Here are 94 books that The Unlimited Dream Company fans have personally recommended if you like
The Unlimited Dream Company.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I began writing about Paris at age 7. It figured as the central location for my uncompleted novel (4 chapters), Mystry (sic) at Oak Hall Manor, undoubtedly inspired by public television’s French language program that aired daily at noon when I was a child and by tales told by my French Alsatian grandmother and her siblings. Paris was my primary destination on my first trip to Europe, and I’ve spent many extended stays for art history research (who can write about 19th-century French art without privileging Paris?), lecturing, and writing, as well as for hanging with friends, swing dancing, and just being in, for me, the world’s most wonderful city.
I always recommend this short read to anyone wanting to understand the weird, dystopic side of the late 19th-century Symbolist movement. Written in 1884 at the beginning of theavant-garde art movement that launched 20th-century modernism and abstraction, Huysmans tells the tale of an aristocrat repulsed by a Paris transformed by urbanization, commercialization, and massive immigration who builds himself a ‘Fortress of Solitude’ in a quiet suburb and interacts with the world through his imagination with the help of a loyal servant who maintained his physical milieu, silently serving meals and performing domestic tasks. Who doesn’t want to know more about a man determined to beautify his environment by commissioning a jeweler to embed precious stones into the shell of his pet tortoise?
Originally published in French under the title “À Rebours” in 1884 and translated into English in 1926, “Against Nature”, also known as “Against the Grain”, is a book by Joris-Karl Huysmans and is well described by its subtitle “A Novel Without a Plot”. The premise of the novel is simple and follows the seclusion of Jean des Esseintes, the last member of a once powerful and noble family. Having lived an extremely decadent life in 19th-century bourgeois Parisian society, Des Esseintes finds himself disgusted with the life he once led and retreats to a house in the countryside. He is…
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
If you were suddenly awarded 8.5 million pounds, what would you do with it? Would you take the advice of the financial consultants and invest it sensibly? How boring. If you were a visionary you might create a sensual paradise of your imagination. But if you are just an ordinary young working-class Londoner? You might remember an instant—on holiday, or at a party—when you felt happy and content, and decide to recreate it.
This time the writing is sparse and matter-of-fact. I hardly noticed as the hero’s project proceeds gradually, logically into realms of absurdity, told with deadpan humour. For me, speculative fiction involves a world that is recognisable and familiar—but which gradually becomes ‘curiouser and curiouser’.
It’s a story that makes you think—though without telling you what to think.
Traumatised by an accident that involves something falling from the sky and leaves him eight and a half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them...But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
At first glance, a pulp fiction potboiler in which Nayland Smith and Dr. Petrie (clones of Holmes and Dr. Watson) struggle to foil the devilish plans of an evil mastermind. But as the pair are thrust into ever more fantastical dangers, I started to wonder. Is Nayland Smith’s obsession with Fu Manchu (like Holmes with Moriarty) making him see the Chinaman’s omnipotent hand behind every crime? And Dr. Petrie, the narrator (like Watson a blinkered stuffed shirt) becomes infatuated with Fu Manchu’s beautiful Egyptian slave/concubine Karameneh. Even more improbably, she falls in love with him, according to his account. Are the two Englishmen actually living out their own (or their author’s) fantasies?
I love to wallow in the pure excitement and polished prose of these pre-war thrillers. I penned my own homage in the Chinatown chapter of my own book.
"The greatest genius whom the powers of evil have put on the earth for centuries", Fu Manchu - an agent of the Si-Fan - seeks to climb the ladder of the secret society's hierarchy, then to pave the way for conquest of his native land of China. He is pursued by Commissioner Sir Denis Nayland Smith and his compatriot Dr. Petrie, the narrator of these fast-paced, mood-drenched adventures.
