Here are 100 books that The Explosive Expert's Wife fans have personally recommended if you like
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A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
I remember reading this in my student bedsit and being transfixed. I was studying art but had just decided that I wanted to be a novelist. As such, I loved the opening lines: “A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.”
It is a simple yet beautiful book about love, belief, and betrayal. I’m not religious, but the testing of someone’s faith and how it may make them act stuck with me. Also, the facade of the ‘stiff upper lip,’ but underneath, the vulnerability.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I’m an American writer, Army wife, and occasional expat who has spent nearly a decade of my life living abroad (including Japan, Jordan, and the United Arab Emirates), not to mention seven Army moves stateside. I love to read (and write!) books that explore discordance and dislocation, what it is like to be an American living overseas in a time of war, and how these things impact relationships with friends, families, and strangers, and our concept of “home.” My writing is often an exploration of the mundane mixed with the catastrophic. Oh, and I have a weakness for stray cats. Lots of stray cats.
There is a refreshing versatility to the stories in this collection, which touch upon everything from soldiers on the front lines in Iraq, readjustment to the American home front, and a civilian foreign service officer getting stymied at every attempt at humanitarian aid. There is humor, irony, and gutting realism on every page, and the many perspectives offer the insights you hope for in a National Book Award-winning piece of fiction.
"Redeployment is hilarious, biting, whipsawing and sad. It's the best thing written so far on what the war did to people's souls." -Dexter Filkins, The New York Times Book Review
Selected as one of the best books of the year by The New York Times Book Review, Time, Newsweek, The Washington Post Book World, Amazon, and more
Phil Klay's Redeployment takes readers to the frontlines of the wars in Iraq and Afghanistan, asking us to understand what happened there, and what happened to the soldiers who returned. Interwoven with themes of brutality…
I’m an American writer, Army wife, and occasional expat who has spent nearly a decade of my life living abroad (including Japan, Jordan, and the United Arab Emirates), not to mention seven Army moves stateside. I love to read (and write!) books that explore discordance and dislocation, what it is like to be an American living overseas in a time of war, and how these things impact relationships with friends, families, and strangers, and our concept of “home.” My writing is often an exploration of the mundane mixed with the catastrophic. Oh, and I have a weakness for stray cats. Lots of stray cats.
As a military spouse who has lived abroad and is always a bit wary about my surroundings, so much about this uncomfortable novel resonated with me. Two American women become unlikely friends while waiting for an inevitable military coup in an unnamed Central American country. The older woman narrator, Grace, who has married into the ruling family, takes naïve Charlotte under her wing. Both women seem to connect over their background, dislocation, and fractured family life, but nothing is as it seems. The unreliable narrator, the political ugliness, and the encroaching war all make this a thrilling read. The reader never knows what poses the biggest threat to the female protagonists: ex-husbands, runaway children, or firing squads.
A shimmering novel of innocence and evil: the gripping story of two American women in a failing Central American nation, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean
"[Didion's] most ambitious project in fiction, and her most successful ... glows with a golden aura of well-wrought classical tragedy.” —Los Angeles Times Book Review
Grace Strasser-Mendana controls much of Boca Grande's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," Charlotte has come to Boca Grande vaguely and vainly…
I’m an American writer, Army wife, and occasional expat who has spent nearly a decade of my life living abroad (including Japan, Jordan, and the United Arab Emirates), not to mention seven Army moves stateside. I love to read (and write!) books that explore discordance and dislocation, what it is like to be an American living overseas in a time of war, and how these things impact relationships with friends, families, and strangers, and our concept of “home.” My writing is often an exploration of the mundane mixed with the catastrophic. Oh, and I have a weakness for stray cats. Lots of stray cats.
I know I’m going old school here with this memoir by the widow of General George Armstrong Custer. The Little Bighorn tragedy looms large throughout, but it happens completely off the page. Elizabeth “Libbie” Custer makes a conscious effort to show her husband in life rather than death, and in this way she illuminates the equally dramatic life experiences of so many military families on the American frontier.
