100 books like The Collected Poems of Wilfred Owen

If you want one book to understand how the first month or so of World War 1 played out, there is only one place to turn. Tuchman’s book is beautifully written, with a rich tapestry of characters and events, it covers the major events in Europe in August and early September 1914. It is largely seen through the eyes of ‘great men’—the military and political leaders of the day—which makes it slightly dated by today’s standards, but the skill and humanity of the reader and the sheer scope of the narrative will keep you in their thrall.

This brilliant and original book is one of my favorites of any genre. It’s the perfect bookend to The Guns of August in that it illustrates the war’s effects on Europe’s people and culture, though the landscape it examines is literary and psychological rather than historical and political.

The war produced great literature because of the way it bridged the “old” complacent Europe with a “new” one that was pitiless and mechanized, Fussell posits. The effect of this sudden evolution constituted a psychological war-within-a-war for those who fought it. 

Writers such as Sassoon and Owen were able to let go of the past and face the war’s terrible “present” without flinching — to, as Lewis put it, blast their “way through all the poetic bric-a-brac” that defined that former age. 

The result was a depiction of the war’s truth that transcends its mere facts and forever changed the way we… show more.

Volunteering to join the British Army as I did and consequently serving with The Parachute Regiment, it would have been very easy as a young man to be wrapped up in the reputation, tradition, glory, and ceremony of that unit and to forget what duties you might be called upon to perform. Similar in fact to the character of Paul Baumer, the young idealistic German soldier, full of patriotism and eager to fight the foe in the trenches of WW1. The reality is horrifyingly different, as superbly described by the author from his own harrowing experiences on the Western Front. Paul quickly realises that the nationalism he has been sold is quite false. He is constantly surrounded by hunger, sickness, fear, and death, and that he and his young comrades are already either ‘old or dead.’ To make matters worse his return home on leave is emotionally destructive as nobody… show more.

Sassoon chronicled the war’s psychological, emotional, and physical landscape in several books of poetry and a three-part, partly-novelized memoir in which he cast himself as a typical well-off Englishman, George Sherston. The tale — of which Memoirs of an Infantry Officer is the second installment — follows Sassoon’s/Sherston’s evolution from a dreamy, poetic youth into a brave and loyal officer who eventually comes to publicly oppose the war. (An act that famously landed in him a psychiatric hospital, where he met a budding poet named Wilfred Owen.) 

Sassoon’s matter-of-fact depiction of life in the British trenches, with its wild and sudden swings between boredom and terror, is indispensable. His literal description of that life gradually takes on the quality of a hallucination as the reality of the war hardens in his mind and in the reader’s.

There are so few books available about trail building. Riprap might be the oldest and one of the most beautiful. Riprap poetically describes Snyder’s summer trail-building job in 1955 in Yosemite National Park. These poems not only sing about the beauty and physicality of trail building but also echo back on the ancient Chinese poets who Snyder was studying during that time. In the end, Riprap shows us trail building but also illuminates how wildness can infuse the human spirit.

No one has dissected the military culture of the German Army with such a sharp analytical scalpel as Isabel Hull. This book, “a study in institutional extremism,” takes us deep into the mind of the German military. Hull argues that since the Franco-German War of 1870, German military leaders began to conceive of war as not over until complete military victory was obtained. This insight led her to the controversial contention that Germany’s large-scale slaughter of the Herero and Nama in Southwest Africa was not primarily a result of racism or of genocidal impulses in German culture generally, but of operational doctrine.

Immediately after the war, a bereaved woman returns alone to her family’s summer home in the Swiss Alps. It is a beautiful place, but she’s terrified of the memories it stirs, and haunted by the ghosts of those she’s lost. When a couple of lost English widows happen upon her house, she seizes eagerly on their company and the distraction they provide. She invites them to stay, and quickly forms an intense and rather desperate attachment to them. This novel gives a fine evocation of a time when so many felt displaced, when it was as if the tectonic plates of civilised existence had shifted the safe ground from beneath their feet. We see the journey of (eventually) a quartet of bereaved and war-shattered people towards a sort of healing, wholeness, and peace – as well as a new tolerance towards the differences of others.

I think this book explains why genocide happens under the cover of war. It made me see why both World War I and World War II were marked by genocides. I really liked how the author explained why the Armenian Genocide was a key event of World War I.

Balakian is a poet who turned to history writing to explain the experience of genocide and demonstrate the central importance of the international response to genocide. He uses interesting source material from eyewitnesses and official archives to trace both the humanitarian response and military decisions that brought the US into the war on the side of the Allies in the wake of the first large-scale genocide of the twentieth century.

Successful amphibious operations are hard to pull off. The Allies failure at Gallipoli is well known.

This book tells the story of Operation Albion, the successful German seizure of the Russian islands in the Baltic. A large part of the German Fleet was involved and had to overcome stubborn resistance by the battleships, cruisers, and destroyers of the Russian Fleet to break into the Gulf of Riga.

The Baltic is a little-known theatre of naval operations. The book draws on both Russian and German sources to show how the German Fleet and Army worked hand in hand to achieve a decisive victory in this theatre of the naval war.

This is a five-volume history focusing on the Anglo-German naval rivalry from its origins in 1904 to the ultimate demise of the Imperial German Fleet in 1919. This is history writing at its epic best.

Marder’s approach to history is even handed and avoids partisanship. His research is monumental is scale and he developed a network of relationships with many of the key figures in the story. The result is an incredibly well researched and informed history of the naval war, with great depth of insight, all written in an approachable style.

A true classic of naval literature that is a joy to read and is unlikely to ever be surpassed.