Here are 42 books that The Break Down of the Circus fans have personally recommended if you like
The Break Down of the Circus.
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I read broadly across many genres and know what it's like to get stuck in a rut and need to find something different to keep my interest. The books I've suggested all have a broad appeal and any one of them could break the dreaded slump. Even those that fall into a genre you don't normally read are likely to draw you into their own special magic.
This one's a fast-moving mystery story that takes you behind the scenes of the circus! An insurance investigator, John Nieves, has to determine whether a lion tamer's death was an accident or murder, but the circus people play practical jokes on him, especially after they discover he has a childhood fear of clowns! The big cats feature in this but are well treated and John develops an affinity with a panther who had been refusing to eat. This one has tension, suspense, and a lot of laughs along with the glamour of the circus!
A fatal accident at the circus sparks an insurance investigation that leads John Nieves, a former New York cop, to a list of murder suspects. It seems that The Great Rollo, beloved of millions, had enemies... both at the circus and among his own family. All that is surreal and magical about the circus brings out Nieves' deepest fears, blinding him to the very real danger that is closer at hand. A bizarre series of revelations and coincidences keep Nieves' suspicions of the circus people high, even after the actual evidence suggests that the incident really was only an unfortunate…
I’ve loved, I’ve lost, and everything in between! Just like my protagonist, Jenna, in Just Call Me Confidence, life imitated art and I took a page from her “book,” having to begin anew. I’ve been the friend who has entertained all sorts of stories—sex, love, and rock n’ roll (wink, wink)—all without judgment. That role in my life continues, and what I’ve discovered in my “research” is this: Sex is wonderful, but there’s no greater joy than loving someone, even if it’s only for a little while. Read more about my take on sex, love, and rock n’ roll on my blog “Bone Up.”
I expected a love story. The intriguing plot and unique characters impressed me. What I didn’t expect was one of the sexiest love scenes I’ve ever read.
Alongside the sexy stuff is the dark story of a Machiavellian circus entrepreneur and those who are subservient to his violent whims. Marlena, the abused wife/damsel in distress with a badass backbone and the young, compassionate vet, Jacob—there’s no better way to set up a white hot coupling.
While nothing in this book is red-hot erotic, there is no erotic experience greater than tacit lust that has gone unaddressed for too long between two people who not only love each other, but are allies and co-destroyers of a dark, callous personality.
THE INTERNATIONAL PHENOMENON AND NEW YORK TIMES BESTSELLER NOW A FILM STARRING REESE WITHERSPOON AND ROBERT PATTINSON
'Great story, loads of fun; hard to put down.' STEPHEN KING
The Great Depression, 1929. When Jacob Jankowski, recently orphaned and utterly adrift, jumps onto a passing train, he enters a world of freaks, grifters, and misfits in the Benzini Brothers Most Spectacular Show on Earth: a second-rate travelling circus struggling to survive by making one-night stands in town after endless town. Jacob, a veterinary student now unable to finish his degree, is put in charge of caring for the circus menagerie. He…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This story is full of quirky illustrations, colourful characters, and funny footnotes. Often conversational, Sutcliffe frequently addresses the reader as he relays the shenanigans leading up to circus legend and aerialist supreme, Quennie Bombazine’s cunning plan to catch her nemesis, Armitage Shanks, while at the same time reuniting Hannah and Billy with their circus father.
I would say that for reluctant readers who enjoy visual prompts and more of a comic-style format, this would be perfect.
'Utterly madcap adventure of sabotage and adventure... wonderfully supported by equally crazy illustrations... nothing short of hilarious' The Guardian
'Funny, Bizarre and brilliantly illustrated by David Tazzyman, this is perfect for anyone who loves Mr Gum' Sunday Express on Circus of Thieves and the Raffle of Doom
Get ready for rampages, chunky tandem rides, marching dogs, escaped convicts, synchronised otters and so much more! Shank's Impossible Circus is back...
There are 7,362 things that Armitage Shank hates and at the top of the list (which includes puppies, rainbows, lifts and flashing trainers...) is being made a fool of. So, when…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
I read that Noel Streatfeild actually spent time with a travelling circus to achieve authenticity in this story. Well, you can almost smell the greasepaint and sawdust.
