85 books like Shadow of the Minotaur

Veronica Roth's Divergent is like a loyal companion that stuck by me during the unpredictable ride of middle school.

Tris Prior's journey felt strangely familiar, like a reflection of my own struggles—moving from vulnerability to discovering an inner strength I never knew existed. Roth crafted Tris into more than just a character; she became someone I looked up to, a personal source of motivation. The whole faction system, sorting people based on traits, hit close to home, echoing my own battles with fitting in.

In the maze of adolescence, Tris's rebellion and acceptance of her divergence felt like a reassuring guide through my own self-discovery. Divergent was groundbreaking for its time, making it a comfort and a source of courage when times got tough.

Veronica Roth's storytelling, paired with Tris's tenacity, turned a dystopian tale into a deeply personal journey through identity, resilience, and survival.

Book 1 in a 4-book series, and our hero is Kaidance Monroe. I love the world the author has created and I really connected with Kaidance and the challenges she faces. This story is a modern-day take on the ancient Greek myth about The Fates who control our lives, and I love this retelling because the core message holds true for each and every one of us, that we can only control so much of our lives, that there are forces bigger than us that we have to deal with, but it's how we cope that's important. I’ve read the entire series. The author doesn’t drop the pace. I loved experiencing this fantastical world on a rollercoaster ride, clinging on until the end. 

I absolutely love this book. I read it years ago and it stays with me. I love it because the characters are completely batty and the story is so quirky, yet somehow it’s the truth and I wonder, are we Scots really like that? I fell for 13-year-old Justin quicker than falling off a slippery log over a stream when you're trying to fish out your soggy hat which you just dropped in the water. The world Justin inhabits is so crazy and yet he somehow manages to keep his head when his family and servants are losing theirs. It's another form of being brave, in this timeless world where time carries a curse, and of course, the story is really about saving people that we realize are precious to us. 

I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out. 

The challenge of writing historical fiction set in the distant past is bridging the vast gap between our modern understanding of the world and that of our distant forebears, since even our most basic assumptions and values undergo enormous changes over time. Those who love Renault’s works about classical antiquity relish the ability of her novels to truly carry us into another world, to make it felt and intelligible. This novel follows the fortunes of the mythic hero Theseus, from his origins in Troizen to his departure for Athens to find his father, his achievement of the kingship of Eleusis, his voluntary enslavement in Crete as a bull-dancer, an acrobat who vaults over living animals for spectacle, his confrontation with the minotaur and his eventual return home, older and more baffled by existence. It gives dimension to the mythic hero, a complexity that is at once familiar and profoundly, unsettlingly… show more.

The myth of Medusa as told by her and her two Gorgon sisters. I’ve read many versions of Medusa’s story but I particularly like this one.

She’s typically treated just as an obstacle for the hero Perseus but in this book, she’s a given a voice—as an assault survivor, as the unjust victim of a god’s anger, as the baby sister of two immortal “monsters.”

The Gorgons completely rearrange their lives to accommodate the needs of their mortal sister who they love more than anything in the world. And Medusa, though she’s called a monster, makes the conscious decision to live in solitude rather than endanger others with her deadly gaze.

The definition of “monster” gets so blurry it becomes meaningless after reading this book.

Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.

This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!

In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity. 

Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory.  For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.

An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own. 

I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.