I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
I wrote
In the Slender Margin: The Intimate Strangeness of Death and Dying
Sometimes, as if by magic, a book arrives at exactly the right moment.
When my 7-year-old grandson’s cat was killed by a bobcat earlier this year it was his first experience with loss, and we all struggled to find language to help him. I remembered hearing about Judith Viorst’s book many years ago but had never read it. The Tenth Good Thing about Barney was published in 1971 and is still in print fifty-two years later – for good reason.
After his beloved cat dies, the unnamed boy in the story struggles to think of ten good things to say about Barney at the funeral his mom has organized in the backyard. I won’t give away the tenth thing that the boy finally thinks of other than to say it helped my grandson enormously and all of us along with him.
My cat Barney died this Friday. I was very sad. My mother said we could have a funeral for him, and I should think of ten good things about Barney so I could tell them... But the small boy who loved Barney can only think of nine. Later, while talking with his father, he discovers the tenth -- and begins to understand.
Sorrow is plural but grief is singular writes American poet, Victoria Chang, in her latest book Obit.
To me, this phrase resonates all the more powerfully as we find ourselves emerging from the Covid pandemic and assessing the impact it had on us. We were united, around the world, in our sorrow but the way we grieved was unique to each one of us.
This long poem, written after the death of her mother, is an elegy to grief itself. Taken from Shakespeare’s Macbeth, the epigraph at the beginning of the book reads: give sorrow words; the grief that does not speak. This is exactly what the writer has done.
Los Angeles Times Book Prize
PEN Voelcker Award
Anisfield-Wolf Book Prize
The New York Times 100 Notable Books of 2020
Time Magazine's 100 Must-Read Books of 2020
NPR's Best Books of 2020
National Book Award in Poetry, Longlist
National Book Critics Circle, Finalist
Griffin Poetry Prize, Shortlist
Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and…
Transforming Pandora, women's fiction with a metaphysical undercurrent, is written with humour and a light touch. As the plot slips between two time frames, separated by more than thirty years, the reader explores her life and loves: her ups and downs.
This book, by the late American essayist, Joan Didion, will not be a surprise choice for many people who are looking for a companion to not just guide them through the grieving process but also to reassure them that they are not going crazy.
I was disheartened in March 2022 when I learned that prolonged grief had been added to the DSM-5 (Diagnostic and Statistical Manual of Mental Health) and classified as a mental disorder. There is no uniform end date on normal grief and The Year of Magical Thinking exquisitely underscores this idea.
Charting her own journey after her husband’s death, Didion writes openly about grief and how it can seem, at times, as if we are losing our minds when, in fact, it is a normal part of the grieving process. This book is a treasure.
From one of America's iconic writers, a portrait of a marriage and a life - in good times and bad - that will speak to anyone who has ever loved a husband or wife or child. A stunning book of electric honesty and passion.
Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later - the night before New Year's Eve -the Dunnes were just…
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
Why We Hate asks why a social animal like Homo sapiens shows such hostility to fellow species members. The invasion of the Ukraine by Russia? The antisemitism found on US campuses in the last year? The answer and solution lies in the Darwinian theory of evolution through natural selection.
This short book by the renowned author of The Chronicles of Narnia is a classic, and essential, book on grief.
Having found love late in life Lewis was devastated when his wife died a short time after their marriage. He rails at God and in a now-famous passage writes that no one ever told him that grief feels so much like fear. I am not afraid, but the sensation is like being afraid. The same fluttering in my stomach, the same restlessness…
People who are mourning will recognize the rawness of grief and the need to find meaning in what feels meaningless. Lewis writes from inside the experience of grief and carves a path for the reader to understand his or her own experiences.
The perennial classic: this intimate journal chronicling the Narnia author's experience of grief after his wife's death has consoled readers for half a century with its 'sensitive and eloquent' magic (Hilary Mantel)
'An intimate, anguished account of a man grappling with the mysteries of faith and love ... Elegant and raw ... A powerful record of thought and emotion experienced in real time.' Guardian
'Raw and modern ... This unsentimental, even bracing, account of one man's dialogue with despair becomes both compelling and consoling ... A contemporary classic.' Observer
'A source of great consolation ... Lewis deploys his genius for…
Part memoir, part meditation on death itself, In the Slender Margin is an exploration of death from an “insider’s” point of view. Using the threads of her brother’s early death and her twenty years of work at a hospice, Joseph utilizes history, religion, philosophy, literature, personal anecdote, mythology, poetry, and pop culture to discern the unknowable and to illuminate her travels through the land of the dying. Rather than relying solely on narrative, In the Slender Margin gains momentum from a buildup of thematic resonances. In the process of thinking deeply about death, Joseph finds the brother she lost as a young girl. She wrote this book as a way to understand what she had seen.
Me and The Times offers a fresh perspective on those pre-internet days when the Sunday sections of The New York Times shaped the country’s political and cultural conversation. Starting in 1967, Robert Stock edited seven of those sections over 30 years, innovating and troublemaking all the way.
Country music diva Hayley Swift has fallen off the charts and into a funk. Desperate to regain her place in the limelight, she agrees to a low-budget tour of Southern venues, starting with her 35th high school reunion.
There, in an unexpected but fortuitous reconnection, The Girls Next Door —who…
