Here are 100 books that Three Men in a Boat fans have personally recommended if you like
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Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I met Bill Bryson once, and we subsequently exchanged a few letters.
‘Knowing him’ gave an extra dimension to his writing and humour, because he’s acerbic with the pen and yet so gentle and shy as a person.
When we met, he was giving a talk on the importance of hedgerows in our ‘Green and Pleasant Land’, and he has always inspired me to appreciate the privilege of being British (He is American).
Sometimes it can be hard to remember..!
One thing is for sure: British humour is unique, and I will never fail to appreciate that.
Neither Here Nor There was the first Bryson I read, but you could pick any of his travel works.
He’s got such a wonderful style and humour, you can’t really go wrong.
Bill Bryson's first travel book, The Lost Continent, was unanimously acclaimed as one of the funniest books in years. In Neither Here nor There he brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia. Fluent in, oh, at least one language, he retraces his travels as a student twenty years before.
Whether braving the homicidal motorists of Paris, being robbed by gypsies in Florence, attempting not to order tripe and…
As a humorist and lover of all things comedy, I know how quickly a good joke can feel dated. (Heck, lots of great bits from last year don’t even work anymore.) Drama almost always holds up better than comedy. For example, you can still get swept up in dramatic narratives as ancient as The Odyssey. But do Aristophanes’ or Shakespeare’s “comedies” elicit even the slightest guffaws? Not from me. So, I hear you cry, are there any written works from more than 100 years ago that remain lol funny today? Well, don’t cry. Because yes, there are quite a few literary treasures that are still hysterically funny. The good news is that I’ve done some of that research for you.
Hold on! Anton Chekhov? Not that giant of Russian literature who gave us some of the most poignant, brooding, melancholy views of family life in dramatic works like The Seagull and The Cherry Orchard? Probably the biggest surprise on this list, Anton Chekhov wrote comedy for years and as a young adult supported his family by writing humorous sketches about Russian life for the magazine Oskolki. While most famous for his plays, Chekhov was an incredibly gifted short story and humor writer. In one of his tightest yarns, “An Avenger,” confused young Fyodor Sigaevgoes shopping for an appropriate revolver to mete out justice after he discovers his spouse cheating on him. But once at the shop, the sheer number of firearm choices he’s presented with quickly overwhelm him.
“. . . I would advise you, M'sieur, to take this superb revolver, the Smith and Wesson pattern, the…
Short Stories ( An Avenger, Gone Astray, A Slander, Frost ) - PART 7 -
- The inspirational short stories of Anton Chekhov are famous around the World. Some of the best loved stories and tales have been penned by this remarkable Russian author considered as one of the best short story writers in history and by some as the founder of short stories! The following selection of his famous short stories will provide hours of reading pleasure.
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
Mark Twain is my writing idol. Before Roughing it, I’d never read a book
written during the Civil War era which didn’t take sides and grind axes.
From it, I learned detachment, that personal adventures can live
side-by-side with even the most earth-shattering events. And that
hilarious stories like “Bemis and the Buffalo” are the best antidote for
the chaos and pain of war.
The celebrated author of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn mixes fact and fiction in a rousing travelogue that serves as “a portrait of the artist as a young adventurer.”*
In 1861, young Mark Twain found himself adrift as a newcomer in the Wild West, working as a civil servant, silver prospector, mill worker, and finally a reporter and traveling lecturer. Roughing It is the hilarious record of those early years traveling from Nevada to California to Hawaii, as Twain tried his luck at anything and everything—and usually failed. Twain’s encounters with tarantulas and donkeys, vigilantes…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Jack pretends to be his brother, Earnest, blaming the made-up man for all mishandled affairs. But when Jack's friend "becomes" the infamous Earnest and begins to woo Jack's ward Cecily, all sorts of craziness ensues. This classic play is perhaps the best example of wacky characters creating mayhem in a world where even bad things turn out to be only silly mishaps.
Ever since the first night at the St James' Theatre on 14 February 1895, "The Importance of Being Earnest" has been recognised as one of the world's finest comic dramas. Now Judi Dench as Lady Bracknell leads an outstanding cast in this superb new production of Wilde's masterpiece, mounted to celebrate the centenary of the first performance.
As a humorist and lover of all things comedy, I know how quickly a good joke can feel dated. (Heck, lots of great bits from last year don’t even work anymore.) Drama almost always holds up better than comedy. For example, you can still get swept up in dramatic narratives as ancient as The Odyssey. But do Aristophanes’ or Shakespeare’s “comedies” elicit even the slightest guffaws? Not from me. So, I hear you cry, are there any written works from more than 100 years ago that remain lol funny today? Well, don’t cry. Because yes, there are quite a few literary treasures that are still hysterically funny. The good news is that I’ve done some of that research for you.
