Here are 91 books that Spiking the Sucker Punch fans have personally recommended if you like
Spiking the Sucker Punch.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
Nothing says humanity like vulnerability about the messy, imperfect creatures we are, and this book has that in spades. (Or I guess, more appropriately, hearts.) I could talk about how the book is darkly funny and reveals hidden depths of the soul, but I'll admit one thing I love about it is that it contains one of the most beautiful, inspiring poems I've ever heard, one I share frequently, with some devastating lines and a real sense of hope that it's okay to feel broken and still fight on, and the poem is titled, “I Can't Believe I Let You Touch My Balls”. It's like if that old piano player joke was real life.
A strong dose of Bukowski, Breaking Bad, and brilliance. Intense and gripping, with splashes of outlandish humor, it is a full frontal assault on the challenges of modern life for outsiders. As award-winning poet Mark Bibbins raves, "Thomas Fucaloro is here and he is showing you his big messy heart. (Actually, if you're looking for other body parts, you'll find most of them in this book.). Poet Corrina Bain (louderARTS project) applauds the work: "It Starts from the Belly and Blooms dives facefirst into the glory and wildness of life, combining fearless authenticity, humor, and a gut-punching ear for images.…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
They say, “Don't judge a book by its cover,” but sometimes you can judge a book of poems a little bit by the titles if they're really good. That'd be a terrible quote, but it's still true, and some of the poem titles in this book of heartbreak are a whole journey in themselves, like “Not Doing Something Wrong Isn't the Same as Doing Something Right,” whose opening three words, “In my defense,” echo repeatedly throughout the poem and throughout my head. When it's heartbreak time, I'd suggest either listening to MC Abdominal's song “Broken” on repeat, or reading this book.
In The Year of No Mistakes, Aptowicz goes cross country and tackles themes like love, lust, heartache and ambition in poems set in cities across the United States. While the backbone of the book is the slow break-up of her decade-long relationship, the heart remains Aptowicz falling in love with Americana. Sharply observant and unflinchingly truthful, her poems may be funny or heartbreaking, spare or lush, bright or dark, but they are always honest and engaging working class poems. Written during the fellowship year of her National Endowment for the Arts grant, poems from this collection have already been published…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
There's a good chance you're familiar with his poem “What Teachers Make”, from his other book. But this is the book that has his most poignant and human poems, including “Tony Steinberg: Brave Seventh Grade Viking Warrior”, which has long been one of my partner's favorite poems, and accomplishes in a few minutes of words what many Hollywood movies try and fail to accomplish with a full cast, two hours, and hundreds of millions of dollars: It alternately makes you laugh and cry. Which I say as someone who has seen it performed many times, and it still makes me laugh every time, and still makes me cry every time.
You don't need a classroom to be a teacher, and you don't need to be a teacher to help someone learn a lesson. Taylor Mali's poetry explores this truth in entertaining and plainspoken ways because "the last thing this world needs is another poem" ("The Call to What We Know"). Whether discussing the language of love or the love of language, the poems contained in The Last Time As We Are prove that "He who dares to teach must never cease to learn." Not since Taylor Mali has there been a poet the likes of Taylor Mali-he is a man…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
So, we often think of what is human as being vulnerable and real. Which this book is. But to me, the pinnacle of humanity is humor, and the ability to use humor even in tough times is what makes humanity great. Which this book also is. It's got tough times but it's got a whole lot of humor mixed in, from the funny bits in the sad poems, to full-on non-stop barrages of humor in poems like "Jesus Christ Super Toaster" which had me in hysterics when I saw it performed.
And I'm realizing from making my whole list, that's what I want. I want hilarious poems when I'm in a good mood, and when I'm feeling sad and human, I still want to explore that in a funny way.
A hybrid text that deals most urgently in the articulation of growth and grief. After the loss of his mother, Omar Holmon re-learns how to live by immersing himself in popular culture, becoming well-versed in using the many modes of pop culture to spell out his emotions. This book is made up of both poems and essays, drenched in both sadness and unmistakable humor. Teeming with references that are touchable, no matter what you do or don’t know, this book feels warm and inviting.
I’ve spent most of my life writing code—and too much of that life teaching new programmers how to write code like a professional. If it’s true that you only truly understand something after teaching it to someone else, then at this point I must really understand programming! Unfortunately, that understanding has not led to an endless stream of bug-free code, but it has led to some informed opinions on programming and books about programming.
I’ve read a lot of books about programming; very few of them have made me laugh. None made me laugh as much as this book.
There’s one chapter where… nah, I don’t want to spoil it for you. Plus it has cartoons! Obviously, none of that would matter unless it also had interesting things to say about the practice of programming, but it’s packed full of interesting perspectives on all sorts of issues, from team dynamics to thinking about your career to an explicit consideration of the ethics of programming.
