Here are 100 books that Neither Here Nor There fans have personally recommended if you like
Neither Here Nor There.
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Long before I became a filmmaker and many years before I knew what pre-history meant, I was a restless traveler. I was an adventurer and a hiker, fascinated by maps and mountain peaks and constantly searching for the best place for a coffee break. In my list, I have tried to combine my passion for traveling with what is really important in life: people, friends, and travel companions.
My recent literary quest across the Levant ends around 6000 years ago. A few years later, at the end of the 19th century, Twain made his journey in the same region. Surprisingly, not much has changed.
His book is a witty, arrogant, and very funny look at a land full of history…and annoying flying insects.
'Who could read the programme for the excursion without longing to make one of the party?'
So Mark Twain acclaims his voyage from New York City to Europe and the Holy Land in June 1867. His adventures produced The Innocents Abroad, a book so funny and provocative it made him an international star for the rest of his life. He was making his first responses to the Old World - to Paris, Milan, Florence, Venice, Pompeii, Constantinople, Sebastopol, Balaklava, Damascus, Jerusalem, Nazareth, and Bethlehem.
For the first time he was seeing the great paintings and sculptures of the 'Old Masters'.…
Since I was a kid, “someplace else” has always looked good to me. I turned that passion into a career. I have been a travel writer for the New York Times and travel commenter for Public Radio International. Three of my published books are humorous travel memoirs. I’ve written books about what’s funny when your destination is middle age, the hilarious thrills and disasters that befall you when you’re pretending to be French in Provence, and the gender problems that arise when traveling while married. Bragging is a vice I usually avoid, but I can’t resist telling you that reviewers of my travel books have compared my humor to that of the late Erma Bombeck. I also enjoy giving credit to other successful, amusing humor writers.
Pity or envy this sports journalist as he jet-lags around the world on an all-expenses-paid journey reporting on familiar Olympic events as well as competitive games he knows nothing about in countries he’s barely heard of – all on deadline. This is a hilarious whirlwind read for the armchair traveler. Although I’ve been a journalist and written several funny memoirs about travel, I have never had or even imagined such a unique travel experience. Probably neither have you. I loved the crazy pace, and the odd events and places. This book is a legal high.
To the armchair fan, the life of the sports writer is one of unalloyed joy: all-expenses-paid trips to the most exciting events in the world, the best seats in the house, and one-on-one interviews with Anna Kournikova... Well, up to a point.
Where Am I And Who's Winning? describes what it's really like to make your way through the world of sport, always on deadline, always between time zones, on a frantic, chaotic and hilarious tour of the planet's most famous and most bizarre sporting venues. There's football to be watched. And Formula One. And tennis. And two Olympics, two…
Since I was a kid, “someplace else” has always looked good to me. I turned that passion into a career. I have been a travel writer for the New York Times and travel commenter for Public Radio International. Three of my published books are humorous travel memoirs. I’ve written books about what’s funny when your destination is middle age, the hilarious thrills and disasters that befall you when you’re pretending to be French in Provence, and the gender problems that arise when traveling while married. Bragging is a vice I usually avoid, but I can’t resist telling you that reviewers of my travel books have compared my humor to that of the late Erma Bombeck. I also enjoy giving credit to other successful, amusing humor writers.
The author gets ahold of his mother’s copy of Frommer's 1967 Europe on Five Dollars a Day and uses it as his basis for a contemporary visit. Like his mother, I, too, did the tour in 1967. I was curious to see what had happened to Europe and to my view of it. Of course, most of the restaurants no longer exist, and $5 dollars a day was more like $50 dollars a day, but this travel memoir is full of funny, disastrous, and touching adventures. I admit to a fondness for funny disasters.
When Doug Mack picked up a 1963 edition of Europe on Five Dollars a Day, he stumbled on an inspired idea: to boldly go where millions have gone before, relying only on the advice of a travel guide that's nearly a half century out-of-date. Add to the mix his mother's much- documented grand tour through Europe in the late 1960s, and the result is a funny and fascinating journey into a new (old) world, and a disarming look at the ways the classic tourist experience has changed- and has not-in the last…
4.5 billion years ago, Earth was forming - but nothing could have survived there…
From Cells to Ourselves is the incredible story of how life on earth started and how it gradually evolved from the first simple cells to the abundance of life around us today. Walk with dinosaurs, analyse…
Since I was a kid, “someplace else” has always looked good to me. I turned that passion into a career. I have been a travel writer for the New York Times and travel commenter for Public Radio International. Three of my published books are humorous travel memoirs. I’ve written books about what’s funny when your destination is middle age, the hilarious thrills and disasters that befall you when you’re pretending to be French in Provence, and the gender problems that arise when traveling while married. Bragging is a vice I usually avoid, but I can’t resist telling you that reviewers of my travel books have compared my humor to that of the late Erma Bombeck. I also enjoy giving credit to other successful, amusing humor writers.
Don’t be put off by the title. This is a funny, perceptive, deep dive into the workings of Disneyland. I’ve been to Disneyland in Orlando, Florida, and wondered about the inner life of this well-run American cultural phenomenon. I was surprised by some of what I learned – think the Great Wizard of Oz behind the curtain -- and enjoy the voice of this intrepid and funny author.
