Here are 43 books that The Break Down of the Circus fans have personally recommended if you like
The Break Down of the Circus.
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I was always in love with love. I had my life all planned out, I was going to marry my high school sweetheart and have a family and live happily ever after. Newsflash, that didn’t happen and I’m glad it didn’t! As I’ve gotten older I still find myself in love with love, but now there are other things included with it such as quiet rebellion and a determination to simply be me. I find that I enjoy the suspense aspect because I know life isn’t perfect. We don’t all have stalkers or physically abusive exes, but books are a safe place to experience the emotions of these situations.
Water for Elephants was a book I went into not knowing what to expect! It was another recommendation from my mom and she was so right!
I love watching people fall in love, especially when I’ve had my own trials and tribulations in relationships! Jacob and Marlena are such a testament to true love triumphing over everything, and that is my number one reason for suggesting this book!
It also gives an incredible depiction of the Great Depression. Because of this book, I came away with a better understanding of my grandparents’ childhood struggles.
THE INTERNATIONAL PHENOMENON AND NEW YORK TIMES BESTSELLER NOW A FILM STARRING REESE WITHERSPOON AND ROBERT PATTINSON
'Great story, loads of fun; hard to put down.' STEPHEN KING
The Great Depression, 1929. When Jacob Jankowski, recently orphaned and utterly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits in the Benzini Brothers Most Spectacular Show on Earth: a second-rate travelling circus struggling to survive by making one-night stands in town after endless town. Jacob, a veterinary student now unable to finish his degree, is put in charge of caring for the circus menagerie. He…
I’m a historical fiction author (one novel published by Penguin, plus several Sherlock Holmes stories with Belanger Books) – and I read it avidly too, although many of the Victorian novels I love were considered frighteningly modern in their day. I’m fascinated by the 19th century as both reader and writer because of the incredible changes (social and technological) it saw, and the resulting dramas and tensions that emerged. Literacy and literary culture exploded during Victoria’s reign, but it was also a time of astonishing contrast: poverty versus huge wealth, outward virtue versus secret vice, prejudice and injustice (especially regarding women’s rights) versus struggles for social progress… sound familiar?
Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.
Winner of the James Tait Black Memorial Prize for fiction
From the master of the literary supernatural and author of The Bloody Chamber, her acclaimed novel about the exploits of a circus performer who is part-woman, part-swan
Sophi Fevvers-the toast of Europe's capitals, courted by the Prince of Wales, painted by Toulouse-Lautrec-is an aerialiste extraordinaire, star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover Fevvers's true identity: Is she part swan or all fake? Dazzled by his love for Fevvers, and desperate for the scoop of…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This book is part of the Hetty Feather collection, perfect for fans of this feisty Victorian heroine.
Recounted by ‘Diamond’ (formerly Ellen-Jane), the child acrobatic wonder, this is a story about running away FROM the circus. Bought for five guineas by cruel clown Beppo, Diamond is forced to become part of the Silver Brothers’ tumbling act at Tanglefield’s Travelling Circus. Although competent, she is mistreated and unhappy, but when Hetty Feather joins the circus as ringmaster ‘Emerald’, things begin to change…
Diamond wasn't always a star. Born to penniless parents who longed for a strong, healthy son, she was a dainty, delicate daughter - and a bitter disappointment.
Discovering an extraordinary gift for acrobatics, Diamond uses her talent to earn a few pennies, but brings shame on her family. When a mysterious, cruel-eyed stranger spots her performing, Diamond is sold - and is taken to become an acrobat at Tanglefield's Travelling Circus.
The crowds adore Diamond, but life behind the velvet curtains is far from glamorous. Her wicked master forces Diamond to attempt ever more daring tricks, until she is terrified…
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
I just don’t know why this book isn’t talked about more. It’s so brooding and brilliant and horrifying. Heavily influenced by Philip Pullman’s masterful Clockwork (there’s sinister automata, and creepy clockmakers, and a snow-bound Germanic feel), it contains one of the most awful and terrifying antagonists in all of children’s literature. Nasty and enchanting — the very darkest and grimmest of tales.
What good is a toy that will wind down? What if you could give a toy a heart? A real heart. One that beat and beat and didn't stop. What couldn't you do if you could make a toy like that?
From the moment that the circus boy, Mathias, takes a small roll of paper from the dying conjuror, his fate is sealed. For on it is the key to a terrifying secret, and there are those who would kill him rather than have it told.
Pursued by the sinister Dr. Leiter with his exquisite doll and malevolent dwarf, preyed…
I read broadly across many genres and know what it's like to get stuck in a rut and need to find something different to keep my interest. The books I've suggested all have a broad appeal and any one of them could break the dreaded slump. Even those that fall into a genre you don't normally read are likely to draw you into their own special magic.
This one's a fast-moving mystery story that takes you behind the scenes of the circus! An insurance investigator, John Nieves, has to determine whether a lion tamer's death was an accident or murder, but the circus people play practical jokes on him, especially after they discover he has a childhood fear of clowns! The big cats feature in this but are well treated and John develops an affinity with a panther who had been refusing to eat. This one has tension, suspense, and a lot of laughs along with the glamour of the circus!
