of the best novels on Roman history in the US and abroad.
An amazing book, a completely original book, about a world emerging from the gorgeous dreams of mythology into the light of history. This "autobiography" of the mythological creator of mazes and artifacts, the father of technology, and the first human (with his son Icarus) to fly, Daedalus speaks to us across the millenia in his own voice, through the man uniquely qualified to bring it to us. Michael Ayrton was an English sculptor is the mid 20th century. He studied the techniques of his great predecessor and duplicated for the first time many of his feats, thought to be impossible. This book is a meditation on the themes of creation, innovation, and the dangerous and exalting contact of human beings with the Divine.
I address you across more than three thousand years, you who live at the conjunction of the Fish and the Water-carrier, speaks Daedalus, an artisan, inventor, and designer born into an utterly alien family of heroes who value acts of war above all else, a world where his fellow Greeks seem driven only to destroy-an existence he feels compelled to escape. In this fictional autobiography of the father of Icarus, "Apollo's creature," a brilliant but flawed man, writer and sculptor Michael Ayrton harnesses the tales of the past to mold a myth for our times. We learn of Daedalus's increasingly…
I’m an author, but first and foremost I’m a reader. I’ve been voracious about it my entire life, but it wasn’t until just a few years back that I discovered the romance genre—which sucked me in immediately. After a few books I stumbled onto Ruby Dixon and it was over. Syfy and fantasy romance had their hooks in me. These recs are the books I re-read and the authors I follow because they are consistent in telling captivating stories, with rich worlds, and vibrant characters. Book hang-over guaranteed.
The intro to the world Naomi created really grabbed me. This idea of a misty, ever-expanding labyrinth…so cool! It’s one of those times that the setting in a story is so exciting and vivid that it’s almost an entire character in and of itself. Then there are all the characters we encounter along the journey. Hello centaurs… It’s a labyrinth you’ll definitely want to get lost in.
Aldora lived in a bordertown on the edge of the maze. A labyrinth that spanned an eternity filled with creatures that howled through the night. She was a daughter to farmers that worked the fields and endured a quiet life as a peasant, away from the capital and its nihilistic celebrations; away from all that would look at her and discern her worth. Because to be chosen as a sacrifice was to be chosen to die. Until one night, while at the labyrinth wall, she heard a husky voice in the darkness.
Vedikus Bathyr. He prowled the overgrown passages at…
I’ve been reading/gaming and writing fantasy for over 40 years. My interest in the genre began with mythology, then spread into the now countless branches of the Tolkien tree. Along with the great quests and magic items, I was always enchanted by the non-human characters populating these magical worlds. Not just the elves, dwarves, and dragons, but the intelligent animals and mythological creatures like pegasi, minotaurs, treants, big cats, snakes, apes, eagles, gargoyles – the list is endless. Some were good, some misunderstood, and some were evil incarnate, but almost always, I found their stories the most intriguing. As a result, their stories will be a big part of my new series, The Tamm Chronicles.
When you’re in the mood for pure adventure-driven fantasy with a noble, troubled hero beleaguered on all sides, this is the one to pick up. Going back to when I first read about Theseus in grammar school and all the way through my Dungeons & Dragons years, I have always thought that minotaurs were cool and full of untapped potential. Herein lies the tale that proves I was right. It will evolve your feeling about minotaurs from mindless beasts in the labyrinth to courageous knights of quality and mettle. Don’t worry about the massive scope of the Dragon Lance Chronicles, this one can be read on its own.
The fourth in a series of recovers of classic Dragonlance novel tales.
This attractive new re-release of Kaz the Minotaur showcases a new look for the Heroes series. The title character was introduced by the author in The Legend of Huma, the first novel in this series. Each title in the series will reflect the new series design and feature entirely new cover art.
I am fascinated by time, how a few brief moments can change or define a life, and how, when faced with danger, a first reaction can make you a hero or a coward. In trying cases, I saw how a slight hesitation or a quick glance away could make a witness under cross-examination seem a liar. The instant of truth, when everything about someone’s character becomes clear–the common theme of the five novels–is what my book is all about. The captain, Vincent Marlowe, had to make a decision about the price he had to pay for the deaths he had caused.
I cannot remember in which of his many short stories I read it, but the great Argentine writer Jorge Borges put into the mouth of one of his inimitable characters a line that has never left me: “I have often begun the study of metaphysics but have always been interrupted by happiness.” Borges was the master of the unexpected, describing situations no one could have foreseen. I have read everything he wrote and read his stories over and over again.
The ones I like best deal with bravery and cowardice but also with time and how time can change what we think happened in the past out of all recognition. In The Other Death, a man who ran away during a great battle, dying forty years later of natural causes, describes in his delirium how he had fought bravely.
Those who heard him provide this first-hand account to the…
All of Borges' dazzling fictions have been freshly translated and gathered for the first time into a single volume - from his 1935 debut with The Universal History of Iniquity, through the immensely influential collections Ficciones and the The Aleph, to his final and never before translated work from the 1980s, Shakespeare's Memory.
I’ve been a Pratchett fan since I first read The Colour of Magic in 1986. I was nine and suddenly obsessed. When he died, I cried; when I found out he left me – us – one last gift, I cried again. The best satire doesn’t just make you laugh through the tears and cry with laughter; it makes you think. Over the decades, Pratchett perfected this art. Nobody can replace him, although many authors, including myself, try to follow. Searching for them between the rock and the trying-too-hard place, sometimes I find diamonds. May they shine as brightly in your eyes as they do in mine.
Only a real genius of a bard could give justice to the heroes who saved the village city of Skendrick from Dragonia the Dragon. Due to a sudden shortage of geniuses Heloise the Bard, who’s never met a run-on sentence she didn’t like, tells you (mostly) all about herself the battles, the riddles, Heloise, the magic, pooping in swamps, Heloise, the flatulent minotaur… oh yes, the dragon! Almost forgot. And if there’s one thing she knows, it’s that facts will ruin the truth every. Single. Time.
Black’s ‘Friday’ is a song so infinitely horrible it creates a space-inverting portal that makes it an eternal classic. So is this book. Read it with your eyes closed. In hiding. With mushroom powder at hand.
The #1 humorous fantasy bestseller! Sure, you think you know the story of the fearsome red dragon, Dragonia. How it terrorized the village of Skendrick until a brave band of heroes answered the noble villagers' call for aid. How nothing could stop those courageous souls from facing down the dragon. How they emerged victorious and laden with treasure.
But, even in a world filled with epic adventures and tales of derring-do, where dragons, goblins, and unlicensed prestidigitators run amok, legendary heroes don't always know what they're doing. Sometimes they're clueless. Sometimes beleaguered townsfolk are more hapless than helpless. And orcs?…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
This book is about being brave. You know when a problem grows into a huge scary monster,right? It’s got you cornered and you don't think you'll ever get out alive, but with the rightattitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s moregrown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushesmortals and eats them for breakfast, we step into a monstrous virtual world created byPhoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next.Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work outhis issues with his dad, because every one of us has to face the same difficult world and becourageous about it.
'Real life' or the death defying adventures of the Greek myths, with their heroes and monsters, daring deeds and narrow escapes - which would you choose?
For Phoenix it's easy. He hates his new home and the new school where he is bullied. He's embarrassed by his computer geek dad. But when he logs on to The Legendeer, the game his dad is working on, he can be a hero. He is Theseus fighting the terrifying Minotaur, or Perseus battling with snake-haired Medusa. It feels as though he's really there ? The Legendeer is more than just a game. Play…