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
A friend recommended this book when I told her about my Shepherd theme. A neurotic fugitive, hiding on a deserted island, discovers that he is not alone. This novella is classed as magical realism—there’s a foreword by Borges—but like my book it eventually provides a scientific explanation for the strange occurrences. And like almost all my other choices, it’s a first-person narration, so we are kept wondering how much is true. It flags a bit after the initial premise, but once the revelations start, it grips you. Amazingly for a book written in 1964, its speculations address issues at the forefront of digital technology and science today. I won’t say more, except: don’t read the introduction or foreword, which contain plot spoilers!
Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of the Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy's novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.
Inspired by Bioy Casares's fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped…
I love rivers. The flow of water gives a sense of timelessness, the reflection of light from the surface brightens the colours on the banks and the wider stretches make a feeling of space. I have messed about in boats all my life and I am happiest on inland waterways. What I enjoyed as recreation alongside a medical career has grown into a vocation in my retirement. The more people who know about our beautiful rivers, the better the chances that we can protect them from exploitation and carelessness.
Sweet Thames Run Softly is a classic of natural history literature.
It is reputed to have been read by British servicemen during World War II to remind them of home and peace. It is just as evocative today. It describes a journey down the River Thames in a punt, and it meanders in the same way as the river does.
The beauty lies in the text and the charm is in the author’s etchings. This is a book that I read time and again, whenever I want inspiration or solace.
In 1939, on the eve of the Second World War, Robert Gibbings launched his home-made punt on the River Thames and began a slow journey downstream, armed with a sketchpad and a microscope. From the river's source at the edge of the Cotswold Hills to the bustle of London's docks, Sweet Thames Run Softly is a charming, often eccentric, account of an artist-naturalist adrift in English waters. First published as the Battle of Britain raged overhead, this gentle boating tale was an antidote to the anxieties of wartime and became an immediate best-seller. Our new edition includes the original engravings…
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
I have always liked the idea of living in a houseboat on the River Thames. This wonderful story simultaneously fed my fantasies and made me realise it might not be as idyllic as I imagined.
The houseboats on Battersea Reach are like a small village–each character is an individual yet integral part of the whole, their fortunes rising and falling with the tide. Through these characters, the book paints a picture of sixties London, swinging yet also unforgiving for those who slip between the cracks. Penelope Fitzgerald lived on a barge in Battersea, and I think much of the story is based on personal experience.
What I particularly liked was the sense of the houseboat dwellers not quite belonging, being offshore in more ways than one.
WINNER OF THE BOOKER PRIZE
FEATURED ON BBC'S BETWEEN THE COVERS BOOK CLUB
Penelope Fitzgerald's Booker Prize-winning novel of loneliness and connecting is set among the houseboat community of the Thames, with an introduction from Alan Hollinghurst.
On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames.
There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife…
Growing up, I only read humour, and it was my passion to write humour. When I was lucky enough to find myself travelling the world and working on cargo ships, the source material presented itself, and I took my chance. Publishers were wary of the crudity inherent to a sailor’s life, so I present myself as if P.G. Wodehouse himself had gone to sea. I am the butt of all the pranks, and horrified by what I see around me. So I was able to write a book that addresses the truth of a shipboard life… but leaves the suggested extremes to your imagination!
I just love to laugh and when a book has you making the pictures in mind for yourself and laughing out loud, there really is nothing better.
And Three Men in a Boat sends me directly to the floor every time I read it, and I will never stop reading it as long as I live.
It is rightly a classic and still in the shops nearly 140 years later. My book is a homage to Three Men in a Boat. I followed the style and form, and acknowledge Jerome K Jerome in my front-matter.
My book is really 15 Men in a Boat, and if it is even 10% as good as Three, I will rightly be very proud of myself (if not my mathematics).
