Here are 78 books that The Circus of Dr. Lao fans have personally recommended if you like
The Circus of Dr. Lao.
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I’ve always been drawn to stories about outsiders, those people who are different from their peers. Outsiders may feel a deep sense of isolation. They are often ostracized or even persecuted because of their difference. Sometimes the outsiders triumph, sometimes they fail, but they are all striving to come to terms with what makes them different. I think this topic resonates with lots of people, myself included, because many of us for a variety of reasons sometimes feel isolated from others. This theme of differentness, of isolation, is a thread that runs through much of my writing.
This novel captured my imagination when I first read it in high school, a time when I felt especially isolated. Not only is it a good outsider story, it’s a good come-uppance story (the evil forces get their come-uppance in the end).
When he’s eight years old, Horty Bluett runs away from his abusive adoptive family and his classmates who torment him. Some carnival people, also outcasts, take him in. Horty doesn’t realize until he’s older that he is an alien, grown by alien organisms from another world, and his special power is the ability to duplicate, or “mimic”, other life forms. This talent helps him thwart the sinister carnival owner’s plans and, as an added bonus, exact revenge on his cruel adoptive father, Judge Bluett.
Winner of the Hugo, Nebula and World Fantasy Life Achievement Awards
"One of the masters of modern science fiction."—The Washington Post Book World
Eight-year-old Horty Bluett has never known love. His adoptive parents are violent; his classmates are cruel. So he runs away from home and joins a carnival. Performing alongside the fireaters, snakemen and "little people," Horty is accepted. But he is not safe. For when he loses three fingers in an accident and they grow back, it becomes clear that Horty is not like other boys. And it is a difference some people might want to use.
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
There’s something deliciously attractive about this book.
The language Bradbury uses draws me in every time I visit it, and it keeps me hooked. This was another book I found as a kid, and it left its hooks in me from when I was young.
Is it morbid? There are definitely morbid parts to it. And it deals with life-and-death situations, but it’s just so good. I never wanted it to end.
One of Ray Bradbury’s best-known and most popular novels, Something Wicked This Way Comes, now featuring a new introduction and material about its longstanding influence on culture and genre.
For those who still dream and remember, for those yet to experience the hypnotic power of its dark poetry, step inside. The show is about to begin. Cooger & Dark’s Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery. The carnival rolls in sometime after midnight, ushering in Halloween a week early. A calliope’s shrill siren song beckons to all…
I’ve always been drawn to the dark, mysterious, and weird. Originally influenced by science fiction and fantasy, then later by mysteries, suspense, thrillers, and horror, I loved the mental visuals and excitement of being in extreme, reality-bending situations. Combine these aspects, and that’s why I told my own story with these same themes:In Tents is my homage to small-town culture… twisted into a darker reality.
Strange World is a collection of short stories (and many are very short). They expand on the title, the stories being recollections, reports, and (I’m fairly sure) completely made-up weirdness from around the country and world. Everything from strange coincidences to the absurdly fantastic, are all presented as matter-of-fact. This is perfectly in line with the publication date of 1964. Then, America was fully invested in the UFO craze, tinged with metaphysics and the occult. The stores are a time capsule of this cultural view and – whether or not you believe the stories are true – are a fun read.
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
What? Something inhuman is stalking through the New York Museum of Natural History? Yes, please! This book started a phenomenal run for Preston and Child, and they continue to hatch more gems to this day. You really can’t go wrong with anything these guys write, whether as a pair or individually.
Its gripping narrative made me quickly rip through it and want much more. Fortunately, there’s a treasure trove of subsequent novels from these guys. This is just the kind of story I love—an intellectual mystery mixed with some good old archaeology/anthropology and a pinch of supernatural monster horror. It has strong characters, it’s fast-paced, and often spooky. And isn’t there something about museums that makes the creative mind wander?
I loved that about the novel’s main setting. The movie was not as good, so I recommend just reading the book.
The New York Museum of Natural History is built over a subterranean labyrinth of neglected specimen vaults, unmapped drainage tunnels and long-forgotten catacombs.
And there's something down there.
When the mutilated bodies of two young boys are discovered deep within the museum's bowels, Lieutenant Vincent D'Agosta of the NYPD fears a homicidal maniac may be at large. FBI agent Aloysius X.L. Pendergast believes they may be facing something much worse.
As the death toll mounts, and with the opening of the museum's new 'Superstition' exhibition just days away, the two men must work together to prevent a massacre.
I’m a historical fiction author (one novel published by Penguin, plus several Sherlock Holmes stories with Belanger Books) – and I read it avidly too, although many of the Victorian novels I love were considered frighteningly modern in their day. I’m fascinated by the 19th century as both reader and writer because of the incredible changes (social and technological) it saw, and the resulting dramas and tensions that emerged. Literacy and literary culture exploded during Victoria’s reign, but it was also a time of astonishing contrast: poverty versus huge wealth, outward virtue versus secret vice, prejudice and injustice (especially regarding women’s rights) versus struggles for social progress… sound familiar?
Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.
Winner of the James Tait Black Memorial Prize for fiction
From the master of the literary supernatural and author of The Bloody Chamber, her acclaimed novel about the exploits of a circus performer who is part-woman, part-swan
Sophi Fevvers-the toast of Europe's capitals, courted by the Prince of Wales, painted by Toulouse-Lautrec-is an aerialiste extraordinaire, star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover Fevvers's true identity: Is she part swan or all fake? Dazzled by his love for Fevvers, and desperate for the scoop of…
As a child, I fell in love with horses. As a teen, I fell in love with a cowboy. That’s how I became the wife and mother of professional rodeo bullfighters and wrote for rodeo magazines. Today I write historical cowboy romances. The Western way of life is down-to-earth, honest, and God-fearing—even in our contemporary world, and I’ve written several of those stories as well. But my favorite challenge takes me back to the 1800s when life was simpler. Not easier, just simpler even though people faced the same emotional challenges we face today. I love writing about their journeys and encouraging readers that there is hope.