Before sitcoms, stand-up, SNL, and absolutely any great comedy movie you can name – there was Gilbert & Sullivan. Okay, yes they wrote operas (“light operas” technically; really more like our musicals today), but these works were created to be popular, scandalous, funny, and with hummable tunes for the masses. G&S operas were absurd, fantastic, politically incorrect, hysterical, “topsy turvy” extravaganzas that satirized (much like Wilde) the bourgeois mores of the day. Astonishingly, most of it holds up today, which is why you can still see Gilbert and Sullivan's productions being perpetually staged across the globe. If you can see one of their productions live – or on YouTube – go for it. But the libretto’s themselves are highly readable and funny. The Pirates of Penzance is a good gateway to their other works. It’s full of sex, crime, cops, pirates, bathing beauties, and non-stop earworms; and includes two of…
When a pirate's apprentice tries to leave the high seas and build a new life, his hopes are dashed when a secret comes to light. The man's plans are shattered as he's forced to return to his old stomping grounds. Frederic is a 21-year-old who has spent his life working as a pirate's apprentice. Now an adult, he's free from his commitment and able to venture out on his own. He eventually stumbles across a group of women including the beautiful Mabel. They immediately fall in love and plan to spend their lives together. Unfortunately, Frederic discovers that his birthday,…
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I devoured all of his 108 books. Then one day. Long after his death, they brought out a new Wodehouse! I couldn’t believe it! I rushed out to buy The Pothunters – a collection of works, written before he got published. And to my utter devastation… it was rubbish.
And then I realised… Once upon a time he was young. And not very good. It was actually a little dismissive to call him a ‘genius’, as if it was effortless for him. He had to work really hard to get where he did, and guess what… I was rubbish.
In that moment, I realised that maybe if I worked hard, maybe I could get published… And my writer’s life began from there.
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I chose this book because, well, it’s really funny!
Tony Hawks carries a fridge around Ireland for charity and becomes infamous for it on the way round. His style and humour are hugely engaging, and Ireland is so full of character, that by the end of it, I felt as if I had taken every step with him.
I feel as if I have a memory of walking around Ireland with a fridge as if I did it. That is a sign of very good writing!
Whilst in Ireland for an International Song Competition, Tony Hawks was amazed to see a hitch-hiker, trying to thumb a lift, but with a fridge. This seemed amazingly optimistic - his Irish friends, however thought nothing of it at all. 'I had clearly arrived in a country', writes Tony, 'where the qualifications for 'eccentric' involved a great deal more than that to which I had become used'. Two years pass but the fridge incident haunts our author. Until one night, heavy with drink, he finds himself arguing about Ireland with a friend. It is, he insists, a 'magical place', so…
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
Clive James is one of those writers whose voice you hear as he writes.
His journey from childhood in Sydney to adulthood at Oxford University in England is beautifully written and so very funny. The entire trilogy is good, but this first one – it’s one of the funniest books I’ve ever read.
And if you have heard him speak, his dry, clever wit, and his ability to pick precisely the right word rides through and adds a lovely Australian spark to it all. A brilliant work.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
Published in 1979, but it reads like 1960s psychedelia. The hero, Blake, descends—literally—on the sleepy riverside town of Shepperton (where Ballard himself lived), and conjures it and its inhabitants into a sensual Amazonian Eden. I imagine Ballard walking the streets each day and seeing visions: flamingos perched atop the filling station, orchids overrunning the hardware store, his neighbours throwing off their business suits and coupling naked in their front gardens. Seeing, like his hero’s namesake, "a world in a grain of sand, or heaven in a wildflower." The rich prose, evocative but never repetitive, works the same magic on the reader.
With a new introduction by John Gray and striking new cover from the artist Stanley Donwood, the author of 'Cocaine Nights' brings you the story of suburban London transformed into an exotic dreamworld.
When a light aircraft crashes into the Thames at Shepperton, the young pilot who struggles to the surface minutes later seems to have come back from the dead. Within hours everything in the dormitory suburb is surreally transformed. Vultures invade the rooftops, luxuriant tropical vegetation overruns the quiet avenues, and the local inhabitants are propelled by the young man's urgent visions through ecstatic sexual celebrations towards an…
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
I have always liked the idea of living in a houseboat on the River Thames. This wonderful story simultaneously fed my fantasies and made me realise it might not be as idyllic as I imagined.
The houseboats on Battersea Reach are like a small village–each character is an individual yet integral part of the whole, their fortunes rising and falling with the tide. Through these characters, the book paints a picture of sixties London, swinging yet also unforgiving for those who slip between the cracks. Penelope Fitzgerald lived on a barge in Battersea, and I think much of the story is based on personal experience.
What I particularly liked was the sense of the houseboat dwellers not quite belonging, being offshore in more ways than one.
WINNER OF THE BOOKER PRIZE
FEATURED ON BBC'S BETWEEN THE COVERS BOOK CLUB
Penelope Fitzgerald's Booker Prize-winning novel of loneliness and connecting is set among the houseboat community of the Thames, with an introduction from Alan Hollinghurst.
On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames.
There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife…
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