Rather than being sent to separate orphanages, sheltered siblings Santa and Peter run away to Cob’s Circus where their Uncle Gus performs on the trapeze. Peter learns to ride and to understand animals, and Santa learns to tumble, but they need to persuade their uncle to like them and decide to keep them. Though old-fashioned, this tale is vivid with colour and spectacle, and the atmosphere so well-captured.
When their snobbish Aunt Rebecca dies, leaving them alone and penniless, Peter and Santa are faced with the dreadful prospect of life in separate orphanages. Desperate, they run away to find their only living relative - Uncle Gus - who works in a circus.
But Gus doesn't suffer fools gladly. To fit into his world, Peter and Santa must work harder than they've ever done in their lives.
I grew up in featureless suburbia, where the streets of identical bungalows seemed scrubbed of anything miraculous. Maybe that’s why I came to be fascinated, as a kid, with the idea of tiny things. Here was magic that might exist in my backyard: miniature people trooping through lawns as if they were forests, riding ladybugs, and carrying bramblethorn spears! These daydreams formed some of the first stories I wrote, as a child. And they’ve continued to fascinate me as a reader, and a writer, ever since. I’ve tried to pick stories that might have slipped out of sight amongst ‘bigger’ brethren like The Burrowersand Gulliver’s Travels. I hope you enjoy them!
I just don’t know why this book isn’t talked about more. It’s so brooding and brilliant and horrifying. Heavily influenced by Philip Pullman’s masterful Clockwork (there’s sinister automata, and creepy clockmakers, and a snow-bound Germanic feel), it contains one of the most awful and terrifying antagonists in all of children’s literature. Nasty and enchanting — the very darkest and grimmest of tales.
What good is a toy that will wind down? What if you could give a toy a heart? A real heart. One that beat and beat and didn't stop. What couldn't you do if you could make a toy like that?
From the moment that the circus boy, Mathias, takes a small roll of paper from the dying conjuror, his fate is sealed. For on it is the key to a terrifying secret, and there are those who would kill him rather than have it told.
Pursued by the sinister Dr. Leiter with his exquisite doll and malevolent dwarf, preyed…
I’ve always been drawn to the dark, mysterious, and weird. Originally influenced by science fiction and fantasy, then later by mysteries, suspense, thrillers, and horror, I loved the mental visuals and excitement of being in extreme, reality-bending situations. Combine these aspects, and that’s why I told my own story with these same themes:In Tents is my homage to small-town culture… twisted into a darker reality.
The earliest publication date of this collection goes all the way back to 1935. A strange circus comes to town, with the performers consisting of creatures who talk less about circusy things than they do about philosophy and some strangely specific moralizing. Those thought-provoking aspects are what stick in my mind now. What first drew me to the story was the mystery of the circus itself, and the wonderfully creative creatures inside of it.
Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression-that is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents.
Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real-a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao himself. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea…
I’m a historical fiction author (one novel published by Penguin, plus several Sherlock Holmes stories with Belanger Books) – and I read it avidly too, although many of the Victorian novels I love were considered frighteningly modern in their day. I’m fascinated by the 19th century as both reader and writer because of the incredible changes (social and technological) it saw, and the resulting dramas and tensions that emerged. Literacy and literary culture exploded during Victoria’s reign, but it was also a time of astonishing contrast: poverty versus huge wealth, outward virtue versus secret vice, prejudice and injustice (especially regarding women’s rights) versus struggles for social progress… sound familiar?
Angela Carter is famous for her sumptuous language, structural playfulness, genre-bending, and seductive, logic-defying plots – and if you like gorgeous lyricism, unforgettable characters, and magical realism (emphasis on the magical), you’ll fall in love with Nights at the Circus. In 1899, journalist Jack Walser meets six-foot-two circus aerialist Fevvers, “the Cockney Venus”. Raised in a brothel and a graduate of freak shows, she’s now a star of the Victorian stage – but are her wings real, as she claims? Walser becomes part of the circus in body and spirit, as, disguised as a clown, he follows Fevvers to St Petersburg and into the wilds of Siberia, where Fevvers must draw on all her cunning and strength to survive – let alone save Walser, too.
