100 books like The Pirates of Penzance

Hold on! Anton Chekhov? Not that giant of Russian literature who gave us some of the most poignant, brooding, melancholy views of family life in dramatic works like The Seagull and The Cherry Orchard? Probably the biggest surprise on this list, Anton Chekhov wrote comedy for years and as a young adult supported his family by writing humorous sketches about Russian life for the magazine Oskolki. While most famous for his plays, Chekhov was an incredibly gifted short story and humor writer. In one of his tightest yarns, “An Avenger,” confused young Fyodor Sigaev goes shopping for an appropriate revolver to mete out justice after he discovers his spouse cheating on him. But once at the shop, the sheer number of firearm choices he’s presented with quickly overwhelm him. 

“. . . I would advise you, M'sieur, to take this superb revolver, the Smith and Wesson pattern, the… show more.

Growing up, I only read humour.

I just love to laugh and when a book has you making the pictures in mind for yourself and laughing out loud, there really is nothing better. And Three Men in a Boat sends me directly to the floor every time I read it, and I will never stop reading it as long as I live.

It is rightly a classic and still in the shops nearly 140 years later. My book is a homage to Three Men in a Boat. I followed the style and form, and acknowledge Jerome K Jerome in my front-matter.

My book is really 15 Men in a Boat, and if it is even 10% as good as Three, I will rightly be very proud of myself (if not my mathematics).

Mark Twain is my writing idol. Before Roughing it, I’d never read a book written during the Civil War era which didn’t take sides and grind axes. From it, I learned detachment, that personal adventures can live side-by-side with even the most earth-shattering events. And that hilarious stories like “Bemis and the Buffalo” are the best antidote for the chaos and pain of war.

Jack pretends to be his brother, Earnest, blaming the made-up man for all mishandled affairs. But when Jack's friend "becomes" the infamous Earnest and begins to woo Jack's ward Cecily, all sorts of craziness ensues. This classic play is perhaps the best example of wacky characters creating mayhem in a world where even bad things turn out to be only silly mishaps.  

MacLeod gives us one of the most delightful and intriguing couples with art investigators Sarah Kelling and Max Bittersohn. Although the plots are fun, with a kind of loopy charm, the real joy is the delightful characters, mostly from the widespread and eccentric Kelling clan. The Kellings are in fine form backstage of a Gilbert & Sullivan operetta. Every character here is indelible.

I lived in Australia for several years and loved visiting historic buildings with their wrap-around verandas, pressed-tin high ceilings, and old-world grandeur. Greenwood’s books, set in 1920s Melbourne, remind me of those buildings. Her heroine, investigator Phryne Fisher, epitomizes 1920s glamour.

She’s wealthy, educated, sexy, and self-assured, and conducts her investigations in a dazzling array of sumptuous outfits. But what I like most about Phryne is her ability to talk to anyone, whether that’s the grandest society hostess or the roughest docker.

In this book, she’s investigating a series of murders in a theatre and also finds herself drawn to Melbourne’s Chinese community. She moves easily between worlds, often kind, always shrewd, never flinching.

Set at the dawn of the Regency era, the story begins on a British naval vessel on its way to Australia, transporting a famous prisoner—American privateer, Justin Phillips—as well as civilian passengers, including shy, 17-year old Christina Marks, in mourning for her father’s death and going to live with her uncle.

Justin and Christina share a love for books and ideas but are terribly different personalities. Were it not for the unusual circumstances in which the shy, unselfish girl speaks through a small window to a prisoner she can’t see, they never would have formed the bond they did. 

Horsman has brilliantly crafted this tale of a sheltered vicar’s daughter and a hardened man. Despite all against them, the two fall quickly and desperately in love.

When I first began writing Christian pirate romances, I had no clue such a genre existed. And then, out of the blue, I discovered MaryLu Tyndall’s The Redemption. This intense and romantic pirate adventure opened me up to a whole new world of fiction and inspired me to continue writing pirate novels that were realistic and exciting. Whether you’re a long-time pirate fan or new to the genre/topic, The Redemption will sweep you away with Charlisse and Merrick on an adventure you won’t soon forget!

Studies of early modern piracy often either focus on one or two exceptional women – Elizabeth I, Gráinne Ní Mháille, Anne Bonny, and Mary Read – or neglect women altogether. This book challenges assumptions about early modern women’s contribution to and involvement with piracy, exploring how female lives intersected with it in numerous and nuanced ways. Female family members often acted as receivers and dealers of stolen goods: their involvement shows agency in relation to piracy, though female victimization was also common. In fact, partnerships with women were part of the wider patterns of support pirates received from seafaring communities; familial relationships often triggered female involvement since economic integration and domestic connections were linked in the maritime world. Appleby suggests that due to the changing nature of piracy, female agency diminished by the end of the seventeenth century.

In 1852 a young French woman set out on a round-the-world tour, stopping in Brazil and California before sailing to the young British colony of Hong Kong. Her return vessel to San Francisco was damaged in a typhoon, then hijacked by pirates. She chronicles in effervescent detail her treatment by the pirates, both callous and kind, offering a rare glimpse of Chinese pirate life. The original French edition was a big hit and soon translated into other languages. In the spirit of other 19th century travelogues, this book transports the reader in exquisite detail to many colorful and exotic far-off places, but the highlight is her engaging account of the terrors and discoveries of her captivity on the South China Sea. For the serious researcher, it offers a wealth of rare details of shipboard and captive life.