When we make games at Sucker Punch, we aim to “surprise and delight” the player—and that’s exactly what this book did for me.
If you're passionate about programming and want to get better at it, you've come to the right source. Code Craft author Pete Goodliffe presents a collection of useful techniques and approaches to the art and craft of programming that will help boost your career and your well-being. Goodliffe presents sound advice that he's learned in 15 years of professional programming. The book's standalone chapters span the range of a software developer's life - dealing with code, learning the trade, and improving performance - with no language or industry bias. Whether you're a seasoned developer, a neophyte professional, or a hobbyist,…
I despise long-winded books with an electoral roll of characters or characters with unnecessarily complex names. Reading should be a pleasure, not a chore. High school does its best to suck the joy out of reading with its “what did the author mean here?” nonsense. If the reader has to guess what the author means, the author failed to tell their story. Symbolism and hidden meanings are a joke. I won’t read pretentious books that people only read so they can say they’ve read them. One of the reasons I started writing was to reach people who ended up as non-readers because high school ruined reading for them.
I love Tim Burton’s movies. His book of poems and short stories is just as good as his movies (don’t let the poems aspect put you off). I’m not a fan of poetry, but this collection of twisted tales is great (especially if you read them in your head in Christopher Lee’s voice).
As a bonus, the book is packed with Tim’s off-beat artwork (which matches the characters perfectly). I love the strange and unusual. To quote Lydia (from Tim Burton’s Beetlejuice), “I myself am strange and unusual.”
Twenty-three illustrated gothic tales from the dark corridors of the imagination of Tim Burton. Burton - the creative genius behind Batman, Edward Scissorhands, Sleepy Hollow and Nightmare Before Christmas, among others - now gives birth to a cast of gruesomely sympathetic children: misunderstood outcasts who struggle to find love and belonging in their cruel, cruel worlds. His lovingly lurid illustrations evoke both the sweetness and tragedy of these hopeful, yet hapless beings.
Mike Thorn is the author of Shelter for theDamned, Darkest Hours, andPeel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, includingVastarien, Dark Moon Digest, and The NoSleep Podcast.His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere.
Kathe Koja changed everything with the release of The Cipher in 1991, emerging as the most exhilarating new voice in American dark fiction since the arrival of Stephen King nearly two decades prior. Her work is characterized by hyper-sensory immersion into complex subjectivities, achieved by an inimitable, modernism-tinged voice. Koja is a master novelist, and it’s a rush to read her style within the more condensed form of short fiction; once you’re finished with Extremities, be sure to pick up her genre-expanding 2020 collection, Velo/Cities.
Blending elements of horror, fantasy, and science fiction, an imaginative anthology of seventeen short stories by a Bram Stoker and Locus Award-winning author includes "Disquieting Muse," "Anels in Love," "Bird Superior," and "The Neglected Garden." IP.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I met Bill Bryson once, and we subsequently exchanged a few letters.
‘Knowing him’ gave an extra dimension to his writing and humour, because he’s acerbic with the pen and yet so gentle and shy as a person.
When we met, he was giving a talk on the importance of hedgerows in our ‘Green and Pleasant Land’, and he has always inspired me to appreciate the privilege of being British (He is American).
Sometimes it can be hard to remember..!
One thing is for sure: British humour is unique, and I will never fail to appreciate that.
Neither Here Nor There was the first Bryson I read, but you could pick any of his travel works.
He’s got such a wonderful style and humour, you can’t really go wrong.
Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.
Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
I’m passionate about helping people see the incredible beauty of God’s unfolding plan of redemption and restoration that unfolds in the pages of the Bible. In the Old Testament, this plan is hidden in mystery and symbolism. But then in the New Testament, this great mystery is unveiled in all its glory, and the symbolism emerges from the shadows and steps into the light! For the past 15+ years, it has been my great honor to read the Bible with people for their very first time and help them watch this great mystery unfold. These books do that very same thing!
I loved this book because it was such an easy read, but still somehow managed to really capture the whole story of the Bible.
The author also did something that was really unique. After the first chapter, he began to write a summary of the entire Bible. Then, at the end of every other chapter, he simply added to it. By the end, the reader is left with a very concise, but complete summary of the Bible. That was quite ingenious!
Helping readers grasp the overarching story line of the Bible, this concise resource explores 16 key verses that serve as "turning points" in the biblical narrative, highlighting God's sovereignty, glory, and grace throughout his Word.
Interested in
dark comedy,
Europe,
and
humour books?
11,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
dark comedy,
Europe,
and
humour books.