Winner of the James Tait Black Memorial Prize for fiction
From the master of the literary supernatural and author of The Bloody Chamber, her acclaimed novel about the exploits of a circus performer who is part-woman, part-swan
Sophi Fevvers-the toast of Europe's capitals, courted by the Prince of Wales, painted by Toulouse-Lautrec-is an aerialiste extraordinaire, star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover Fevvers's true identity: Is she part swan or all fake? Dazzled by his love for Fevvers, and desperate for the scoop of…
I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.
This book is part of the Hetty Feather collection, perfect for fans of this feisty Victorian heroine.
Recounted by ‘Diamond’ (formerly Ellen-Jane), the child acrobatic wonder, this is a story about running away FROM the circus. Bought for five guineas by cruel clown Beppo, Diamond is forced to become part of the Silver Brothers’ tumbling act at Tanglefield’s Travelling Circus. Although competent, she is mistreated and unhappy, but when Hetty Feather joins the circus as ringmaster ‘Emerald’, things begin to change…
Diamond wasn't always a star. Born to penniless parents who longed for a strong, healthy son, she was a dainty, delicate daughter - and a bitter disappointment.
Discovering an extraordinary gift for acrobatics, Diamond uses her talent to earn a few pennies, but brings shame on her family. When a mysterious, cruel-eyed stranger spots her performing, Diamond is sold - and is taken to become an acrobat at Tanglefield's Travelling Circus.
The crowds adore Diamond, but life behind the velvet curtains is far from glamorous. Her wicked master forces Diamond to attempt ever more daring tricks, until she is terrified…
I am the author of ten collections of microfiction and poetry. I came to microfiction after having written several novels and short story collections. I just felt that I was saying more than I wanted to say. Microfiction has allowed me to completely distill my stories to the essence of what makes them tick. Of the 26 books I have written, the microfiction collections are my favorites because every word and idea is carefully measured. I am presently working on my next collection of microfiction and have no immediate plans to return to writing at longer lengths. Oddly, writing small has freed me up so I can experiment with various genres, structures, and ideas. I honestly feel microfiction has made me a much better writer.
It was hard to settle on a single book by Shua, who is widely considered the “Queen of South American Microfiction,” because her work is just so good. Without a Net is one of her two microfiction collections translated into English. This one deals with characters from circuses and carnivals and is an astonishing collection of microfiction. Each carefully chosen word resonates and illustrates the power of the form. This is a book I would want to have with me if I could only take one book with me on a weeks-long trip.
Fiction. Latino/Latina Studies. Translated from the Spanish by Steven J. Stewart. "Ana María Shua's microfictions reveal oneiric universes, multiform realties, secret worlds with the unlikely coherence of the absurd, the amorphous logic of the imagination. They are characterized by the most unique form of concise language and the omnipresence of humor."—Raúl Brasca
As a debut novelist at the age of fifty-seven, I’ve spent most of my life as a reader, not an author. My love of reading began with The Little House books by Laura Ingalls Wilder and flourished when I discovered the genre of fantasy with The Wizard of Earthsea by Ursula K. LeGuin. Is it any wonder I giggle with delight when I stumble upon a book that makes me believe in magic again? When an author weaves the supernatural into their story in a natural way, my expectations shift, and my heart opens to the power of the unknown to teach me something new and take me somewhere extraordinary.
This book is always on my list of favorite reads. Morgenstern invites us to inhabit a world where magic not only seems possible but wholly believable. I’ve read this book numerous times, and it always casts a spell over me so completely that the rest of my troubles disappear as quickly and mysteriously as the circus moves to another town.
The competition-turned-love story between two young magicians, Celia and Marco, moves the plot forward at a driving pace while enchanting subplots abound. Whenever I feel like I need to rekindle the magic in my own life, I pull this novel off the shelf.
Rediscover the million-copy bestselling fantasy read with a different kind of magic, now in a stunning anniversary edition to mark 10 years since it's paperback debut.
The circus arrives without warning. It is simply there, when yesterday it was not. Against the grey sky the towering tents are striped black and white. A sign hanging upon an iron gates reads:
Opens at Nightfall Closes at Dawn
Full of breath-taking amazements and open only at night, Le Cirque des Reves seems to cast a spell over all who wander its circular paths. But behind the glittering acrobats, fortune-tellers…
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