Here are 93 books that Helen of Troy fans have personally recommended if you like
Helen of Troy.
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I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
In this fascinating book, which combines flowing prose, a lively and engaging presentation, and wonderful illustrations, Adrienne Mayor brings the reader into the excitement of discovering the historical truth about the mysterious Amazons of Greek mythology.
Mayor demonstrates that the Amazon traditions derive from the undeniable fact that nomadic, armed horsewomen existed on the fringes of the ancient Greek world. The author, who describes herself as a classical folklorist, is the first to examine the intriguing evidence systematically and in detail.
Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Unlike her husband, the famous philosopher Herodes Atticus, Appia Annia Regilla is virtually unknown, despite being so aristocratic that she was related to several Roman emperors and so wealthy that she was a great patroness whose architectural endeavours have survived.
Infuriatingly, she is only really mentioned in the historical record because she was a victim of domestic violence, as her husband brutally murdered her and, despite two separate trials, got away with it!
But Sarah B. Pomeroy works painstakingly to reconstruct the circumstances of her life from literary and archaeological evidence rather than simply focusing on her death.
From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.
Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
If you are looking for something slightly different than the standard historical biography, nobody writes about ancient Rome quite like Emma Southon does.
She manages to take everything you think you know, turn it on its head, and make you think about it in an entirely new way, all while cackling involuntarily so hard that you drop the book. Her biography of the empress Agrippina is simultaneously profane and hilarious while still managing to be erudite and authoritative.
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith.
In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Messalina is commonly passed over in favour of her successor as the wife of the emperor Claudius, Agrippina the Younger, the mother of Nero.
Honor Cargill-Martin seeks to redress this imbalance in the coverage of the two empresses, and explores what their similarities and differences can tell us about not only the Roman view of powerful women, but also the ways in which this view has been adapted (or not) over the last 2,000 years.
While she doesn’t entirely debunk Messalina’s reputation as a crazed nymphomaniac, she does contextualise her affairs and offer sensible, pragmatic explanations for them that shed a new light on ancient Roman imperial court culture.
This is the story of Messalina - third wife of Emperor Claudius and one of the most notorious women to have inhabited the Roman world.
The scandalous image of the Empress Messalina as a ruthless and sexually insatiable schemer, derived from the work of Roman historians such as Tacitus and Suetonius, has taken deep root in the Western imagination. The stories they told about her included nightly visits to a brothel and a twenty-four-hour sex competition with a prostitute. Tales like these have defined the empress's legacy, but her real story is much more complex.
In her new life of…
I spent my career teaching Classics, mostly at Oxford University, where I was a fellow of Lady Margaret Hall and Professor of the Classical Tradition. I have worked on the influence of the ancient world on British literature and culture, especially in the Victorian age, and when being a conventional classicist have written mostly about Latin literature and Roman culture. I have also written short books on Jane Austen and Westminster Abbey.
‘Wrath’ is the first word, beginning European literature not with the whimper of infancy but with a bang. The Iliad is ferociously intense, the action remarkably compressed in time and place, despite the poem’s great length (most of it takes place on the plain of Troy over two or three days). It is the quintessence of tragedy, declaring that the quest for glory, the hero’s duty, is inseparably bound up with humiliation and death. But it is a high-spirited tragedy, immensely energetic, with a lust for the ordinary appetites of life. Life is so good: that is what makes the warriors’ deaths so terrible. The gods look on, both fascinated and detached, and through their eyes we see man as both small and great. I recommend Martin Hammond’s prose translation.
'The best modern prose translation of The Iliad' Robin Lane Fox, The Times
The first of the world's great tragedies, The Iliad centres on the pivotal four days towards the end of the ten-year war between the Greeks and the Trojans. In a series of dramatic set pieces, it follows the story of the humiliation of Achilleus at the hands of Agamemnon and his slaying of Hektor: a barbarous act with repercussions that ultimately determine the fate of Troy. The Iliad not only paints an intimate picture of individual experience, but also offers a universal perspective in which human loss…
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
I can’t write a list of Helen of Troy's many faces without including the most famous source material. Though it’s marketed for children, it’s one of the most faithful and accessible adaptations of the Iliad that I’ve ever read.