A fatal accident at the circus sparks an insurance investigation that leads John Nieves, a former New York cop, to a list of murder suspects. It seems that The Great Rollo, beloved of millions, had enemies... both at the circus and among his own family. All that is surreal and magical about the circus brings out Nieves' deepest fears, blinding him to the very real danger that is closer at hand. A bizarre series of revelations and coincidences keep Nieves' suspicions of the circus people high, even after the actual evidence suggests that the incident really was only an unfortunate…
I’ve always been drawn to the dark, mysterious, and weird. Originally influenced by science fiction and fantasy, then later by mysteries, suspense, thrillers, and horror, I loved the mental visuals and excitement of being in extreme, reality-bending situations. Combine these aspects, and that’s why I told my own story with these same themes:In Tents is my homage to small-town culture… twisted into a darker reality.
The earliest publication date of this collection goes all the way back to 1935. A strange circus comes to town, with the performers consisting of creatures who talk less about circusy things than they do about philosophy and some strangely specific moralizing. Those thought-provoking aspects are what stick in my mind now. What first drew me to the story was the mystery of the circus itself, and the wonderfully creative creatures inside of it.
Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression-that is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.
Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real-a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao himself. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This story is full of quirky illustrations, colourful characters, and funny footnotes. Often conversational, Sutcliffe frequently addresses the reader as he relays the shenanigans leading up to circus legend and aerialist supreme, Quennie Bombazine’s cunning plan to catch her nemesis, Armitage Shanks, while at the same time reuniting Hannah and Billy with their circus father.
I would say that for reluctant readers who enjoy visual prompts and more of a comic-style format, this would be perfect.
'Utterly madcap adventure of sabotage and adventure... wonderfully supported by equally crazy illustrations... nothing short of hilarious' The Guardian
'Funny, Bizarre and brilliantly illustrated by David Tazzyman, this is perfect for anyone who loves Mr Gum' Sunday Express on Circus of Thieves and the Raffle of Doom
Get ready for rampages, chunky tandem rides, marching dogs, escaped convicts, synchronised otters and so much more! Shank's Impossible Circus is back...
There are 7,362 things that Armitage Shank hates and at the top of the list (which includes puppies, rainbows, lifts and flashing trainers...) is being made a fool of. So, when…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
I read that Noel Streatfeild actually spent time with a travelling circus to achieve authenticity in this story. Well, you can almost smell the greasepaint and sawdust.
Rather than being sent to separate orphanages, sheltered siblings Santa and Peter run away to Cob’s Circus where their Uncle Gus performs on the trapeze. Peter learns to ride and to understand animals, and Santa learns to tumble, but they need to persuade their uncle to like them and decide to keep them. Though old-fashioned, this tale is vivid with colour and spectacle, and the atmosphere so well-captured.
When their snobbish Aunt Rebecca dies, leaving them alone and penniless, Peter and Santa are faced with the dreadful prospect of life in separate orphanages. Desperate, they run away to find their only living relative - Uncle Gus - who works in a circus.
But Gus doesn't suffer fools gladly. To fit into his world, Peter and Santa must work harder than they've ever done in their lives.
I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.
Cat, or Catalia Fisa, is a badass character from page one. She’s a fighter, and with good reason. Coming from a traumatic family life, Cat draws her strength from the fears she felt throughout her youth. Not only that, but she’s painfully aware of her many physical and emotional flaws. I think it says a lot about a character who knows they have faults that need to be dealt with, faults that prevent them from developing healthy relationships or putting their safety first at times. Throughout The Kingmaker Chronicles, Cat sacrifices herself repeatedly for the people she loves, a trait that every lead should have (to some extent anyway).
Cat Fisa isn't who she pretends to be. She's perfectly content living disguised as a soothsayer in a traveling circus, avoiding the destiny the Gods—and her dangerous family—have saddled her with. As far as she's concerned, the magic humming within her blood can live and die with her. She won't be a pawn in anyone's game.
But then she locks eyes with an ambitious warlord from the magic-deprived south and her illusion of safety is shattered forever.
Griffin knows Cat is the Kingmaker—the woman who divines truth through lies—and he wants her to…
I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
It was hard to settle on a single book by Shua, who is widely considered the “Queen of South American Microfiction,” because her work is just so good. Without a Net is one of her two microfiction collections translated into English. This one deals with characters from circuses and carnivals and is an astonishing collection of microfiction. Each carefully chosen word resonates and illustrates the power of the form. This is a book I would want to have with me if I could only take one book with me on a weeks-long trip.
Fiction. Latino/Latina Studies. Translated from the Spanish by Steven J. Stewart. "Ana María Shua's microfictions reveal oneiric universes, multiform realties, secret worlds with the unlikely coherence of the absurd, the amorphous logic of the imagination. They are characterized by the most unique form of concise language and the omnipresence of humor."—Raúl Brasca
