100 books like The Fist of God

This is a non-fiction book but it reads like a novel and explores one of the great mysteries of the spy world: how on earth did Kim Philby manage to betray not only his country but also his friends over so many years? 

A former spy I had the privilege of interviewing described Philby as a shit, so maybe there’s the answer. I think this is a terrific read, and although Macintyre probably isn’t a spy, like Deighton, he knows them. 

The immersive nature of this book's narrative gripped me from the very start. This is a truly foundational text in the genre, but it nevertheless holds up to this day.

I particularly enjoyed the two-part story’s focus on humanity’s initial resistance to the invading force as well as an exploration of life under Martian control.

It goes without saying that the book is considerably older than the others I read while becoming interested in this topic. I enjoyed reflecting on the similarities and differences in Wells’ contemporary ideas about aliens, which naturally reflect some key Earth-based societal concerns of the time.

This book sums up so much of what went on in the Middle East from the Second World War onwards. As such, James Barr lifts the curtain on British plotting and intrigue in a most readable and thrilling way. It details how America got involved in the middle decades of the twentieth century and much of the rivalry that existed during this period between the secret services. Essential reading to understand some of the present-day political ramifications of the region.

I am a devout LeCarré fan and find him both a master writer and storyteller—perhaps the most “literary” of the great spy/thriller authors. A later and often overlooked LeCarré gem, published in 2003, Absolute Friends details in captivating prose the development over four decades of British double-agent Ted Mundy and his friend (handler) Sasha. You can’t read LeCarré without getting the feeling that he really understood how the whole clandestine community operated! Absolute Friends is one of LeCarré’s most revealing in terms of his own attitudes about espionage, political ideologies, and their moral ambiguities. 

I spent several of my teen years living in Iran, so had a personal interest in what happened to Americans during and after the Shah’s removal from power. Although Follett is best known for his epic Kingsbridge Series and thrillers such as Eye of the Needle, this non-fiction piece is as tense and engaging as much of his fiction. It details the efforts of a team assembled by Ross Perot to rescue two of his top EDS executives from Iranian captivity after a series of diplomatic efforts fail. Though this isn’t Follett’s finest prose and does seem to lionize Ross Perot, it is a great example of how factual tales of courage and ingenuity can be as engaging as the best thriller fiction. The descriptions of Tehran and the Iran/Turkish frontier are spot-on.

It’s too easy when reading Ludlum to get caught up in the Bourne Trilogy and overlook the author’s other great political thrillers. For me, The Matarese Circle best captures a theme that appears in most of Ludlum’s work – “We shouldn’t always trust our own intelligence community.”  

In The Matarese Circle, two disaffected covert agents—one American and one Soviet—team up to identify members of an international league of assassins bent on achieving world domination to promote commercial gain. This corpse-laden, globetrotting chase is one of Ludlum’s finest. 

Graham Greene is another master craftsman of thriller novels that explore political, moral, and ethical ambiguities in a way that both entertains and provokes. Better known for Our Man in Havana, Greene was sufficiently uncomfortable with The Confidential Agent that he wanted it published under a pseudonym. Yet I agree with critics that this tale of a foreign agent’s covert efforts to buy British coal to fuel a European civil war is among his best. Greene reputedly wrote it in six weeks, assisted by a diet of amphetamines and an affair with his landlady’s daughter, giving the novel a pace and rawness that reflect its creation.  

Donald Westlake was the consummate professional, a writer’s writer with more than a hundred novels to his credit. 

Specializing in crime fiction, he created the blockbuster Parker series and was so prolific he needed a half a dozen pseudonyms just to avoid competing with himself in the marketplace. This book is his masterpiece. Period. Full stop. And if the first sentence doesn’t grab you, nothing will:

I’ve never actually killed anybody before, murdered another person, snuffed out another human being.

So let the games begin!

"The world had teeth and it could bite you with them anytime it wanted." 

It’s more than a creepy opening sentence; it’s a mission statement from the Master of the Macabre, the Poet of the Paranormal, the Chaucer of Chills. It encapsulates what Stephen King does so well – a plucky little girl gets lost in the woods, a shadowy presence stalking her, and something dark, magical, and miraculous emerging from the girl’s soul. 

This short novel is so riveting, you will finish it in one sitting.

Stephen Hunter’s crime fiction masterpiece, Dirty White Boys, begins with a sentence lovingly detailing the villain’s genitals. 

I assure you this opening is in no way gratuitous or prurient; it signals that we’re in for a wild ride, informing us that only “…three men at McAlester State Penitentiary had larger penises than Lamar Pye….” 

Pye is one of the great literary villains of all time – racist, crude, violent, and cruel… and smart as a whip. And the tone here is pitch-dark hillbilly noir. If you’re brave enough to read this book it will live in your imagination for the rest of your life.