I couldn’t believe how many similarities there are between being a military spouse in the 1870s and being one today. There is the unique drama of living in a sort of satellite USA, either on a military base or in the American Embassy community abroad. Army spouses form fast friendships and are forced to rely on each other when there are so few cultural touchstones or friends and family nearby. These relationships become even more vital when their spouses are unreachable for…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Hanif Abdurraqib has a way of making you forget you’re reading poetry while also reminding you that nothing else could be as poetic as one of his poems. They always unravel in a way only his unique way of storytelling permits. It’s truly a skill that is mastered beautifully in this collection.
“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” ―Booklist, Starred Review
In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness,…
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
At an early age, I had a very intense relationship with this now 50-year-old book about the most famous Tang poets, Li Bai and Tu Fu. Arthur Cooper (1916-1988), a British WWII codebreaker and almost mad aficionado of Chinese Lit, was the translator and introducer.
One’s experience of the book is progressively mind-expanding. Cooper knew not only Chinese literature and culture inside and out but also how to convey his knowledge to Westerners in exciting ways.
Li Po (AD 701-62) and Tu Fu (AD 712-70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
Whatever my current passion, from mountaineering to grafting apple trees to hiking, I like to immerse myself in the literature. Simon Armitage’s account of The Pennine Way in the Peak District (UK) is one of my favorite walking memoirs and is informative, eclectic, and funny. In addition, the route starts only a few miles from my house.
I’m walking it with my wife, in sections, so we might meet you on the way! If you’re not a walker, Walking Home may inspire you to start—even to set out on a long-distance footpath.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
As a child I did not enjoy reading of any kind, detested English class, and loathed poetry in particular. I simply couldn’t comprehend what relevance poems had to my life. Then, while living overseas, in my mid-twenties in a country in which I didn’t speak the language well and had no friends, I took refuge in an English-language bookstore. There, I would find the slimmest books I could find, which happened to be poetry collections, and I’d pull one down hoping for commiseration. At some point, I realized that I could make certain friends with certain poems. Twenty-five years of growing friendships later, now I read and write poetry for a living.
Czesław Miłosz was awarded the Nobel Prize for Literature in 1980. But that isn’t the reason to seek out this book. In fact, the book contains none of his poems; it’s an anthology of poems he selected from across the ages and across the globe. The poems are idiosyncratic to Miłosz’s taste—and he has excellent taste, offering us brief personal header notes to guide our reading. Most of the poems are less than half a page long, none more than a page and a half—and some just a handful of lines. These are delicate, thoughtful poems that never become syrupy or stringent. Even after decades of reading poems, I’ve returned again and again to this book when I want to remind myself of why I turned to poetry in the first place.
Selected by Nobel Laureate Czeslaw Milosz, an inspiring collection of 300 poems from writers around the world.
Czeslaw Milosz's A Book of Luminous Things—his personal selection of poems from the past and present—is a testament to the stunning varieties of human experience, offered up so that we may see the myriad ways that experience can be shared in words and images. Milosz provides a preface to each of these poems, divided into thematic (and often beguiling) sections, such as “Travel,” “History,” and “The Secret of a Thing,” that make the reading as instructional as it is inspirational and remind us…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Sorrow is plural but grief is singular writes American poet, Victoria Chang, in her latest book Obit.
To me, this phrase resonates all the more powerfully as we find ourselves emerging from the Covid pandemic and assessing the impact it had on us. We were united, around the world, in our sorrow but the way we grieved was unique to each one of us.
This long poem, written after the death of her mother, is an elegy to grief itself. Taken from Shakespeare’s Macbeth, the epigraph at the beginning of the book reads: give sorrow words; the grief that does not speak. This is exactly what the writer has done.
Los Angeles Times Book Prize
PEN Voelcker Award
Anisfield-Wolf Book Prize
The New York Times 100 Notable Books of 2020
Time Magazine's 100 Must-Read Books of 2020
NPR's Best Books of 2020
National Book Award in Poetry, Longlist
National Book Critics Circle, Finalist
Griffin Poetry Prize, Shortlist
Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and…