Three Men in a Boat (To Say Nothing of the Dog), published in 1889, is a humorous account by English writer Jerome K. Jerome of a two-week boating holiday on the Thames from Kingston upon Thames to Oxford and back to Kingston. The book was initially intended to be a serious travel guide, with accounts of local history along the route, but the humorous elements took over to the point where the serious and somewhat sentimental passages seem a distraction to the comic novel. One of the most praised things about Three Men in a Boat is how undated it…
My day job is as a sustainability academic, so it’s hard to escape
concern for our future and what we’re doing to our wonderful planet. I
seek refuge in writing fiction. For me, if I can write the solutions,
then maybe people will adopt them. But first and foremost, I love
fiction as an escape, so I write and seek out books that make me happy
and are filled with love and hope and exciting ideas to keep you turning
the page. I also run the Green Stories project which hosts free writing
competitions to help us imagine positive visions of a sustainable
society.
We may have visions of what a sustainable society might look like, but how could we possibly get there?
This story imagines a giant music festival which allows free access to those who need care and their carers and designs a care-based mini-society. But they love it so much, no one wants to go home when the music stops. So they don’t!
David Fell brings to this novel all the knowledge he has gained in his years working as a sustainability consultant, and packages it with engaging characters and an exciting plot.
Jo Castle, Londoner and thirty-something firefighter, wants to save the world by being the opposite of Jack Reacher. She starts with care – care for her friends and family, care for community, care for the planet. Together with best friend Miranda, step-brother Mike and ex-boyfriend Robert, Jo turns a giant music festival on an island in the River Thames into the living city of Visco. Visco is a ‘carnival of care’, a radical experiment that challenges the very bedrock of capitalism. The story of its emergence, and how it overcomes the Establishment, is a ray of hope in dark times.
I’m a historian who recently started writing historical fiction. A few years ago, while writing my most recent academic book about 19th C Dublin, I became frustrated with the limitations of what I felt I could write about. I had a lot of sense of the atmosphere of the city that didn’t really fit into the way an academic book is constructed. So, I ended up trying my hand at historical fiction, wanting to give a real sense of place that I felt to be true but which was also a product of my imagination. One of my favorite things about reading novels has always been this sense of place.
I love this book because of the intricate links between a variety of very distinct characters. Setterfield tells wonderful individual stories and then brings them all together in a surprising and satisfying way. I enjoyed trying to piece the mystery together.
The river itself is a character who can alter lives for better or worse, providing life and livelihood or taking them away. Setterfield really leans into the river’s atmosphere (mists, floods, and miasmas), so this is a novel that you feel and smell as well as read.
From the instant #1 New York Times bestselling author of the “eerie and fascinating” (USA TODAY) The Thirteenth Tale comes a “swift and entrancing, profound and beautiful” (Madeline Miller, internationally bestselling author of Circe) novel about how we explain the world to ourselves, ourselves to others, and the meaning of our lives in a universe that remains impenetrably mysterious.
On a dark midwinter’s night in an ancient inn on the river Thames, an extraordinary event takes place. The regulars are telling stories to while away the dark hours, when the door bursts open on a grievously wounded stranger. In his…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Legend has it that the author first conceived the story while rowing on the River Thames. How a session at the oars could inspire such characters as the White Rabbit and the Cheshire Cat I have no idea.
Nevertheless, I have read this book aloud more times than I can count—from beginning to end, and also in odd increments, skipping about from chapter to chapter. And yet, the sentences always surprise me with their musicality and sense of fun.
Chapter 3, for example, contains this exchange: “Mine is a long and a sad tale!” said the Mouse, turning to Alice, and sighing. “It is a long tail, certainly,” said Alice, looking down with wonder at the Mouse’s tail; “but why do you call it sad?”
Pook Press presents Lewis Carroll's world-famous novel "Alice's Adventures in Wonderland" with original illustrations by John Tenniel. This classic story, first published in 1865, relays the tale of a girl named Alice who falls down a rabbit hole into a fantasy world. As the adventure unfolds, Alice explores many magical places and meets the most curious characters. The book was a huge commercial success on its initial publication and continues to delight readers today. Alice's journey is illustrated with gorgeous black and white drawings from John Tenniel. His Alice illustrations are instantly recognisable and are the most famous of this…
