Here are 9 books that Messalina fans have personally recommended if you like
Messalina.
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I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
In this fascinating book, which combines flowing prose, a lively and engaging presentation, and wonderful illustrations, Adrienne Mayor brings the reader into the excitement of discovering the historical truth about the mysterious Amazons of Greek mythology.
Mayor demonstrates that the Amazon traditions derive from the undeniable fact that nomadic, armed horsewomen existed on the fringes of the ancient Greek world. The author, who describes herself as a classical folklorist, is the first to examine the intriguing evidence systematically and in detail.
Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Bettany Hughes follows the infamous beauty Helen of Troy through 3,000 years of world myth, history, archaeology, and culture.
I first read this book as an undergraduate and I’ve returned to it many times over the years as a first class example of how to make use of every possible scrap of evidence when attempting to bring the past to life in three dimensions and vivid technicolor.
As soon as men began to write, they made Helen of Troy their subject; for nearly three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for both the Trojan War and enduring enmity between East and West. For millennia she has been viewed as an exquisite agent of extermination. But who was she?
Helen exists in many guises: a matriarch from the Age of Heroes who…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
Unlike her husband, the famous philosopher Herodes Atticus, Appia Annia Regilla is virtually unknown, despite being so aristocratic that she was related to several Roman emperors and so wealthy that she was a great patroness whose architectural endeavours have survived.
Infuriatingly, she is only really mentioned in the historical record because she was a victim of domestic violence, as her husband brutally murdered her and, despite two separate trials, got away with it!
But Sarah B. Pomeroy works painstakingly to reconstruct the circumstances of her life from literary and archaeological evidence rather than simply focusing on her death.
From an acclaimed author comes a fascinating story of the life, marriage, and death of an all but forgotten Roman woman. Born to an illustrious Roman family in 125 CE, Regilla was married at the age of fifteen to Herodes, a wealthy Greek who championed his country's values at a time when Rome ruled.
Twenty years later--and eight months pregnant with her sixth child--Regilla died under mysterious circumstances, after a blow to the abdomen delivered by Herodes' freedman. Regilla's brother charged Herodes with murder, but a Roman court (at the urging of Marcus Aurelius) acquitted him. Sarah Pomeroy's investigation suggests…
As an ancient historian and archaeologist, I’ve been fascinated by antiquity for many years yet I have little interest in politics and military matters and no patience at all with the ‘great man’ approach to history that privileges kings and generals. I’ve always wanted to know what the other half of ancient society was doing, and if we can’t find them in ancient literature, we need to use other types of evidence to find them and reconstruct their lives, and once we do that, we can gain an entirely new perspective on the ancient Greek and Roman worlds.
If you are looking for something slightly different than the standard historical biography, nobody writes about ancient Rome quite like Emma Southon does.
She manages to take everything you think you know, turn it on its head, and make you think about it in an entirely new way, all while cackling involuntarily so hard that you drop the book. Her biography of the empress Agrippina is simultaneously profane and hilarious while still managing to be erudite and authoritative.
Sister of Caligula. Wife of Claudius. Mother of Nero. The story of Agrippina, at the center of imperial power for three generations, is the story of the Julio-Claudia dynasty—and of Rome itself, at its bloody, extravagant, chaotic, ruthless, and political zenith.
In her own time, she was recognized as a woman of unparalleled power. Beautiful and intelligent, she was portrayed as alternately a ruthless murderer and helpless victim, the most loving mother and the most powerful woman of the Roman empire, using sex, motherhood, manipulation, and violence to get her way, and single-minded in her pursuit of power for herself…
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
The shift to one-man rule in ancient Rome meant the ruler’s family, including his female relatives, was now centre-stage. Ancient Roman writers are generally dismissive or highly critical of the women who were part of the Roman imperial family. They are accused of arrogance, manipulation, adultery, incest—and poisoning. This engaging and well-researched book shines a spotlight on women such as Livia (Augustus’ wife), Julia (Augustus’ daughter), and Agrippina (Nero’s mother) and explores what influence they had, what they were able to achieve—and why they came in for so much, often sensationalist, criticism.
Like their modern counterparts, the 'first ladies' of Rome were moulded to meet the political requirements of their emperors, be they fathers, husbands, brothers or lovers. But the women proved to be liabilities as well as assets - Augustus' daughter Julia was accused of affairs with at least five men, Claudius' wife Messalina was a murderous tease who cuckolded and humiliated her elderly husband, while Fausta tried to seduce her own stepson and engineered his execution before boiled to death as a punishment.
In The First Ladies of Rome Annelise Freisenbruch unveils the characters whose identities were to reverberate through…
Ahimsa Kerp is a peripatetic language mercenary and spec-fic writer who hails from the Pacific Northwest of the United States but has lived on 5 continents. He is fond of rambling hikes, board games, and tofu tacos. He is the author of several novels, role-playing game books, and the co-founder of Knight Owl Publishing. He earned his Masters in Ancient History from the University of Queensland.
The year 68 CE is a very important, not to mention interesting, year in Roman History. Because history was written by the upper class, we tend to lose sight that Nero was a populist, a man of the people. Tacitus gives you the scoop here on all the soap opera that unfolds with the end of the Julio-Claudian line. If you think history is boring, you might be surprised at how fast-paced and scandalous these accounts are.