The bestselling travel memoir by the author of Backpacked: A Reluctant Trip Across Central America Three big dreams, two mouse ears and one J-1 visa. What could possibly go wrong in the happiest place on earth? When Catherine Ryan Howard decides to swap the grey clouds of Ireland for the clear blue skies of the Sunshine State, she thinks that all of her dreams (living in the United States, seeing a Space Shuttle launch and, um, owning a Starbucks card) are about to come true. Blissfully ignorant of the realities of moving thousands of miles away from home - and…
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I just love to laugh and when a book has you making the pictures in mind for yourself and laughing out loud, there really is nothing better.
And Three Men in a Boat sends me directly to the floor every time I read it, and I will never stop reading it as long as I live.
It is rightly a classic and still in the shops nearly 140 years later. My book is a homage to Three Men in a Boat. I followed the style and form, and acknowledge Jerome K Jerome in my front-matter.
My book is really 15 Men in a Boat, and if it is even 10% as good as Three, I will rightly be very proud of myself (if not my mathematics).
Three Men in a Boat (To Say Nothing of the Dog), published in 1889, is a humorous account by English writer Jerome K. Jerome of a two-week boating holiday on the Thames from Kingston upon Thames to Oxford and back to Kingston. The book was initially intended to be a serious travel guide, with accounts of local history along the route, but the humorous elements took over to the point where the serious and somewhat sentimental passages seem a distraction to the comic novel. One of the most praised things about Three Men in a Boat is how undated it…
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I devoured all of his 108 books. Then one day. Long after his death, they brought out a new Wodehouse! I couldn’t believe it! I rushed out to buy The Pothunters – a collection of works, written before he got published. And to my utter devastation… it was rubbish.
And then I realised… Once upon a time he was young. And not very good. It was actually a little dismissive to call him a ‘genius’, as if it was effortless for him. He had to work really hard to get where he did, and guess what… I was rubbish.
In that moment, I realised that maybe if I worked hard, maybe I could get published… And my writer’s life began from there.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I chose this book because, well, it’s really funny!
Tony Hawks carries a fridge around Ireland for charity and becomes infamous for it on the way round. His style and humour are hugely engaging, and Ireland is so full of character, that by the end of it, I felt as if I had taken every step with him.
I feel as if I have a memory of walking around Ireland with a fridge as if I did it. That is a sign of very good writing!
Whilst in Ireland for an International Song Competition, Tony Hawks was amazed to see a hitch-hiker, trying to thumb a lift, but with a fridge. This seemed amazingly optimistic - his Irish friends, however thought nothing of it at all. 'I had clearly arrived in a country', writes Tony, 'where the qualifications for 'eccentric' involved a great deal more than that to which I had become used'. Two years pass but the fridge incident haunts our author. Until one night, heavy with drink, he finds himself arguing about Ireland with a friend. It is, he insists, a 'magical place', so…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
So, we often think of what is human as being vulnerable and real. Which this book is. But to me, the pinnacle of humanity is humor, and the ability to use humor even in tough times is what makes humanity great. Which this book also is. It's got tough times but it's got a whole lot of humor mixed in, from the funny bits in the sad poems, to full-on non-stop barrages of humor in poems like "Jesus Christ Super Toaster" which had me in hysterics when I saw it performed.
And I'm realizing from making my whole list, that's what I want. I want hilarious poems when I'm in a good mood, and when I'm feeling sad and human, I still want to explore that in a funny way.
A hybrid text that deals most urgently in the articulation of growth and grief. After the loss of his mother, Omar Holmon re-learns how to live by immersing himself in popular culture, becoming well-versed in using the many modes of pop culture to spell out his emotions. This book is made up of both poems and essays, drenched in both sadness and unmistakable humor. Teeming with references that are touchable, no matter what you do or don’t know, this book feels warm and inviting.
After Dr. Shawn Jennings, a busy family physician, suffered a brainstem stroke on May 13, 1999, he woke from a coma locked inside his body, aware and alert but unable to communicate or move. Once he regained limited movement in his left…
I've been writing poetry since second grade, although oddly it took me until after college (where I was Class Poet) to start writing poetry that *gasp* didn't rhyme. (Did I mention I grew up on Ogden Nash and Shel Silverstein?) I started attending local poetry slams and then poetry festivals like WordXWord, and listening and performing there showed me what poetry could be. Poems can crystalize in a few lines a universal truth you've felt for years but been unable to express. I think that's amazing. (I also think it's better with a dash of humor mixed in, because I'm a humor columnist and I'm biased.)
I love this book. I am, of course, tremendously biased as someone who believes that humor is the best gateway to truth, and this collection of poems contains a lot of humor and no small amount of truth, and even some truth about humor in the form of “Clowns”, a tremendously moving piece about comedians which proves what I've always said, the only important thing to be serious about is comedy. For anyone who has ever done stand-up, that poem is seriously a must-read. But the whole book is a much-needed shot to the heart and funny bone.
In Spiking the Sucker Punch, Robbie Q. Telfer's first published collection, the author profiles the modern comedian from the inside out - starting with the innards and moving toward a damaged laughter. His work blends surrealism and narrative, bending grammar and expectations along the way. These pieces interrogate identity, place, and lead the reader to a much higher understanding of bears.