This book grabbed my heart and is still holding on. I have never read a hero more committed to what is right and willing to pursue it at all costs, in spite of his imperfections. His compassion and level of sacrifice are unmatched. Both he and the heroine are wounded, yet in different ways. Her journey to trust is one that touched me deeply. Bischof knows how to write the heart and paint the power of redemption.
"Heartachingly beautiful" - RT Book Reviews, 5 Star TOP PICK!
Virginia, 1890
Raised amid the fame and mystique of the Big Top, Charlie Lionheart holds the audience in the palm of his hand. But while his act captivates thousands, it’s away from the spotlight where his true heart lies. Here he humbly cares for his pride of lions as if they were his brothers, a skill of bravery and strength that has prepared him for his most challenging feat yet—freeing an orphaned infant from the dark bondage of a sideshow. A trade so costly, it requires his life in exchange…
Fairy tales were my first love but I didn’t discover the true magic of children’s picture books until I left my 25-year career as an attorney to enter an MFA program. Wow, was I amazed. Picture books—books in which pictures tell an integral part of the story—not only create an instant connection between reader and little listener but stay with us into adulthood as memories. With this insight, I dove into the genre to discover what distinguishes picture books that are read and reread from those that fade. The answer turns out to be—tales that engender awe and wonder, yarns with heart, and narratives about friendship and kindness. Those are the stories that stay with us forever.
The Farmer and the Clown is my personal candidate for “best” wordless picture book. Author and two-time Caldecott Honor medalist Marla Frazee tells the story of a reluctant farmer who rescues a frightened baby clown separated from his circus family. With zero words and perfect pacing, Frazee steals our hearts as the farmer and the clown overcome their fears and learn to love each other. A testament to kindness and friendship, this book will appeal to grandparents, parents, and young readers alike. Once you read The Farmer and the Clown, you’ll want to acquire the other two books in this amazing trilogy:The Farmer and the Monkeyand The Farmer and the Circus.
A baby clown is separated from his family when he accidentally bounces off their circus train and lands in a lonely farmer's vast, empty field. The farmer reluctantly rescues the little clown, and over the course of one day together, the two of them make some surprising discoveries about themselves-and about life!
Sweet, funny, and moving, this wordless picture book from a master of the form and the creator of The Boss Baby speaks volumes and will delight story lovers of all ages.
I've loved books and reading from an early age. My family and I go to the library nearly every week to check out books, do research, or attend library programs like storytime. My interest in libraries led me to read books about libraries and write one of my own. I’m a children’s book author living in North Carolina with my husband and two book-devouring kids. I Want My Book Back is my second book, following my debut, Teach Your Giraffe to Ski. When I’m not reading or writing, I like hanging out with my family, being outdoors, and going on everyday adventures.
I’m a big fan of Elise Parsley’s books, so of course, I had to read this one when it came out. My kids and I laughed a lot while reading this. Magnolia wants to set up a loud and messy circus, complete with a human cannonball routine in the library. The kids quickly pointed out that this goes against commonly accepted library behavior – though, of course, it takes Magnolia quite a while before she notices that everything is wrong with her plan.
If you see a poster that says "You Can Do Anything at the Library!", it is NOT giving you permission to put on a circus! But Magnolia doesn't see any problem with setting up her own big top. She's got a lot of gusto and one mean human cannonball routine. So what if her greatest show on Earth won't fit between bookshelves? Elise Parsley's boldly expressive illustrations perfectly complement this mostly-librarian-approved guide on how to be everything BUT quiet in the library!
I love fantasy books and I love the wonderful array of British authors out there, so I wanted to showcase some of them in my small selection of books. Some are well known, some less so but all have their own unique and fascinating way of creating fantasy worlds. There are so many good books to choose from but these five are real must-reads as far as I’m concerned.
This book is amazing. Micah Grey, the new runaway boy to join the circus, has secrets to hide. Some of them start to be uncovered in this book, some will follow. I love that the author explores identity and belonging in a way that feels so authentic. I love that this book is the I in LGBTQIA+ fiction. I love the worlds created. I love everything about this book. Laura Lam is an amazing storyteller who brings to life fascinating characters in a real page-turner. I’ve included this in my best of British selection as the author lives in Scotland even though she’s American.
From the Sunday Times bestselling author of Seven Devils
'A fantastical, richly drawn, poignant take on a classic coming-of-age story' - Leigh Bardugo
In a land of lost wonders, the past is stirring once more . . .
Gene's life resembles a debutante's dream. Yet she hides a secret that would see her shunned by the nobility. Gene is both male and female. Then she displays unwanted magical abilities - last seen in mysterious beings from an almost-forgotten age. Matters escalate further when her parents plan a devastating betrayal, so she flees home, dressed as a boy.
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is such an excellent and innovative example of an interdisciplinary approach to animal history. Susan Nance blends current scientific thinking about the welfare, agency, and cognition of elephants with a detailed and highly engaging look at the role of these animals in circus history. This is a wonderful model of how to write animal history, an endeavor that isn’t always that straightforward because archival records tend to focus on human lives, deaths, and achievements.
Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In "Entertaining Elephants" Susan Nance examines elephant behavior - drawing on the scientific literature of animal cognition, learning, and communications - to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. "Entertaining Elephants" is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both…