AD 69, the year following Nero's suicide and marking the end of the first dynasty of imperial Rome, was one of the most dramatic and dangerous in the city's history. In the surviving books of his Histories, the great barrister-historian Tacitus gives a gripping account of the long but single year' that saw the reigns of four emperors: disciplinarian Galba; conspirator and dandy Otho; unambitious hedonist Vitellius; and pragmatic victor Vespasian, who went on to establish the Flavian dynasty. In a narrative that extends from Britain to Egypt and from the Caucasus to Morocco, taking in revolt, conspiracy, battles and…
Ever since I stumbled through the “Early Roman Empire” paper in Finals using I, Claudius by Robert Graves, I have held a deep admiration of those authors who can portray the complex world of Rome with such authority. I went on to teach the Greeks and Romans for 25 years, so I have grown to love these characters—Caesar is a philandering schemer, Augustus has ice for blood, Livia is a skilled practitioner of poisons… How can one resist such entertaining people who operate in a system where the upper classes must compete through bribery, intrigue and occasional revolutions?
This is the masterclass in the portrayal of the first hundred years or so of the Roman Empire. Graves was a considerable scholar in his own right, providing the translation for the Penguin edition of Suetonius’ “Twelve Caesars”. He was also a poet and novelist, and his picture of the naïve Claudius making his unwitting way to power is probably on most people’s list of all-time great historical novels. What I particularly found striking was just how much work went into running the Roman empire, and one almost has sympathy for Augustus as he tries to mould Roman rule into something that is efficient and fair. The BBC adaptation, in my opinion, did a good job: Sian Phillips as Livia is a complete joy.
A work of historical fiction which recreates the life and times of Emperor Claudius, who lived from 10 BC to AD 41, a time when poisoning, blasphemy, treachery, incest and unnatural vice were commonplace. From the author of CLAUDIUS THE GOD AND HIS WIFE MESSALINA.
I’ve always been fascinated by the ancient Romans and particularly by the ways they wrote about themselves. A Professor of Ancient History at Birkbeck, University of London since 2005, I regularly take part in BBC Radio 4’s In Our Time, discussing topics such as Roman decadence. Later generations look back on ancient Rome as mired in luxury and sexual misbehaviour—but that’s because the Romans themselves were constantly accusing one another of terrible vices. What can these claims tell us about Roman society? That’s a question that I’ve often returned to in many years of university teaching—and writing books, such asThe Politics of Immorality in Ancient Rome.
This darkly magnificent account of Roman history under the emperors from the time of Tiberius to that of Nero (with some retrospective swipes at Tiberius’ predecessor Augustus) is an ironic masterpiece written by a Roman senator in the early second century CE. Tacitus offers an unflinching analysis of the effects of an autocratic system on the behaviour of rulers—and the ruled. While a handful of individuals dare to speak truth to power, most people, in his account, are caught in the toils of second-guessing how the emperor might want them to behave and what he might want them to say. Tacitus’ hugely influential analysis of what power does to people—and his breath-taking prose—make this a riveting read.
'He was atrocious in his brutality, but his lechery was kept hidden... In the end, he erupted into an orgy of crime and ignominy alike'
Such is Tacitus' obituary of Tiberius, and he is no less caustic in his opinion of the weak and cuckolded Claudius and the 'artist' Nero. The Annals is a gripping account of the Roman emperors who followed Augustus, the founder of the imperial system, and of the murders, sycophancy, plotting, and oppression that marked this period in Rome. Tacitus provides the earliest and most detailed account of Boudicca's rebellion in Britain, and his history also…
I’m a nosy world traveler who loves visiting archeological sites, medieval castles, museums of the strange, and other people’s gardens. As both writer and editor, I know there’s nothing more powerful than finding and using the perfect words. A story can only engage others if it’s told vividly and well. I wrote my first in fifth grade, self-published for classmates on paper purloined from the teacher’s supply closet. Since then I’ve produced poetry, short prose, children’s books, and historical and contemporary novels. In my role as small-press editor, I love coming across a good manuscript by another writer and midwifing it to a final, polished birth as a wonderful book.
Everyone may love a hero, but let’s face it: They’re far more enthralled by a really good villain. An antagonist can be far more conflicted and complex, and thus more interesting, than a steady, predictable protagonist. And when it comes to infamous couples gone bad, two of the most famous are Gertrude and Claudius from Shakespeare’s tragedy Hamlet. I was once part of a traveling Shakespeare company, years ago, and sometimes still act. So novels that feature characters from classic plays and either update or develop them more deeply fascinate me. Updike’s skilled, vivid take on Hamlet’s mother and scheming uncle-turned-stepfather does not disappoint. He makes them far more sympathetic and human than one would ever infer from the original play, and I was quickly immersed in the setting and era he so vividly recreates. But, fair warning: You may find yourself rooting for the opposition in this revisionist…
Using details of the ancient Scandinavian legends that were the inspiration for Hamlet, John Updike brings to life Gertrude's girlhood as the daughter of King Rorik, her arranged marriage to the man who becomes King Hamlet, and her middle-aged affair with her husband's younger brother. As only he could, Updike recasts a tale of medieval violence and presents the case for its central couple that Shakespeare only hinted at. Gertrude's warmth and lucidity, Claudius's soldierly yet peaceable powers of command are seen afresh against a background of fond intentions and familial dysfunction, on a stage darkened by the ominous shadow…