I loved the illustrations and how the scenes stayed faithful to those written many centuries ago while still packing an emotional punch to a modern-day reader. The ancient classics that spread orally are all translated retellings, so while there’s definitely value in reading the more academic versions, those aren’t any more or less valid than an accessible text with modern language that pulls you into the story.
I highly recommend it to anyone who wants to know the ins and outs of the original to better appreciate retellings.
Frances Lincoln is proud to reintroduce the Greenaway award-winning Black Ships Before Troy.
Here is Homer's epic poem The Iliad, brought to life by Rosemary Sutcliff with all the skill of a master storyteller. Alan Lee's dramatic cover image hauntingly recreates the age of heroes in this introduction to the Greek classics--a book that should become part of every childhood.
I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Another perspective of the Trojan War from a minor player’s perspective, Daughter of Yesterday, is the first mythology retelling I read as a child, and it still holds up. A series of unfortunate events puts the protagonist in Helen of Troy’s household as a companion for her young daughter.
I’d never read a version of the myth that views Helen as a mother, an often-forgotten fact in retellings. Myths are so often taught in isolation that this was the first time I realized these mythological characters like Helen and Cassandra knew each other.
The fact that the main character is a completely powerless child trying her best to survive the chaos around her ramps up the tension and highlights the tragedy of the war.
Anaxandra is taken from her birth island at age 6 by King Nicander to be a companion to his crippled daughter, Princess Callisto. Six years later, her new island is sacked by pirates and she is the sole survivor. Alone with only her Medusa figurine, she reinvents herself as Princess Callisto when Menelaus, great king of Sparta, lands with his men. He takes her back to Sparta with him where Helen, his beautiful wife, does not believe that the red-headed child is Princess Callisto. Although fearful of the half-mortal, half-goddess Helen, Anaxandra is able to stay out of harm’s way—until…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.
Long before she ran away with Paris to Troy, Helen of Sparta was haunted by nightmares of a burning city under siege. These dreams foretold impending war-a war that only Helen has the power to avert. To do so, she must defy her family and betray her betrothed by fleeing the palace in the dead of night. In need of protection, she finds shelter and comfort in the arms of Theseus, son of Poseidon. With Theseus at her side, she believes she can escape her destiny. But at every turn, new dangers-violence, betrayal, extortion, threat of war-thwart Helen's plans and…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I am sure many will remember seeing the news footage on TV showing the little boy standing next to Saddam Hussain during the first Gulf War. He was, of course, not there by choice, as he was actually one of the hostages being held at the time. It was an interesting propaganda exercise, especially as Saddam tried to encourage Stuart to get closer but he was clearly not having it! From a PR perspective, it was unsuccessful and was not accepted as a positive image by those in the West.
This book is written by his mother and describes just how traumatic the experience was for all the family as well as all the other families held hostage at the time. As the final book in my selection, it completes the theme of the futility of war and its impact on the individuals closest to the action.
On 23 August 1990, the world was outraged when five-year-old Stuart Lockwood was used in a publicity stunt by Saddam Hussein. This work is based on his mother's diary of their imprisonment in Baghdad during the Gulf War, and their treatment during Iraq's human shield policy.
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
I worked closely with David to edit the book for publication. It presents a different view of ‘Operation Safe Haven’ in Iraq during the first Gulf War. Intended to help protect Iraqi Kurds from being targeted by Saddam Hussain, it involved both military and volunteer personnel of different nationalities.
It was written by one of the British volunteer engineers and, therefore, gives a different picture of how successful the project was. Much of the writing about Operation Safe Haven suggests it was a military success but neglects to mention the crucial role played by civilians who were seen by the Kurds as less of a threat than any military personnel.
They were able to get closer to individuals in the Kurdish community, so they played an invaluable role in keeping them safe. As with the other recommended books, it is good to see a different perspective on the reality of…
